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E-grāmata: Poems of W.B. Yeats: Volume One: 1882-1889 [Taylor & Francis e-book]

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In this multi-volume edition, the poetry of W.B. Yeats (1865-1939) is presented in full, with newly-established texts and detailed, wide-ranging commentary. Yeats began to write verse in the nineteenth century, and over time his own arrangements of poems repeatedly revised and rearranged both texts and canon. This edition of Yeats’s poetry presents all his verse, both published and unpublished, including a generous selection of textual variants from the many manuscript and printed sources. The edition also supplies the most extensive commentary on Yeats’s poetry to date, explaining specific references, and setting poems in their contexts; it also gives an account of the vast range of both literary and historical influences at work on the verse. The poems are presented in order of composition, and major revisions or rewritings of poems result in separate inclusions (in chronological sequence) for these writings as they were subsequently reconceived by the poet.

This first volume collects Yeats’s poetry of the 1880s, from his ambitious and extensive juvenilia (including hitherto little-noticed dramatic poems) to his earliest published pieces, leading to his first substantial book of verse. The pastoral romance of classically-inflected early work like ‘The Island of Statues’ is succeeded in these years by the Irish mythic material that finds its largest canvas in the mini-epic ‘The Wanderings of Oisin’. In Yeats’s work through the 1880s, an adolescent poet’s youthful absorption in Romantic poetry is replaced by a commitment to esoteric religious speculation and Irish political Nationalism. This edition allows readers to see Yeats’s emergence as a poet step by step in compelling detail in relation to his literary influences – including, significantly, the Anglo-Irish poetry of the nineteenth century. The commentary provides an extensive view of Yeats’s developing personal, cultural, and historical worlds as the poems gain in maturity and depth. From the first attempts at verse of a teenage boy, to the fully accomplished writings of an original poet standing on the verge of popular success with poems such as ‘The Lake Isle of Innisfree’, Yeats’s poetry is displayed here in unprecedented fullness and detail.

A Note From the General Editors xi
Acknowledgements xii
Chronology of W.B. Yeats's Life and Publications, 1865--1889 xiv
List of Abbreviations
xvi
Introduction xx
THE POEMS
1(702)
1 [ `A Flower Has Blossomed ...']
3(2)
2 The Old Grey Man
5(2)
3 Child's Play
7(4)
4 [ `I Sat Upon A High Gnarled Root']
11(3)
5 [ A Double Moon Or More Ago']
14(2)
6 [ Fragment Of Opening Scene Of An Abandoned Verse-Play]
16(2)
7 The Priest Of Pan
18(1)
8 Inscription For A Christmas Card
19(2)
9 Pan
21(7)
10 [ `The World Is But A Strange Romance']
28(1)
11 Sunrise
29(3)
12 The Dell
32(1)
13 [ `Tower Wind-Beaten, Grim']
33(2)
14 [ Dramatic Fragment]
35(2)
15 Vivien And Time
37(39)
16 [ `As Me Upon My Way The Tram-Car Whirled']
76(2)
17 [ `Death Hath Ta'En My Child To Nurse']
78(1)
18 [ `My Song Thou Knowest Of A Dreaming Castle']
79(1)
19 [ Speech From The Opening Of An Abandoned Dramatic Poem]
80(4)
20 [ `When To Its End O'Er-Ripened July Nears']
84(16)
21 Fragment (`I Raise To Thee No Praying Voice ...')
100(1)
22 [ `The Children Play In White And Red']
101(1)
23 [ `Behold The Man']
102(2)
24 [ `A Soul Of The Fountain Spake Me A Word']
104(2)
25 [ `A Sound Came Floating, An Unearthly Sound']
106(4)
26 Love And Death
110(95)
27 Unused Scene From Love And Death
205(5)
28 Song Of The Faeries
210(2)
29 [ "Mong Meadows Of Sweet Grain']
212(2)
30 Sansloy -- Sansfoy -- Sansjoy
214(3)
31 [ Love And Sorrow]
217(1)
32 Mosada
218(33)
33 [ `For Clapping Hands Of All Men's Love']
251(2)
34 The Magpie
253(2)
35 The Island Of Statues: An Arcadian Faery Tale -- In Two Acts
255(74)
36 The Cloak, The Boat, And The Shoes
329(2)
37 [ `Truth Is Bold, But Falsehood Fears']
331(2)
38 Fragment (`And Helen's Eyes')
333(1)
39 Love's Decay
334(7)
40 The Field Mouse
341(1)
41 Time And The Witch Vivien
342(5)
42 [ `Hushed In The Vale Of Dajestan']
347(3)
43 An Old And Solitary One
350(2)
44 A Song Of Sunset
352(2)
45 Love And Death
354(2)
46 [ `The Dew Comes Dropping']
356(2)
47 [ From The Village Of The Elms]
358(3)
48 The Seeker: A Dramatic Poem -- In Two Scenes
361(10)
49 The Song Of The Happy Shepherd
371(8)
50 In A Drawing-Room
379(1)
51 Life
380(2)
52 The Sad Shepherd
382(5)
53 The Two Titans: A Political Poem
387(8)
54 [ `There Sings A Rose By The Rim']
395(2)
55 The Priest And The Fairy
397(6)
56 Kanva On Himself
403(4)
57 On Mr. Nettleship's Picture At The Royal Hibernian Academy
407(7)
58 The Meditation Of The Old Fisherman
414(3)
59 The Falling Of The Leaves
417(3)
60 The Stolen Child
420(9)
61 To -- (Remembrance)
429(4)
62 The Indian Upon God
433(2)
63 An Indian Song
435(3)
64 Song Of Spanish Insurgents
438(3)
65 Quatrains And Aphorisms
441(3)
66 The Fairy Pedant
444(4)
67 A Dawn-Song
448(3)
68 Anashuya And Vijaya
451(8)
69 King Goll: An Irish Legend
459(11)
70 [ `How Beautiful Thy Colours Are ...']
470(2)
71 The Ballad Of Moll Magee
472(8)
72 How Ferencz Renyi Kept Silent: Hungary, 1848
480(15)
73 Love Song: From The Gaelic
495(3)
74 She Who Dwelt Among The Sycamores: A Fancy
498(3)
75 The Protestants' Leap
501(8)
76 Ephemera
509(6)
77 The Fairy Doctor
515(3)
78 Girl's Song
518(2)
79 [ `Wherever In The Wastes Of Wrinkling Sand']
520(2)
80 A Lover's Quarrel Among The Fairies
522(4)
81 The Wanderings Of Oisin And How A Demon Trapped Him
526(99)
82 King Goll (Third Century)
625(7)
83 A Legend
632(3)
84 Down By The Salley Gardens
635(6)
85 The Ballad Of Father O'Hart
641(6)
86 The Phantom Ship
647(7)
87 Street Dancers
654(5)
88 To An Isle In The Water
659(3)
89 The Lake Isle Of Innisfree
662(17)
90 In The Firelight
679(2)
91 The Outlaw's Bridal: Ireland, 16*
681(6)
92 In Church
687(2)
93 A Summer Evening
689(2)
94 The Ballad Of The Foxhunter
691(7)
95 Who Goes With Fergus?
698(5)
Appendix 1 Contents of The Wanderings of Oisin and Other Poems (1889) 703(1)
Appendix 2 Initial Prose Draft of The Island of Statues 704(17)
Index of Poems 721(2)
Index of First Lines 723
Peter McDonald is an Irish poet and critic, whose literary criticism includes Serious Poetry: Form and Authority from Yeats to Hill (2002) and Sound Intentions: The Workings of Rhyme in Nineteenth-Century Poetry (2012). He has edited the Collected Poems of Louis MacNeice, and is the author of numerous articles on nineteenth- and twentieth-century poetry. His own Collected Poems appeared in 2012. He is Professor of British and Irish Poetry at the University of Oxford, and Christopher Tower Student and Tutor in Poetry at Christ Church, Oxford.