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Phenomenology in a New Key: Between Analysis and History: Essays in Honor of Richard Cobb-Stevens 2015 ed. [Hardback]

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  • Formāts: Hardback, 215 pages, height x width: 235x155 mm, weight: 4734 g, XIII, 215 p., 1 Hardback
  • Sērija : Contributions to Phenomenology 72
  • Izdošanas datums: 02-Feb-2015
  • Izdevniecība: Springer International Publishing AG
  • ISBN-10: 331902017X
  • ISBN-13: 9783319020174
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  • Formāts: Hardback, 215 pages, height x width: 235x155 mm, weight: 4734 g, XIII, 215 p., 1 Hardback
  • Sērija : Contributions to Phenomenology 72
  • Izdošanas datums: 02-Feb-2015
  • Izdevniecība: Springer International Publishing AG
  • ISBN-10: 331902017X
  • ISBN-13: 9783319020174
Citas grāmatas par šo tēmu:
In this collection of essays, the sophistication and vibrancy of contemporary phenomenological research is documented, including both its engagement with key figures in the history of philosophy, and with critical problems defining future directions of philosophical investigations. It honors the writings of Richard Cobb-Stevens, whose work in phenomenological philosophy, analytic philosophy and the history of philosophy has served as model for generations of philosophers working between these three fields of research. The essays collected in this volume provide a unique window on the contemporary state of the art in phenomenological philosophy by leading scholars of international reputation from North America and Europe. Historical figures such as Aristotle and Hobbes are innovatively brought into dialogue with phenomenological thinking. Phenomenological thinking is brought to bear on a wide variety of problems, from the nature of artworks and photography to questions concerning consciousness and knowledge. Among the topics discussed in these specially commissioned essays: phenomenology and Aristotle; the nature of the primal ego; Hobbes and Husserl; intentionality and reference; Neo-Aristotelian ethics; Husserl and Wittgenstein; photography; the nature of artworks.

This book presents a collection of essays that examine a wide variety of problems through the lens of phenomenology, from the nature of artworks and photography to questions concerning consciousness and intentionality.

Recenzijas

This book is of interest to those wishing to explore the intersections between the classical phenomenological canonHusserl especiallyand fields lying, as it were, on the frontiers or borderlands of this canon: philosophy of art, early modern philosophy, analytic philosophy, ethics, and ancient philosophy. In this way, it is useful to specialists in phenomenology and Husserl scholarship for the depth and rigor of the contributions as well as to those coming to phenomenology from a different corner of philosophy. (Keith Whitmoyer, Phenomenological Reviews, reviews.ophen.org, March, 2016)

1 Vindicating Husserl's Primal I
1(14)
Dan Zahavi
2 Intersections Between Four Phenomenological Approaches to the Work of Art
15(16)
Jacques Taminiaux
3 The Curious Image: Husserlian Thoughts on Photography
31(20)
John B. Brough
4 Hobbes and Husserl
51(12)
Robert Sokolowski
5 From the World to Philosophy, and Back
63(30)
Alfredo Ferrarin
6 Sense and Reference, Again
93(22)
Jocelyn Benoist
7 Transcendental Phenomenology?
115(20)
Rudolf Bernet
8 Neo-Aristotelian Ethics: Naturalistic or Phenomenological
135(16)
John J. Drummond
9 Phenomenal Experience and the Scope of Phenomenology: A Husserlian Response to Some Wittgensteinean Remarks
151(18)
Andrea Staiti
10 Thinking Fast: Freedom, Expertise, and Solicitation
169(12)
Daniel O. Dahlstrom
11 Aristotle and Phenomenology
181(28)
James Dodd
About the Contributors 209(4)
Index 213
Jeffrey Bloechl is Director of Graduate Studies in the department of Philosophy at Boston College. Nicolas de Warren is Research Professor in Philosophy at the Institute of Philosophy / Husserl Archives at KU Leuven.