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1 Introduction: Ruining the Project, Subjectivities, Fields and Methods |
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1 | (20) |
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Ruination as Structure of Feeling |
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4 | (3) |
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Performing Ruins, Situated Practices and Writing Performance: A Partial Vision |
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7 | (2) |
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An Elasticity of Ruins and Matters of Definition |
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9 | (1) |
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10 | (3) |
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Resisting Homogeneity Whilst Seeking Associations: An Overview of
Chapters |
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13 | (6) |
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Questions to Ask a Ruin in Ruined Times |
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19 | (1) |
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20 | (1) |
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2 Ruins in Context: Context in Ruins |
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21 | (20) |
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Discourse: Thinking Through Ruins |
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22 | (3) |
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Contemporary Thinking and `Ruin Poru' |
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25 | (2) |
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A Poetics of Dereliction: Ruins Across the Arts |
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27 | (4) |
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The Allure of Ruination in Theatre and Performance |
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31 | (7) |
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38 | (3) |
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3 Performing the Antiquary: Classical Ruins in the Greek Imaginary |
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41 | (20) |
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The Role of Antiquary in the Greek Imaginary |
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41 | (6) |
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Makronisos and Giaros: The Ruin as Political (Re)education |
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44 | (3) |
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Performing the Classical Ruins of Ancient Greece: Epidaurus and Delphi |
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47 | (11) |
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48 | (7) |
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55 | (3) |
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58 | (3) |
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4 Nature's Ruins: Gibellina--A Dream in Progress |
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61 | (24) |
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Beliee Valley: Earthquakes and the Birth of Nuova Gibellina |
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62 | (8) |
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70 | (2) |
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Theatre, Performance and Joseph Beuys |
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72 | (3) |
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Orestiadi Foundation and the Museum of Mediterranean Weaving |
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75 | (2) |
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End Words: But Impermanent and Provisional |
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77 | (5) |
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82 | (3) |
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5 Dissonance and Contestation: Ruining Heritage and Its Alternatives |
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85 | (42) |
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Reactivating Industrial Ruins of the Ruhr: Duisburg-Nord's Landschaftspark and Essen's Zollverein |
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86 | (16) |
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Zollverein and PACT in Essen |
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87 | (6) |
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Landschaftspark in Duisburg-Nord |
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93 | (9) |
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St Peter's Kilmahew and NVA: A Place for Our Times |
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102 | (23) |
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St Peter's and the Kilmahew Estate: A Brief History |
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103 | (4) |
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107 | (11) |
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NVA/St Peter's: Pause or Ending; Dotted Line or Epitaph? |
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118 | (3) |
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Postscript: St Peter's/NVA---Another Ending |
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121 | (4) |
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125 | (2) |
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6 Legacies of War: Performing Balkan Ruins |
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127 | (48) |
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Mostar: `The First Thing You See Are Ruins...' |
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128 | (16) |
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Leaving Mostar: Reflections on Dramaturgy |
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141 | (3) |
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Under Siege: Sarajevo's Theatres Against Death, 1992--1995 |
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144 | (19) |
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151 | (1) |
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152 | (3) |
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Symbols of Dignity and Freedom |
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155 | (3) |
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Texts of War in and Beyond Sarajevo |
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158 | (1) |
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Performing Memory (1): Sarajevo Red Line |
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159 | (1) |
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Performing Memory (2): Bolero |
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160 | (1) |
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Performing Memory (3): Vraca Memorial Park, Nermin Hamzagic and Copenhagen |
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161 | (2) |
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Waiting in Sarajevo: Sontag's Godot |
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163 | (9) |
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Twenty-Five Tears on: The Sarajevo War Theatre (SARTR) |
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170 | (2) |
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172 | (3) |
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175 | (58) |
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Ruination and Performance in Contemporary Greece |
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176 | (27) |
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The Mavili Collective, Embros and Green Park |
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177 | (7) |
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Anna Tzakou: A Geopoetic Response to Ruination |
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184 | (2) |
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Elefsina, The Old Oil Mill and the Promise of European `City of Culture' |
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186 | (7) |
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North Beyond Athens: Thessaloniki |
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193 | (5) |
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Beyond Athens: From the Argos Festival to Universal Topos |
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198 | (1) |
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Gathering Threads: Reflections on Reactivating Greek Ruins, Ancient and Modern |
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199 | (4) |
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Brith Gof: Performing Occupations |
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203 | (11) |
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Performing the Shipyard Ruins of Govern and Gdansk |
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214 | (16) |
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Gdansk Shipyards 1999--2014 |
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216 | (4) |
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Govan: The Graving Docks and Beyond |
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220 | (4) |
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Govan and Gdansk Collaborative Projects, 2012--2020 |
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224 | (4) |
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Govan and Gdansk: Unfinished Narratives |
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228 | (2) |
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230 | (3) |
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8 After Communism and the Cold War: A Ruined Inheritance |
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233 | (54) |
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Performing Cold War Ruins in Berlin |
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233 | (31) |
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Berlin and the Wall as Diasporic Ruin |
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234 | (3) |
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Field Station Berlin and the Devil's Mountain |
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237 | (12) |
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Kunsthaus Tacheles (1990--2012) and Paolo Podrescu |
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249 | (9) |
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The Ruination and Reinvention(s) of Flughafen Tempelhof |
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258 | (6) |
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Polish Ruin Theatre in Wroclaw and Legnica |
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264 | (19) |
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Wroclaw's Theatres of Ruins |
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265 | (3) |
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Legnica and Teatr Modjeska: `a most ruinish theatre company' |
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268 | (12) |
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Polish Postscript: Crumpled Paper and the Ruinous Emballages of Tadeusz Kantor |
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280 | (3) |
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283 | (4) |
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9 Conclusion: Ruining the Ruin or Pausing at a Partial View |
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287 | (7) |
| Bibliography |
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294 | (3) |
| Bibliography |
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297 | (12) |
| Index |
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309 | |
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