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E-grāmata: Performing Mountains

  • Formāts: PDF+DRM
  • Sērija : Performing Landscapes
  • Izdošanas datums: 02-Apr-2020
  • Izdevniecība: Palgrave Macmillan
  • Valoda: eng
  • ISBN-13: 9781137556011
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Performing MountainsPalielināt
  • Formāts: PDF+DRM
  • Sērija : Performing Landscapes
  • Izdošanas datums: 02-Apr-2020
  • Izdevniecība: Palgrave Macmillan
  • Valoda: eng
  • ISBN-13: 9781137556011
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Launching the landmark Performing Landscapes series, Performing Mountains brings together for the first time Mountain Studies and Performance Studies in order to examine an international selection of dramatic responses to mountain landscapes. Moving between different registers of writing, the book offers a critical assessment of how the cultural turn in landscape studies interacts with the practices of environmental theatre and performance. Conceived in three main parts, it begins by unpicking the layers of disciplinary complexity in both fields, before surveying the rich history and practice of rituals, playtexts and site specific works inspired by mountains. The last section moves to a unique analysis of mountains themselves using key concepts from performance: training, scenography, acting and spectatorship. Threaded throughout is a very personal tale of mountain research, offering a handrail or alternative guide through the book.    

Recenzijas

There is much in this book, and indeed the Performing Landscapes series, that is crying out for further ecocritical discussion. (Terry Gifford, Green Letters, February 21, 2021)

Handrail 1 Beginnings: Pavey Ark and Harrison Stickle (W1 and 2/214)
1(8)
References
6(3)
Part 1 Mountain Studies Meets Performance
General Introduction: Understanding the Critical Landscape of Performing Mountains
9(1)
Introduction
9(4)
Mountain Studies and Performance
13(8)
A Short Detour to Tosemite
21(5)
Cultural Overlay or Interplay
26(4)
References
30(5)
Part 2 Mountains in Ritual, Drama and Site-Related Performance
Handrail 2 Little Rituals: Bowfell (W9/214)
35(40)
References
39(2)
Part 2.1 Mountain Rituals
41(1)
Introduction
41(3)
What Is a Mountain Ritual?
44(2)
Approach
46(2)
Four Examples of Mountain Rituals
48(19)
Conclusion
67(5)
References
72(3)
Handrail 3 Narrative Paths: The Fairfield Horseshoe (W18-25/214)
75(54)
References
80(1)
Part 2.2 Mountain Drama
81(1)
Introduction
81(1)
Approaching Mountain Dramaturgy
82(4)
Journey from the West: Mountain Dramas on Five Lines of Longitude
86(34)
Conclusion
120(5)
References
125(4)
Handrail 4 Site, Light and a Dark Memory Put to Rest: Barrow and Outerside (W41-42/214)
129(52)
References
133(2)
Part 2.3 Mountain Site-Related Performance
135(1)
Introduction
135(2)
Rationale
137(2)
Wales and Mountain Site-Related Performance
139(3)
TDR and the Persepolis Arts Festival
142(4)
Site-Related Performance from Wales: Three Case Studies from Snowdonia
146(22)
Conclusion
168(6)
References
174(7)
Part 3 Performing Mountains
Handrail 5 Stepping Up, Training and a New Urgency: Skiddaw and Its Neighbours (W135-140/214)
181(90)
References
186(1)
Part 3.1 Mountains in Microcosm: The Artistry of Training in the Studio and on the Wall
187(1)
Introduction
187(2)
Mountains in Performer Training
189(1)
Training in Mountain Contexts (P'ansori and the Mountain Project)
190(4)
Training with Mountain Forms (Jingju Training)
194(2)
Training with Mountain Forms (Jacques Lecoq)
196(2)
The Artistry of the Training Wall
198(1)
Landscape Translation
199(3)
Movement Design
202(2)
Embodied Knowledge Transmission
204(2)
Conclusion
206(5)
References
211(4)
Part 3.2 Skywalk Scenography: Stage-Managing Fear and Delight in Mountain Environments
215(1)
Introduction
215(2)
Skywalks and TripAdvisor
217(2)
When Is a Skywalk Not a Skywalk?
219(3)
A Model of Mountain Design and Exposure
222(2)
Skywalk Scenography
224(2)
The Event-Space ofTianmen Mountain Skywalk
226(5)
Conclusion
231(4)
References
235(2)
Part 3.3 From Mont Blanc to the Matterhorn: Deep and Dark Play in the Alps
237(1)
Introduction
237(3)
Defining and Reassessing Deep and Dark Play
240(3)
Mont Blanc
243(3)
The Eiger
246(3)
The Matterhorn
249(4)
Conclusion
253(4)
References
257(4)
Performing Mountains: General Conclusion
261(8)
References
269(2)
Handrail 6 Endings: Pillar (W214)
271(6)
References
276(1)
Glossary (or Handrail 7) 277(3)
References 280(1)
References 281(16)
Index 297
Jonathan Pitches is Professor of Theatre and Performance at the University of Leeds, UK, and specialises in environmental performance, performer training and blended learning. He is a keen hill walker and completed the Wainwright challenge of climbing 214 summits in the Lake District along with his family in 2018.
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