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E-grāmata: Place Matters: Critical Topographies in Word and Image

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  • Formāts: PDF+DRM
  • Izdošanas datums: 15-Dec-2022
  • Izdevniecība: McGill-Queen's University Press
  • Valoda: eng
  • ISBN-13: 9780228014850
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  • Formāts: PDF+DRM
  • Izdošanas datums: 15-Dec-2022
  • Izdevniecība: McGill-Queen's University Press
  • Valoda: eng
  • ISBN-13: 9780228014850

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A place comes into existence through the depth of relationships that underwrite a physical location with layers of sedimented names. In Place Matters scholars and artists conduct varied forms of place-based inquiry to demonstrate why place matters. Lavishly illustrated, the volume brings into conversation photographic projects and essays that revitalize the study of landscape. Contributors engage the study of place through an approach that Jonathan Bordo and Blake Fitzpatrick call critical topography: the way that we understand critical thought to range over a place, or how thought and symbolic forms invent place through text and image as if initiated by an X marking the spot. Critical topography’s tasks are to mediate and to diminish the gap between representation and referent, to be both in the world and about the world; to ask what place is this, what are its names, where am I, how and with what responsibilities may I be here? Chapters map the deep cultural, environmental, and political histories of singular places, interrogating the charged relation between history, place, and power and identifying the territorial imperatives of place making in such sites as Colonus, Mont Sainte-Victoire, Chomolungma/Everest, Hiroshima, Fort Qu’Appelle, Donetsk airport, and the island of Lesbos. With contributions from the renowned artists Hamish Fulton and Edward Burtynsky, the Swedish poet Jesper Svenbro, and others, the collection examines profound shifts in place-based thinking as it relates to the history of art, the anthropocene and nuclear ruin, borders and global migration, residential schools, the pandemic, and sites of refuge. In his prologue W.J.T. Mitchell writes: “Places, like feasts, are moveable. They can be erased and forgotten, lost in space, or maintained and rebuilt. Both their appearance and disappearance, their making and unmaking, are the work of critical topography.” Global in scope, Canadian in spirit, and grounded in singular sites, Place Matters presents critical topography as an approach to analyze, interpret, and reflect on place.


Bordo and Fitzpatrick coin the term critical topography to describe how thought and symbolic forms invent place through text and image. International in scope, Canadian in spirit, and grounded in singular sites, Place Matters presents critical topography as an approach to analyze, interpret, and reflect on place.

Recenzijas

No other volume offers such a resonant dialogue of media, academic inquiry, and artwork. Productively framed by the notion of critical topography, Place Matters is both creative and analytical, wide-ranging but focused. It presents the state of the art in spatial studies

and speaks urgently to current political concerns. Ina Habermann, University

of Basel and author of Myth, Memory and the Middlebrow: Priestley, du Maurier and the Symbolic Form of Englishness

Papildus informācija

A meditation, in word and image, on the meaning and significance of place.
Figures
xi
Acknowledgments xvii
Prologue: RE: PLACE xix
W.J.T. Mitchell
Introduction 3(20)
Jonathan Bordo
Blake Fitzpatrick
Landscape, Art, and Ecology
1 From Nature? The Critical Landscapes of Poussin and Cezanne
23(21)
Paul Duro
2 Newfoundland Painting and the Metaphysics of Light
44(11)
Jennifer Dyer
The Quiet Zone and the Myth of the Virtual | colour section 1
Daniel Froidevaux
Elisa Gonzalez
3 Placing Here: Finlay, Fulton, and Skelton and the Formation of the British School of Aesthetic Chorography
55(16)
Jessica Becking
4 The "Art of Walking" according to the Puritans
71(16)
Jason LaFountain
The Hamish Fulton Album
5 Fulton's Walks: Between Documentation and Experience
87(5)
Blake Fitzpatrick
6 Hamish Fulton Interview
92(13)
Hamish Fulton
Jonathan Bordo
Blake Fitzpatrick
7 Walking with Hamish Fulton into the Vanishing Point vers le Canada
105(12)
Jonathan Bordo
Walk Texts | colour section 1
Hamish Fulton
The Anthropocene, Ruins, and Nuclear Exposure
8 Placing the Anthropocene
117(12)
Peter C. van Wyck
The Anthropocene Project | colour section 1
Edward Burtynsky
9 A Haunt of Jackals: Towards a Critical Topography of Ruins
129(24)
Ihor Junyk
The Chornobyl Exclusion Zone | colour section 1
David McMillan
Rooting in the Ashes | colour section 1
Katy McCormick
X Marks the Spot | colour section 1
Robert Del Tredici
Borders and Trauma
10 Conversations on Walls
153(23)
Margaret Olin
The Olive Tree, the Land, and the Palestinian Struggle against Settler Colonialism | colour section 2
Rehab Nazzal
Crossing | colour section 2
Mark Ruwedel
11 Manto's Madmen: Partition and Psychoanalytic Displacement in "Toba Tek Singh"
176(17)
Anhiti Patnaik
Memory and the Keeping Place
12 The Darkest Tapestry: Indian Residential School Memorialization and the Model for a "Keeping Place" in the Qu'Appelle Valley
193(20)
Amber D. V.A. Johnson
Pole Positions under Vancouver's Burrard Bridge: Exposure and Intersection on Indigenous Land in Bell Tower of False Creek | colour section 2
Randolph Jordan
13 The Community for Which the Land Longs: Cape Town's District Six Museum
213(18)
Christiaan Beyers
14 Ai Weiwei's Memory Work at Lesbos, Greece
231(18)
Kara York
Geopoetics
15 The Messon of the Island of Lesbos: Toponym as Evidence in the History of Ideas, or Introduction to Ten Poems from The Name of Sappho's Daughter
249(24)
Jesper Svenbro
Epilogue: Announcing the Disaster 273(10)
Jonathan Bordo
Postscript 283(6)
Jonathan Bordo
Contributors 289(8)
Index 297
Jonathan Bordo is professor of cultural studies at Trent University.

Blake Fitzpatrick is professor in the School of Image Arts at Toronto Metropolitan University.