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E-grāmata: Photojournalism Disrupted: The View from Australia

  • Formāts: 122 pages
  • Sērija : Disruptions
  • Izdošanas datums: 29-May-2019
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9780429848810
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  • Formāts: 122 pages
  • Sērija : Disruptions
  • Izdošanas datums: 29-May-2019
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9780429848810
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Photojournalism Disrupted addresses the unprecedented disruptions in photojournalism over the last decade, with a particular focus on the Australian news media context.

Using a mixed methods approach, the book assesses the situation facing press photographers and their employers in the supply of professional imagery for news storytelling. Detailed qualitative case studies looking at special events and crisis reporting complement a longitudinal study of sourcing practices around everyday events. Additionally, interviews with industry professionals offer insights into how news organizations are managing significant structural change. Ultimately, the book argues that photojournalism is being reshaped in line with wider industrial disruptions that have led to the emergence of a highly casualized workforce.

As a comprehensive study of contemporary photojournalism practices, Photojournalism Disrupted is ideal for scholars and students internationally, as well as (photo)journalists and media professionals.

List of figures
viii
List of tables
x
Acknowledgements xi
1 Introduction: a decade of disruption
1(11)
A decade (or more) of disruption for photojournalism
3(4)
Disruptions of a global scale
4(3)
The value of the press photograph/er
7(1)
The effects of disruptions in journalism on the Australian context
7(5)
2 Investigating visual sourcing practices: data and methodology
12(17)
The sourcing and attribution of news photographs
12(3)
The news media in Australia
15(2)
Methodology: a three-pronged approach
17(10)
Case studies examining specialist reporting
19(3)
Large-scale survey of routine reporting
22(4)
Interviews with industry professionals
26(1)
Summary of data collected
27(2)
3 Bearing witness to events of national significance
29(29)
Overview of image-sourcing practices
31(5)
Case study 1 Photographing an event of political significance -- the Australian federal election, July 2016
36(6)
What are the photographs reporting the federal election about?
37(5)
Case study 2 Photographing an event of historical significance -- the South Australian storms of September 2016
42(4)
What are the photographs reporting the South Australian storms about?
45(1)
Case study 3 Photographing an event of cultural significance -- Australia Day 2017
46(7)
What are the photographs reporting Australia Day about?
49(4)
Attribution practices
53(5)
4 Everyday photography: surveying the sourcing of photographs for routine reporting
58(15)
Overview of image-sourcing practices
59(6)
Sourcing images from the public
65(4)
Sourcing images from image banks
69(1)
The use of unattributed images
70(2)
Concluding remarks
72(1)
5 The view from the inside: interviews with industry professionals
73(14)
Interview subjects
73(2)
Key themes
74(1)
Transcription of interviews
75(1)
Key findings
75(1)
What remains after a decade of redundancies?
75(6)
Fairfax Media
75(1)
News Corp Australia
76(2)
ABC News
78(1)
Guardian Australia
79(1)
Australian Associated Press (AAP)
80(1)
The value of the press photograph
81(1)
Sourcing images from alternative/non-professional channels
82(1)
The quality of images sourced from alternative channels
83(1)
Attribution practices
84(1)
Professional photography futures
84(3)
6 Professionals and amateurs: are we all in this together?
87(9)
Australian photojournalism disrupted
87(7)
You are now entering the precariat: proceed with caution
94(2)
Appendix 96(5)
References 101(9)
Index 110
Helen Caple is an Australian Research Council DECRA Fellow and Senior Lecturer in Journalism at the University of New South Wales, Australia. Her research interests centre on news photography, text-image relations and discursive news values analysis. She is currently exploring the role of citizen photography in contemporary journalism. Helen has published in the area of photojournalism and social semiotics, including Photojournalism: A Social Semiotic Approach (2013). She is also the co-author (with Monika Bednarek) of two books examining the news media: News Discourse (2012), and The Discourse of News Values (2017).