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E-grāmata: Phonographic Encounters: Mapping Transnational Cultures of Sound, 1890-1945 [Taylor & Francis e-book]

Edited by (University of Glasgow, UK), Edited by (University of Newcastle, UK)
  • Formāts: 268 pages, 2 Tables, black and white; 28 Halftones, black and white; 28 Illustrations, black and white
  • Izdošanas datums: 20-Aug-2021
  • Izdevniecība: Routledge
  • ISBN-13: 9781003006497
  • Taylor & Francis e-book
  • Cena: 155,64 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 222,34 €
  • Ietaupiet 30%
  • Formāts: 268 pages, 2 Tables, black and white; 28 Halftones, black and white; 28 Illustrations, black and white
  • Izdošanas datums: 20-Aug-2021
  • Izdevniecība: Routledge
  • ISBN-13: 9781003006497

This cross-disciplinary volume illuminates the history of early phonography from a transnational perspective, recovering the myriad sites, knowledge practices, identities and discourses which dynamically shaped early recording cultures. With case studies from China, Australia, the United States, Latin America, Russia, Sweden, Germany, Spain, Portugal, France, and Italy, Phonographic Encounters explores moments of interaction and encounter, as well as tensions, between local and global understandings of recording technologies.

Drawing on an array of archival sources often previously unavailable in English, it moves beyond western-centric narratives of early phonography and beyond the strict confines of the recording industry. Contributions from media history, musicology, popular music studies, cultural studies, area studies and the history of science and technology make this book a key and innovative resource for understanding early phonography against the backdrop of colonial and global power relations.

List of figures
ix
List of contributors
xi
Acknowledgements xv
Introduction: entangled phonographies 1(14)
Elodie A. Roy
PART I Negotiating geographical and cultural boundaries: intermediaries, traders and operators
15(64)
1 Recording studios on tour: traveling ventures at the dawn of the music industry
17(23)
Sergio Ospina Romero
2 Global transfer, local realities: early phonographic practices and challenges in China (1900-1914)
40(20)
Andreas Steen
3 Settler colonial soundscapes: phonograph demonstrations in 1890s Australia
60(19)
Henry Reese
PART II Repertoires, auditory practices and the shaping of new listening identities
79(58)
4 Portugal and mechanical music in the early phonographic era: an intermedial approach
81(19)
Joao Silva
5 Discofils: notes on the birth of the record club and the record listener in 1930s Barcelona
100(17)
Eva Moreda Rodriguez
6 Mediatization of music, musicalization of everyday life: new ways of listening to recorded sound in Sweden during the interwar years, 1919-1939
117(20)
Ulrik Volgsten
PART III Phonography as ideology: the reordering of knowledge and sensibilities
137(64)
7 Recording music, making business: the Russian recording industry at the beginning of the twentieth century
139(21)
Karina Zybina
8 `Phonographic awareness': recorded sound in early twentieth-century Italy between aesthetic questions and economic struggles
160(17)
Ben Edetta Zucconi
9 The construction of "das Volk" through acoustic knowledge. Recordings of "ethnic German repatriates" from the Institute for Acoustic Research, 1940-1941
177(24)
Britta Lange
PART IV The social geographies of record-shopping
201(59)
10 The aesthetic of arrest: the Victor Talking Machine Company's Ready Made Windows program, 1909-1913
203(19)
J. Martin Vest
11 The phonograph and transnational identity: selling music records in Philadelphia's Little Italy, 1900s-1920s
222(20)
Siel Agugliaro
12 From the Grands Boulevards to Montparnasse: an essay on the geohistory of the phonograph and sound recording business in Paris (1878-1940)
242(18)
Thomas Henry
Conclusion 260(7)
Eva Moreda Rodriguez
Index 267
Elodie A. Roy is a media and material culture theorist. She is the author of Media, Materiality and Memory: Grounding the Groove (Routledge).

Eva Moreda Rodrķguez is Senior Lecturer in Musicology at the University of Glasgow and the author of two books on music and politics in Francoist Spain. Her research into early recordings in Spain has received funding from the AHRC and the British Academy.