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E-grāmata: Pilgrimage and Politics in Colonial Bengal: The Myth of the Goddess Sati

  • Formāts: 138 pages
  • Izdošanas datums: 16-Mar-2017
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781351840019
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  • Formāts: 138 pages
  • Izdošanas datums: 16-Mar-2017
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781351840019
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From the late nineteenth century onwards the concept of Mother India assumed political significance in colonial Bengal. Reacting against British rule, Bengali writers and artists gendered the nation in literature and visual culture in order to inspire patriotism amongst the indigenous population. This book will examine the process by which the Hindu goddess Sati rose to sudden prominence as a personification of the subcontinent and an icon of heroic self-sacrifice. According to a myth of cosmic dismemberment, Sati’s body parts were scattered across South Asia and enshrined as Shakti Pithas, or Seats of Power. These sacred sites were re-imagined as the fragmented body of the motherland in crisis that could provide the basis for an emergent territorial consciousness. The most potent sites were located in eastern India, Kalighat and Tarapith in Bengal, and Kamakhya in Assam. By examining Bengali and colonial responses to these temples and the ritual traditions associated with them, including Tantra and image worship, this book will provide the first comprehensive study of this ancient network of pilgrimage sites in an art historical and political context.

Recenzijas

Ramos book is a compelling read and an important contribution to our larger understanding of the complex intersections between religion, politics, sacred space, pilgrimage, and national identity. [ This] is an important book that should be of genuine interest to anyone interested in the study of pilgrimage, sacred space, religious nationalism, and modern Indian history.

--Journal of South Asian Studies

Ramos weaves a narrative from the threads of traditional religious practices, shrines, visual culture, and politics into a whole cloth that gives us a better sense of the Bengali imagination undergoing its transformations of modernity in its distinctive way. Highly recommended.

--Bulletin of the School of Oriental and African Studies

This is a fascinating and well-crafted study that dwells substantially in the concrete rather than in the theoretical or the historiographical. Historians of Indian nationalism, art historians, and scholars of South Asian religion will all learn much from this valuable work.

--International Journal of Hindu Studies

Introduction 1(14)
A Myth of Dismemberment
1(3)
Sati and her rise as a patriotic icon
4(2)
The formation of Hindu identity: from cultural to revolutionary nationalism
6(2)
Layout of the book
8(7)
1 Kalighat souvenirs and the creation of Sati's iconography
15(30)
Sati's place in the visual rhetoric of motherland
15(6)
Sati's portrayal in Kalighat pilgrimage souvenirs
21(4)
The invocation and reinvention of Sati
25(1)
The romanticisation of martyrdom
26(1)
Subverting Christian iconography
27(2)
Shiva, asceticism and Bengali masculinity
29(5)
Sati, suttee and the story of Padmini
34(3)
The enduring power of Sati
37(8)
2 Kamakhya's erotic-apotropaic potency and the forging of sacred geography
45(25)
Martial and maternal: Kamakhya's sculptures
46(6)
The promotion of fertility and protection: Kamakhya's female archer
52(4)
Subversive sexuality: the reception of Kamakhya during the colonial period
56(2)
Colonial mapping versus sacred geography
58(1)
Bengal's love affair with Kamakhya: pilgrimage as a nationalist device
59(11)
3 Tantra's revolutionary potential: Tarapith and Bamakhepa's visualisation of Tara
70(18)
Understanding Tara
72(2)
Understanding Tantric ritual through Tara
74(2)
Bamakhepa, Tantra and revolutionary potential
76(3)
Terrifying and benevolent: visions of Tara
79(1)
The sweetening of death
80(8)
4 Contesting the colonial gaze: Image worship debates in nineteenth-century Bengal
88(15)
Murtipuja, darshan and rituals of consecration
88(2)
Ram Mohan Roy and the Brahmo Samaj movement
90(1)
`Inconsistent with the moral order of the universe': the Reverend Hastie's views on murtipuja
91(1)
The backlash: Bengali responses to Hastie
92(4)
The Saligram idol case: murti and artefact
96(2)
The Attahas and Khirogram Pithas: the charisma of antique murtis
98(5)
Conclusion 103(1)
Reviving Sati's corpse: Mother India tours and Hindutva in the twenty-first century 104(8)
Bibliography 112(10)
Index 122
Imma Ramos is Curator of the South Asia Collections at the British Museum, UK.