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E-grāmata: Plural and Multiple Geographies of Modern and Contemporary Art in East-Central Europe [Taylor & Francis e-book]

Edited by (University of Bucharest, Romania), Edited by (Adam Mickiewicz University, Poland)
  • Formāts: 262 pages, 5 Halftones, color; 21 Halftones, black and white; 5 Illustrations, color; 21 Illustrations, black and white
  • Sērija : Routledge Research in Art History
  • Izdošanas datums: 29-Nov-2024
  • Izdevniecība: Routledge
  • ISBN-13: 9781003469575
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Plural and Multiple Geographies of Modern and Contemporary Art in East-Central EuropePalielināt
  • Formāts: 262 pages, 5 Halftones, color; 21 Halftones, black and white; 5 Illustrations, color; 21 Illustrations, black and white
  • Sērija : Routledge Research in Art History
  • Izdošanas datums: 29-Nov-2024
  • Izdevniecība: Routledge
  • ISBN-13: 9781003469575
Citas grāmatas par šo tēmu:
Taylor & Francis e-booksMore info about Taylor & Francis e-books
Rokasgrāmatas mājas lapa: https://www.taylorfrancis.com/books/9781003469575
"This edited volume proposes a theoretical reflection on the different artistic geographies of East-Central Europe (ECE) from an interdisciplinary perspective found at the intersection of art history, art and politics, and critical geography. Contributors argue that this multiplicity is a defining feature of the region. At the same time, chapters employ the concept of "plural geographies" and call for an equal geography, based on solidarity and an equal distribution of capital, which could allow plural geographies to exist and be described. The "multiple geographies" of ECE consider the perspective of local conditions and emphasize how this region was part of successive empires with an important ethnic diversity and changing borders, giving it historicallayers and multicultural characteristics. The book will be of interest to scholars working in art history, political studies, cultural studies, and geography"--

This edited volume proposes a theoretical reflection on the different artistic geographies of East-Central Europe (ECE) from an interdisciplinary perspective found at the intersection of art history, art and politics, and critical geography.



This edited volume proposes a theoretical reflection on the different artistic geographies of East-Central Europe (ECE) from an interdisciplinary perspective found at the intersection of art history, art and politics, and critical geography.

Contributors argue that this multiplicity is a defining feature of the region. At the same time, chapters employ the concept of “plural geographies” and call for an equal geography, based on solidarity and an equal distribution of capital, which could allow plural geographies to exist and be described. The “multiple geographies” of ECE consider the perspective of local conditions and emphasize how this region was part of successive empires with an important ethnic diversity and changing borders, giving it historical layers and multicultural characteristics.

The book will be of interest to scholars working in art history, political studies, cultural studies, and geography.

Part 1 Plural Geographies of East-Central European Art
1. Plural
Geography(ies): Between Class Division and Relations of Production
2.
Discontinuity. Considering East-Central Europe as a Discontinuous Space
3.
Points East: The Geo-Epistemology of East European Art through Conference
History
4. Capitalism, Geographies, the Racial/Colonial, and the
Imperial/Colonial Divide Part 2 Multiple Geographies Non-hierarchical,
Flexible Mapping, and Non-mapping
5. Plurimodern Constellations: Scales of
Analysis in the Spatial History of Art
6. The Hegemonic Gaze and East-Central
Europe: Challenging the Totalitarian Paradigm
7. The Arts of Mapping (East
Central) Europe and David ernżs Entropa
8. A Shift from the Geopolitics of
Place to the Chronopolitics of Time in East-Central Europe? Part 3
Geographies of Peripheral Solidarity
9. The Alternative Geography of
Socialist Cultural Internationalism: Transregional Artistic Solidarity
between East-Central Europe and Latin America
10. Black Masks White Skin:
Self-Identification with Africa in the Polish Culture during Late Socialism
11. From Postsocialist Geographies to Late Socialist Networks: The Role of
Cultural Exchange with Non-Aligned Countries in Croatia and Yugoslavia
12.
Transnational Zones for Museums and Archives between Latin America and
Eastern Europe Part 4 Geographies of "Strategic Essentialism"
13. Inside the
Trans/National: Feminist Geographies of Close Otherness in the Art of
East-Central Europe
14. An Art History of Place
15. Atemporal Histories and
the Geographies of East-Central Europe, or Why Have There Been No Great
Moldovan (Performance) Artists?
16. A Different Narrative of Nonalignment?
The Case of Socialist Albania in the Art History and Geography of
East-Central Europe
Caterina Preda is Associate Professor at the Department of Political Science, University of Bucharest.

Magdalena Radomska is Assistant Professor at Adam Mickiewicz University in Pozna, Poland.
Permanent link: https://www.kriso.lv/db/9781003469575_pe.html
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