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Point Alma Venus Manuscripts New edition [Hardback]

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  • Formāts: Hardback, 277 pages, height x width: 254x178 mm, 1 halftone
  • Izdošanas datums: 18-Jan-2022
  • Izdevniecība: Stanford University Press
  • ISBN-10: 1503628086
  • ISBN-13: 9781503628083
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  • Cena: 85,93 €
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  • Formāts: Hardback, 277 pages, height x width: 254x178 mm, 1 halftone
  • Izdošanas datums: 18-Jan-2022
  • Izdevniecība: Stanford University Press
  • ISBN-10: 1503628086
  • ISBN-13: 9781503628083
Citas grāmatas par šo tēmu:
"The years 1921 to 1927 were the most productive of Robinson Jeffers's career. During this period, he not only wrote many of his most well-known lyric poems but also "Tamar," "The Tower Beyond Tragedy," "Roan Stallion," and "The Women at Point Sur"-the long poems that first established his reputation as a major American poet. Including an introduction, chronology, and critical afterword, the "Point Alma Venus" manuscripts presented here gather Jeffers's four unfinished but substantial preliminary attempts at what became "The Women at Point Sur," which Jeffers believed was the "most inclusive, and poetically the most intense" of his narrative poems. The "Point Alma Venus" fragments and versions shed important light on the composition and themes of "The Women at Point Sur." Further, they likely predate other key work from this crucial period, making them a necessary context for those who wish to clarify Jeffers's poetic development and to reinterpret his practice of narrative poetry. Ultimately, they call on general and scholarly readers alike to reconsider Jeffers's place in the canon of modern American poetry"--

The years 1921 to 1927 were the most productive of Robinson Jeffers's career. During this period, he wrote not only many of his most well-known lyric poems but also Tamar, The Tower Beyond Tragedy, Roan Stallion, and The Women at Point Sur—the long poems that first established his reputation as a major American poet. Including an introduction, chronology, and critical afterword, the Point Alma Venus manuscripts presented here gather Jeffers's four unfinished but substantial preliminary attempts at what became The Women at Point Sur, which Jeffers believed was the "most inclusive, and poetically the most intense" of his narrative poems.

The Point Alma Venus fragments and versions shed important light on the composition and themes of The Women at Point Sur. Further, they likely predate other key work from this crucial period, making them a necessary context for those who wish to clarify Jeffers's poetic development and to reinterpret his practice of narrative poetry. Ultimately, they call on general and scholarly readers alike to reconsider Jeffers's place in the canon of modern American poetry.

Recenzijas

"[ F]or those interested or invested in Jeffers's longform narrative poetry, insights into human consciousness, and his stature as an important twentieth-century western poet will find much to sink their teethor hawk's beaksinto."Cory Willard, Western American Literature

Preface vii
Acknowledgments ix
Introduction xi
Note on Citations xv
THE POINT ALMA VENUS MANUSCRIPTS
1 Storm as Deliverer (initial version)
1(44)
The Occidental Fragment
24(3)
Fragmentary Beginning 1
27(3)
Version A
30(15)
2 The Ur-Point Alma Venus
45(80)
Fragmentary Beginning 4
114(11)
3 Storm as Deliverer (MacTorald version)
125(36)
Yale Fragment
158(3)
4 Point Alma Venus
161(90)
Fragmentary Beginning 2
236(5)
Fragmentary Beginning 3
241(8)
Harvard Fragment
249(2)
Afterword 251(32)
Chronology 283(8)
Textual Notes and Apparatus 291(6)
Emendations 297
Robinson Jeffers was a twentieth-century American poet. Tim Hunt, University Professor Emeritus, Illinois State University, is the editor of The Collected Poetry of Robinson Jeffers (Stanford, 1988-2001). Robert Kafka is the editor of Where Shall I Take You To: The Love Letters of Una and Robinson Jeffers (1987).