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Ranaming entire picture collections |
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Using Tool Presets to help work group management |
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Previewing color accurately on text |
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Creating a composite layer |
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Using the Transform Selection option |
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Aligning and distributing objects |
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Crop it, but don't lose it |
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Recalling previous settings from a dialog box |
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Golden rules of selection |
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Using Quick Mask to preview feathering |
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Using the Spacebar to reposition as you select |
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41 | |
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Making selections from the center outwards |
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Using the Spacebar to scroll whilst selecting |
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The Lasso tool and the Alt key |
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Using the Eyedropper to improve performance |
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Adding and deleting anchor points |
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Making a selection from a path |
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Saving a selection as an Alpha Channel |
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50 | |
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51 | |
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Viewing channels as Quick Masks |
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Quick Mask keyboard shortcuts |
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52 | |
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Using Quick Mask to adjust a selection |
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53 | |
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Using Quick Mask to create border effects |
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53 | |
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Using Quick Mask to create rounded corners |
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55 | |
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56 | |
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Using Extract for border effects |
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57 | |
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Using the History Brush with the Extract tool |
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59 | |
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61 | |
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62 | |
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Using Channels to make selections |
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63 | |
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Using Adjustment Layers to help with selection |
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67 | |
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Finding the center of objects on a layer |
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When Defringe doesn't work |
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71 | |
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Duplicating a layer for effect |
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72 | |
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Loading a layer as a selection |
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Creating new documents from layers |
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Using clipping groups to create effects |
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Use a clipping group to avoid rasterizing type |
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Merging elements using Layer Masks |
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Golden rules when merging layers |
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Managing the Layers palette with layer sets |
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Using layer sets to store unwanted layers |
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Keep your original photo pristine |
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Before you start - essential preparation |
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Composition through cropping |
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Make frequent use of Adjustment Layers |
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The advantages of using Adjustment Layers |
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103 | |
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Localized color correction |
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104 | |
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Making a micro view window |
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106 | |
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107 | |
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107 | |
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How to heal without scars |
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108 | |
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109 | |
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112 | |
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114 | |
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Using the Threshold command |
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117 | |
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Cropping your problems away |
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117 | |
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Coping with color in old monotone photos |
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118 | |
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118 | |
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Dealing with an unevenly faded photo |
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119 | |
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120 | |
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Using Adjustment Layers to fix uneven fading |
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121 | |
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122 | |
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122 | |
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Sharpening with the Unsharp mask |
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122 | |
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Sharpening with the High Pass filter |
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123 | |
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Sharpening in Lab Color mode |
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124 | |
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Combining sharpening methods |
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125 | |
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125 | |
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Adding the final touches by hand |
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125 | |
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126 | |
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Putting color back into the photo |
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128 | |
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Create your own Color Cast |
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129 | |
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131 | |
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131 | |
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Sampling the image for the zoom trail |
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132 | |
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132 | |
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Making any disk into a planet |
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134 | |
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138 | |
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138 | |
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138 | |
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139 | |
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139 | |
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Copyright signature brush |
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140 | |
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142 | |
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Making a realistic oak texture |
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142 | |
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Making a pattern from the oak |
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145 | |
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Carved Wood: Using the Oak to make a banner |
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146 | |
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Working with Layer Styles |
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147 | |
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147 | |
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148 | |
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149 | |
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Using Alpha Channels for 3D Effects |
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149 | |
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151 | |
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152 | |
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152 | |
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152 | |
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Quick background zoom effect |
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155 | |
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Making objects with layer styles glassy |
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156 | |
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157 | |
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Cutting away the burned edge |
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157 | |
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158 | |
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158 | |
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158 | |
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161 | |
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161 | |
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161 | |
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162 | |
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162 | |
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163 | |
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164 | |
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165 | |
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165 | |
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166 | |
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168 | |
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Previewing in a web browser |
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170 | |
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171 | |
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173 | |
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Saving optimization settings |
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174 | |
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Adding a blur to reduce file size |
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174 | |
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The Web Photo Gallery feature |
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175 | |
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175 | |
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Creating an entire web site in Photoshop |
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182 | |
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182 | |
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Duplicating layer elements |
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184 | |
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184 | |
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184 | |
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185 | |
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188 | |
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188 | |
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Optimizing individual slices |
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188 | |
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Important points when optimizing |
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189 | |
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Assigning links to the slices |
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189 | |
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190 | |
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193 | |
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193 | |
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193 | |
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195 | |
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197 | |
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197 | |
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197 | |
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198 | |
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Changing the display order |
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199 | |
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199 | |
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Using Preset document sizes |
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199 | |
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Making your own preset tools |
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201 | |
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Making a custom color palette for accurate color |
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204 | |
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205 | |
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Creating custom workspaces |
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205 | |
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206 | |
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Changing units and measurements |
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207 | |
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208 | |
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208 | |
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208 | |
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209 | |
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209 | |
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Use Shift Key for Tool Switch |
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209 | |
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209 | |
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210 | |
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Ask Before Saving Layered TIFF Files |
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210 | |
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Always Maximize Compatibility |
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210 | |
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211 | |
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212 | |
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212 | |
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214 | |
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New Document Preset Resolutions |
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215 | |
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Making your own custom sizes |
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215 | |
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216 | |
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217 | |
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Additional Plug-ins folder |
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217 | |
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218 | |
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218 | |
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219 | |
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220 | |
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221 | |
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Using Actions to set up keyboard shortcuts for anything |
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222 | |
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227 | |
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227 | |
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How much RAM do I need to run Photoshop? |
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228 | |
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How do I make the most out of how Photoshop uses my RAM? |
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229 | |
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So how much RAM do we give Photoshop to play with? |
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230 | |
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Software settings for hardware |
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230 | |
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How do I set up a scratch disk? |
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230 | |
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Ok, so what's the best way to use a scratch disk? |
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231 | |
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Increasing the resolution of your monitor |
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231 | |
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232 | |
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What's the best display adapter to use for Photoshop? |
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232 | |
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233 | |
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233 | |
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What type of monitor should I get? |
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234 | |
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Should I do anything to the monitor besides unpacking it? |
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234 | |
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236 | |
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What's the best mouse to get if I'm using Photoshop? |
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237 | |
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Which settings should I adjust to best use my mouse? |
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238 | |
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238 | |
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239 | |
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239 | |
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Using the Brush Dynamics with your tablet |
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241 | |
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241 | |
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Using the tablet to shade an object |
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242 | |
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244 | |
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What speed processor do I need to run Photoshop? |
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244 | |
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245 | |
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How can I import images into Photoshop? |
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245 | |
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Customizing your workspace |
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245 | |
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What is dual monitor support? |
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245 | |
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Setting up dual monitor support |
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246 | |
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246 | |
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246 | |