First published in 1943, this is a selection of writings from Dr. Sitwell's private notebooks. It includes essays on prosody, the role of the poet, the nature of poetry, and includes her full length work 'A Notebook on William Shakespeare', as well as discussion of Chaucer, Herrick, Wordsworth, Pope and Byron amongst others.
The section on Shakespeare consists of essays on the general aspect of the plays - those great hymns to the principle and the glory of life. There are long essays on King Lear, Macbeth, Othello, and Hamlet. Miss Sitwell believes, with all humility, that she has discovered new sources of the inspiration of King Lear, throwing a new light on the whole play , and giving us new meaning to the mad scenes, of an unsurpassable grandeur, depth and terror. There are essays on many of the comedies, and long passages about the Fools and Clowns, all of which serve to illiminate Shakespeare's mighty and many-sided genius.
Foreword
I On the Poet's Nature
II Notes on the Nature of Poetry
III Notes on Technical Matters
IV On a Necessity of Poetry: The Centre, the Core
V On Morality in Poetry
VI On Simplicity
VII On the Senses
VIII On Over-Civilisation
IX The Need for the Refreshing of the Language
X On the Poets Labour
XI On Imagery in Poetry
XII On the Poet, the Natural World, and Inspiration
XIII On the Power of Words
XIV On the Deaths of Two Poets
XV Of Ben Johnson
XVI Applicable to the Augustans
XVII Some Notes on Alexander Pope
XVIII A Note on Byron
XIX Applicable to Blake
XX Applicable to Baudelaire
XXI Applicable to Verlaine
XXII A Note on the Earliest English Poetry
XXIII Notes on Chaucer
XIV Notes on Certain Poems by Dunbar, Skelton, Gower, and a Poem by An
Anonymous Poet
XV Notes on Herrick
XVI Notes on Smart, With a Note on Gerard Manley Hopkins
XVII Notes on Wordsworth
XVIII Notes on Shakespeare
Epilogue
A Note on the Author
Edith Sitwell (1887-1964) was born into an aristocratic family and, along with her brothers, Osbert and Sacheverell, had a significant impact on the artistic life of the 20s. She encountered the work of the French symbolists, Rimbaud in particular, early in her writing life and became a champion of the modernist movement, editing six editions of the controversial magazine Wheels. She remained a crusading force against philistinism and conservatism throughout her life and her legacy lies as much in her unstinting support of other artists as it does in her own poetry.
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