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E-grāmata: Places and Purposes of Popular Music Education: Perspectives from the Field

Edited by (Boston University, USA), Edited by (Montclair State University, USA)
  • Formāts: PDF+DRM
  • Izdošanas datums: 11-Nov-2022
  • Izdevniecība: Intellect Books
  • Valoda: eng
  • ISBN-13: 9781789386295
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  • Formāts: PDF+DRM
  • Izdošanas datums: 11-Nov-2022
  • Izdevniecība: Intellect Books
  • Valoda: eng
  • ISBN-13: 9781789386295

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This book provides a manuscript-megaphone for a variety of perspectives on popular music education, including those we do not usually hear from, but who are doing far and away the coolest, most relevant and most interesting things.





It includes rants, manifestos, and pieces that are pithy and punchy and poignant, which have resulted in a wide tonal variety among chapters, from more traditionally scholarly pieces replete with citations and references, through descriptions of practice, to straight-up polemics. It is more about beliefs, experiences and motivation, about frustrations, aspirations and celebrations. The chapters are intended to whet appetites, prime pumps, open eyes, and keep cogs turning. This book is organized into four parts:  Beyond the Classroom, Identity and Purpose, Higher Education and Politics and Ideology. This book is intended for academics of all ages and stages, but the writing is often deliberately non-academic in tone.





The book will appeal to those working in popular music studies, communication studies, education research, and should be of interest to those involved in policy decisions at national and regional levels. It is also directly relevant to researchers looking music industry and music ecosystems nationally, regionally and internationally, as education and popular music industry, DIY and community sectors continue to enmesh in complex and evolving ways.
Acknowledgements xi
Introduction xiii
Gareth Dylan Smith
Bryan Powell
PART I BEYOND THE CLASSROOM
1(96)
1 `Something to Talk About': Intersections of Music, Memory, Dialogue and Pedagogy at the Rock and Roll Hall of Fame
5(6)
Jason Hanley
2 Learning to be Active: The Formative Power of Music as a Catalyst for Political Activism
11(6)
Stuart Moir
3 Mariachi Master-Apprentice Program: Familia During the COVID-19 Pandemic
17(7)
Sergio Alonso
4 People and Popular Music in an English Prison: Transforming Criminal Justice
24(6)
Natalie Betts
5 Popular Music Pedagogy in a United States Prison: Lessons from a Western Rural Facility
30(4)
Tiger Robison
6 Developing a Certifiable and Relevant Popular Music Curriculum for Early School-Leavers in Ireland
34(6)
Martin Ryan
7 Project Gametime: Hip-Hop and After-School Programmes
40(3)
Kenrick Wagner
8 In Conversation with Eleanor Rashid, Music Practitioner
43(3)
Eleanor Rashid
Gareth Dylan Smith
9 Reciprocal Benefits of Music Cities and Modern Band
46(6)
Bryce Merril
Tom Scharf
10 Berklee City Music Programme: Teaching and Learning Through Contemporary Popular Music
52(6)
Krystal Prime Banfield
11 A New Generation: An Intrinsic Case Study of a Club DJ's Formal Learning Experiences
58(5)
Eva J. Egolf
12 Playing with Vocal Processing Technologies: Fostering Interaction with Children with Special Educational Needs
63(5)
Roshi Nasehi
13 The Oneonta Hip Hop Collective: Students Owning the Moment
68(6)
Joseph Michael Pignato
14 Rockway and Formal-Informal Online Music Learning in Finland
74(5)
Niklas Lindholm
15 How Do We Get Girls and Non-Binary Students to Play Guitar Solos?
79(6)
Kayla Rush
16 Learning to Become a Band, Learning Popular Music
85(5)
Tobias Malm
17 Popular Music is Not the Answer
90(7)
Abigail D'Amore
PART II IDENTITY AND PURPOSE
97(106)
18 Life as a Cabaret: Singing Our Ideal Self into Being
101(6)
Felix Graham
19 My Therapist Said It's FINE: The Duality of Being a Music(ian) Teacher
107(3)
Sheena Dhamsania
20 Pursuing Popular Music Shapes Me as a Scholar, Musician and Human
110(5)
Christopher Cayari
21 I've Learned Three Chords. Now What?
115(5)
Roger Mantie
22 Intersections and Roundabouts: Connecting In-School and Out-of-School Experiences to Teaching Practices
120(6)
Steve Holley
23 Different from the Norm: Teaching Band in Alabama
126(5)
Shane Colquhoun
24 Popular Music Education as a Place for Emergent Pedagogies
131(6)
Meghan K. Sheehy
25 Think Big, Start Small: Enacting Change in Higher Education
137(5)
Martina Vasil
26 Becoming a Popular Music Educator: A Personal Journey
142(6)
Matthew Clauhs
27 Confessions of a Deadhead Music Educator: Connecting Worlds
148(5)
James Frankel
28 A Personal Journey with Popular Music in Paraguay
153(4)
Sol Elisa Martinez Missena
29 From Bowing my Double Bass to Pushing My Push: A Swedish Journey from Music Education to Popular Music Educator
157(5)
Erik Lundahl
30 From A. R. Rahman to Ed Sheeran: How Informal Learning Practices can Inform Music Teaching
162(6)
Shree Lakshmi Vaidyanathan
31 What's Words Worth: A Short Polemic on the Citation of Lyric
168(3)
Andy West
32 Inclusion or Exclusion? The Disconnect Between School Music Programmes and Students' Lived Musical Experiences
171(4)
Aixa Burgos
33 Finding Her Voice: A Female DIY Musician's Pedagogical Spaces and Practices for Popular Tamil Film Music in Chennai, South India
175(7)
Nina Menezes
34 Teaching Queer
182(5)
Mia Ibrahim
35 Computer Science & Popular Music Education
187(5)
Jared O'Leary
36 We Are Music Technology (and How to Change Us)
192(6)
Adam Patrick Bell
37 Connecting Black Youth to Critical Media Literacy Through Hip-Hop Making in the Music Classroom
198(5)
Jabari Evans
PART III HIGHER EDUCATION
203(94)
38 Crushed by the Wheels of Industry
207(6)
Martin Isherwood
39 Towards Popular Music Education as an Institutional Norm
213(6)
Lloyd McArton
40 Ideological Extrojection: The De-Neoliberalization of UK Music Education
219(6)
Jason Huxtable
41 On the Pulse of Change Through Popular Music Nourishing Teachers' Professional Identities
225(5)
Slew Ling Chua
42 The Conservatory as Exploratory
230(5)
Richard Smith
43 Is Higher Popular Music Education Still Relevant?
235(4)
Gemma Hill
44 Music Teacher Education in the United States is Failing its Students
239(6)
Candice Davenport Mattio
45 Imagining a Credential for Music Technology Education
245(5)
Daniel Walzer
46 The Price of Admission: Amateurism, Serious Leisure and the Faculty Band
250(6)
Virginia Wayman Davis
47 Vocal Diversity and Evolving Contemporary Voice Pedagogy
256(5)
Ana Flavia Zuim
48 Student and Tutor Life Worlds and Impossible Standards in Higher Popular Music Education
261(6)
Hussein Boon
49 Places and Spaces of Popular Music Production Pedagogy in Higher Education
267(6)
Brendan Anthony
50 Fostering a Sense of Belonging in the Recruitment of Underrepresented Students at Purdue University
273(6)
James Dekle
51 Awakening Spirituality in Brazilian Higher Music Education
279(6)
Heloisa Feichas
52 Embracing Innocence, Uncertainty and Presence in Popular Music Performance
285(5)
Jay Stapley
53 How I Relearned to Give a Shit
290(7)
David Knapp
PART IV POLITICS AND IDEOLOGY
297(102)
54 We Are Not Neutral: Popular Music Education, Creativity and the Active Creation of a Graduate Precariat
301(6)
Zack Moir
55 Toward the Political Philosophy of Hip-Hop Education and Positive Energy in China
307(7)
Wai-Chung Ho
56 Structural and Cultural Barriers to Relevant Popular Music Education in India
314(6)
Nilesh Thomas
Saurav Ghosh
57 Popular Music Education as a Liberating Education
320(6)
Flavia Narita
58 Young, Gifted and Black Q.U.E.E.N.: Nuancing Black Feminist Thought within Music Education
326(6)
Jasmine Hines
59 Decolonizing Higher Music Education: Person Versus Persona
332(6)
Adriel E. Miles
60 My Vision for Popular Music Education
338(5)
Nathan Holder
61 External Examining: An Insider Perspective on a Neocolonial Practice
343(6)
Gareth Dylan Smith
62 Cripping Popular Music Education
349(6)
Jesse Rathgeber
63 Excessive Pedagogical Moments: A Deaf-Gay Intersectional Duet
355(6)
Warren Churchill
64 Race, Caste, American Democracy and Popular Music Education
361(6)
David Wish
65 The Problem of Conversion in Music Teacher Education in the United States
367(6)
Radio Cremata
66 Expanding the Reach of Music Education through Modern Band
373(5)
Scott R. Sheehan
67 Lessons from Community Music and Music Therapy: Beyond Familiar Comparisons
378(5)
Bryan Powell
68 Adolescence, Education and Citizenship: Tracing Intersecting Histories and Reimagining Popular Music Pedagogies
383(6)
Noah Karvelis
69 #SongsOfBlackLivesMatter: Co-creating and Developing an Activist Music Education Praxis Alongside Youth
389(7)
Martin Urbach
70 From Black Lives Matter to Black Music Matters: Crossing the Rhetorical Divide
396(3)
Ed Sarath
Notes on Contributors 399(12)
Index 411
Dr. Bryan Powell is an assistant professor of Music Education and Music Technology at Montclair State University, USA. Bryan is the founding co-editor of Journal of Popular Music Education and the executive director of the Association for Popular Music Education.





Gareth Dylan Smith is assistant professor of Music, Music Education at Boston University, USA, where he teaches graduate and undergraduate courses. Gareth plays drums with Stephen Wheel, Build a Fort, the Eruptörs and Black Light Bastards; he writes about drumming and eudaimonia, and is founding co-editor of the Journal of Popular Music Education.