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Physics and the Art of Dance: Understanding Movement 2nd Revised edition [Mīkstie vāki]

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  • Formāts: Paperback / softback, 288 pages, height x width x depth: 260x199x15 mm, weight: 572 g, 125 halftones, 20 line illustratons
  • Izdošanas datums: 06-Nov-2008
  • Izdevniecība: Oxford University Press Inc
  • ISBN-10: 0195341015
  • ISBN-13: 9780195341010
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  • Mīkstie vāki
  • Cena: 75,52 €
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  • Formāts: Paperback / softback, 288 pages, height x width x depth: 260x199x15 mm, weight: 572 g, 125 halftones, 20 line illustratons
  • Izdošanas datums: 06-Nov-2008
  • Izdevniecība: Oxford University Press Inc
  • ISBN-10: 0195341015
  • ISBN-13: 9780195341010
Citas grāmatas par šo tēmu:
Physics and the Art of Dance gives all who enjoy dance - whether as dancers, students, teachers, or fans - an opportunity to understand what happens when human bodies move in the remarkable ways we call dance. How, for instance, do dancers create the illusion of defying gravity? Or of starting to spin when in the air with no source of force to act on their bodies? You may observe some dancers using their arms in a way that allows some to jump higher than others. What is that technique, and why does it work?

In this second edition, author Ken Laws - a physicist with years of professional dance training - teams with veteran dance instructor Arleen Sugano to provide new step-by-step experiments for dancers. "What you see" sections describe the way physical principles form the framework within which some movements exist. The complementary "What you do" sections allow dancers to experience how those physical analyses can provide them a more efficient means of learning how to carry out those movements. Throughout, the book shows how movements are first artistic expressions, and secondly movements of the body within the framework of easy-to-understand physical principles.

Dancers and dance instructors will find in this book an efficient means of improving technical proficiency and growing professional and aesthetic development. For physics and science teachers, the book provides a new and compelling way to draw people into the world of science. And observers and fans of dance will marvel over the beautiful time-stop photography by renowned dance photographers Martha Swope and Gene Schiavone.
Foreword v
Martha Swope
Introduction
2(16)
The Role of Physical Analysis
4(3)
The Physics of Dance
7(3)
The Value of Analysis to Observers'
10(2)
The Value ofr Analysis to Dacers, Teachers, and health Professionals
12(4)
Communication: Words, Images, and Photographs
16(2)
Balance
18(18)
Condition for Static Balance
20(4)
Regaining Balance
24(6)
What You see
26(1)
What You Do
26(22)
Balance While Rotating
30(4)
A final Look
34(2)
Motions Without Turns
36(30)
Acceleration from Rest
38(4)
Motion in a Curved Path
42(2)
Stopping Horizontal Motion
44(1)
Vertical Jumps
45(7)
What you See
48(1)
What You Do
48(4)
Connections between Horizontal and Vertical Motions
52(1)
The Grand Jete ``Floating Illusion''
52(2)
Maximizing Traveling Leaps
54(6)
What You See
55(1)
What You Do
56(4)
Landings form Jumps
60(1)
Dance Floors: Elasticity and Friction
61(2)
A Final Leap
63(3)
Pirouettes
66(38)
Torque and Rotational Momentum in a Pirouette
70(1)
Pirouettes en Debors
71(6)
What You See
73(1)
What You Do
73(4)
Another View of Pirouettes en Debors
77(4)
Progression of Pirouettes en Debors
81(3)
What You See
81(2)
What You Do
83(1)
Pirouettes en Dedans
84(4)
What You See
85(1)
What You Do
86(2)
The Arabesque Turn
88(4)
What You See
88(1)
What You Do
89(3)
The ``Illusion'' Turn
92(1)
The Grande Pirouette
93(2)
Fouette Turns
95(4)
What You See
95(2)
What You Do
97(2)
Repeated Pirouettes
99(1)
A Final Turn
100(4)
Turns in the Air
104(20)
The Demi-Fouette
106(3)
The Tour Jete (Grand Jete en Tournant)
109(3)
What You See
109(1)
What You Do
109(3)
The Saut de Basque and the Turning Assemble
112(4)
What You See
113(2)
What You Do
115(6)
The Tour en l'Air
116(105)
What You See
118(1)
What You Do
118(3)
A final Leap
121(3)
The pas de Deux
124(22)
The History and Appeal of the Pas de Deux
126(6)
Who's Responsible for What?
132(2)
Physical Interactions between Partners
134(1)
Balance
135(6)
What You See
136(1)
What You Do
136(5)
Accelerating Motions
141(1)
Final Poses
142(3)
To the Next Step
145(1)
The Mechanics of Partnered Turns
146(18)
Starting a Supported Pirouette
148(7)
What You See
148(1)
What You Do
149(6)
Balacne during a Supported Pirouette
155(3)
Stopping Rotation
158(1)
Other Supported Turns
158(4)
What You See
159(1)
What You Do
160(2)
A Final Turn
162(2)
The Mechanics of Lifts
164(22)
The Straight Life
167(6)
The Arabesque Lift
173(4)
What You See
174(1)
What You Do
174(3)
Overhead Lifts
177(4)
Other Lifts
181(3)
Catches
184(1)
A Final Thrust
185(1)
The Effects of Body size
186(14)
Height of a Vertical Jump
188(4)
Entrechats
192(2)
Horizontal Accelerations and Body Size
194(1)
Body Size an Pirouettes
194(1)
Adagio Movements
195(1)
Body Size ad Partnered Dance
196(1)
Effects of Body shape
197(1)
A Final Comparison
197(3)
A Step into the Future
200(56)
Appendixes
Appendixe A: Linear Mechanics and Newton's Laws
207(7)
Appendixe B: Rotational Mechanics
214(5)
Appendixe C: Anatomical Data for Dacers
219(2)
Appendixe D: Rotational Inertia for Some Body Configurations
221(5)
Appendixe E: Acceleration Away from Balacne
226(5)
Appendixe F: Off-Balance Pirouettes
231(3)
Appendixe G: Arabesque Turn Analysis
234(5)
Appendixe H: Quantitative Analysis of the Grande Pirouette
239(4)
Appendixe I: Quantitative Analysis of the Fouette Turn
243(2)
Appendixe J: Quantitative Analysis of the Supported Fouette Turn
245(3)
Appendixe K: Lean, Don't Slip
248(6)
Appendixe L: Biomechanical Forces in a Dancer's Body
254(2)
Glossary 256(5)
Index 261
Kenneth Laws is Professor Emeritus of Physics, Dickinson College, and author of The Physics of Dance (Schirmer, 1984), Physics, Dance, and the Pas de Deux (Schirmer, 1994), and Physics and the Art of Dance: Understanding Movement (OUP, 2002) Arleen Sugano is Independent Dance Instructor, former instructor of Dance, New York University, University of North Texas, Joffrey Ballet School, Rod Rodgers Dance Company, and Lula Washington Dance Company, amongst many others.