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Physical Dramaturgy: Perspectives from the Field [Mīkstie vāki]

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  • Formāts: Paperback / softback, 238 pages, height x width: 234x156 mm, weight: 420 g, 1 Tables, black and white; 20 Halftones, black and white
  • Izdošanas datums: 20-Jun-2018
  • Izdevniecība: Routledge
  • ISBN-10: 1138682888
  • ISBN-13: 9781138682887
Citas grāmatas par šo tēmu:
  • Mīkstie vāki
  • Cena: 53,41 €
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  • Formāts: Paperback / softback, 238 pages, height x width: 234x156 mm, weight: 420 g, 1 Tables, black and white; 20 Halftones, black and white
  • Izdošanas datums: 20-Jun-2018
  • Izdevniecība: Routledge
  • ISBN-10: 1138682888
  • ISBN-13: 9781138682887
Citas grāmatas par šo tēmu:
What is physical dramaturgy? While the traditional dramaturg shares research intellectually, the physical dramaturg does so viscerally and somatically. By combining elements of text, history, dramatic structure, and the authors intent with movement analysis and physical theatre pedagogies, the physical dramaturg gives actors the opportunity to manifest their work in a connected and intuitive manner and creates a field that is as varied and rich as the theatre itself.

Physical Dramaturgy: Perspectives from the Field explores the ways in which this unique role can benefit the production team during the design and rehearsal phases of both traditional and devised productions. Individual chapters look at new ways of approaching a wealth of physical worlds, from the works of Shakespeare and other period playwrights to the processes of Jerzy Grotowski, Lloyd Williamson, Richard Schechner, and Michael Chekhov, and devising original works in a variety of contexts from Pig Iron, DellArte International, Bill Bowers and mime, Tectonic Theater Project, and Liz Lermans Dance Exchange.

This anthology gives dramaturgs, actors, and directors new ways of looking at existing methods and provides examples of how to translate, combine, and adapt them into new explorations for training, rehearsal, or research.
List of illustrations
x
List of contributors
xii
Preface xvii
Acknowledgments xviii
Introduction 1(12)
Rachel Bowditch
Jeff Casazza
Annette Thornton
PART I Historical styles and case studies from the Greeks to contemporary theatre
13(58)
1 Embodying Greek period style: Physical dramaturgy in staging Euripides' Medea
15(13)
Chaya Gordon-Bland
2 Festina Lente and Sprezzatura in action: Unlikely sources of physical dramaturgy in Shakespeare's Love's Labour's Lost and As You Like It
28(11)
Sara J. Romersberger
3 Shakespeare's text in the body of the character in The Winter's Tale
39(9)
Sarah A. Barker
4 Period style: The physical dramaturgy of Loyd Williamson's Salon
48(10)
Deborah Robertson
5 Understanding the world of the play through period movement
58(13)
Judith Chaffee
PART II Inner landscapes: Dramaturgy from within
71(40)
6 Dramaturgy as litany
73(6)
Liz Lerman
7 A dramaturgy of embodiment: The study and practice of experiential anatomy
79(11)
Erika Berland
8 The augmented body
90(8)
Kevin Inouye
9 Mining the imagination: A physical approach to the creation of story with Action Theater
98(13)
Heather Harpham
PART III Acts of translation: Physical dramaturgy in the rehearsal room
111(54)
10 Devising Brechtian moments: The transformation of traditional dramaturgy into physical dramaturgy
113(15)
Jeff Casazza
11 "Lit from within": Non-traditional casting in Chekhovian realism through physical dramaturgy
128(12)
Kali Quinn
Jules Odendahl-James
12 The alchemy of re-composing history in Iphigenia and Other Daughters
140(6)
Matt Saltzberg
13 Quadruple threat musical theatre: Adding the physical dramaturg
146(8)
Annette Thornton
14 Kinetic analysis and gesture mapping in The Government Inspector and Anton's Shorts
154(11)
Terry Glaser
PART IV Physical dramaturgy in the devising process
165(68)
15 The search for synecdoche: Insight into Pig Iron Theatre Company's physical dramaturgy. Quinn Bauriedel interview, July 29, 2016
167(9)
Daniella Vinitski Mooney
16 Devising `madness': Physical dramaturgy in The Ophelia Project and Asylum
176(18)
Rachel Bowditch
17 The phenomenon of silence. Bill Bowers interview, September 9, 2017
194(9)
Annette Thornton
18 Butoh, landscape theatre, and the physical dramaturgy of GAle GAtes et al.
203(10)
Daniella Vinitski Mooney
19 Moment Work: Exploring the full potential of the stage. Moises Kaufman interview, July 20, 2017
213(6)
Rachel Bowditch
20 Physical dramaturgy: Reflections for the actor, director, designer, and deviser
219(14)
Joan Schirle
Index 233
Rachel Bowditch (PhD in Performance Studies, New York University) is a theatre director, an associate professor, and Head of the MFA in Performance at the Herberger Institute for Design and the Arts at Arizona State University, USA. Bowditch was President of the Association of Theatre Movement Educators from 20162018.

Jeff Casazza (MFA in Directing, Florida State University) is a designated Linklater voice teacher, director/deviser, playwright, and actor. He is an associate professor and Head of Acting, Movement, and Voice at Purdue University Fort Wayne, USA.

Annette Thornton (PhD in Theatre, University of Colorado Boulder) is an associate professor at Central Michigan University, USA, where she teaches courses in music theatre, performance, and history. Thornton was President of the Association of Theatre Movement Educators from 20122016.