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E-grāmata: Point, Dot, Period... The Dynamics of Punctuation in Text and Image

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  • Formāts: 215 pages
  • Izdošanas datums: 26-Apr-2016
  • Izdevniecība: Cambridge Scholars Publishing
  • ISBN-13: 9781443892346
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  • Formāts: 215 pages
  • Izdošanas datums: 26-Apr-2016
  • Izdevniecība: Cambridge Scholars Publishing
  • ISBN-13: 9781443892346
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Point, Dot, Period The Dynamics of Punctuation in Text and Image is a collection of twelve previously unpublished essays which explore the fundamental role played by punctuation in the two semiotic fields of text and image. Whilst drawing upon a wide range of material, including painting, engraving, photography, video art, poetry, fiction, and journalism, each essay contributes to the exploration of singular uses of punctuation which highlight the complexity of what remains in all cases a silent, and yet particularly eloquent, mode of expression. By bringing together authors from a variety of fields, such as linguistics, literary studies, and art criticism, at a time when the relation between text and image occupies a prominent place in the critical landscape, this volume offers new insights into the possibility and nature of their encounter, and invites the reader to focus on the material aspect of visual and textual creation. This collection also offers an original approach to the works of some major artists and canonical authors, whilst simultaneously making room for emerging talents.
List of Illustrations
vii
Introduction viii
Part I The Punctuation of the Image: The Disruptive Power of the Dot
Chapter One Lines or Dots? Reproduction Processes in Handbooks on Illustration, 1890s--1920s
2(19)
Sophie Aymes
Chapter Two Ceci n'est pas un point: le nouveau langage pictural de Roy Lichtenstein
21(11)
Helene Gaillard
Chapter Three Poeitic Adriftness in Ailbhe Ni Bhriain's Video Art: Dissolved Points
32(16)
Valerie Morisson
Part II Seeking Each Other in Punctuation: Points of Intersection between Text and Image
Chapter Four Circles and Lines / Limits and Extensions: The Kinetic Conflicts Inherent in Anne Carson's The Life of Towns and Wassily Kandinsky's Point and Line to Plane
48(20)
Jennifer K. Dick
Chapter Five Punctuation Marks and Points of Detail in Paul Durcan's Intermedial Poetry
68(16)
Cathy Roche-Liger
Chapter Six "[ I]t wasn't in the picture and is not": Blind Spots and Vanishing Points in Irish Self-Portraits
84(12)
Christelle Seree-Chaussinand
Chapter Seven "Like a sharp pin in the folds of a blanket" Points d'arret, points d'ouverture: "Ce qui vient au point de vue" (Deleuze)
96(20)
Liliane Louvel
Part III The Sensory Page: Textual Punctuation and the Silent Grammar of the Body
Chapter Eight The Semicolon: A Funny Kind of Silence
116(13)
Lynn Blin
Chapter Nine Les points de silence dans l'ecriture conradienne
129(14)
Claude Maisonnat
Chapter Ten Dots and Doodles: Virginia Woolf's "Sensory" Page
143(17)
Chantal Delourme
Chapter Eleven "Perhaps there is no time [ ...] perhaps there is only space, and I a dot of light": Perforation and Punctuation in J. M. Coetzee's In the Heart of the Country
160(15)
Pascale Tollance
Chapter Twelve Dots between Expression and Aporia in All One Horse, by Breyten Breytenbach
175(14)
Kerry-Jane Wallart
Contributors 189(4)
Abstracts 193(6)
Index 199
Laurence Petit is Associate Professor of English at Université Paul Valéry-Montpellier 3, France. She has published many articles on the relation between literature and the visual arts in contemporary British and American fiction. She is the co-editor of several volumes on text and image.Pascale Tollance is Professor of English at Université LumičreLyon 2, France. She has written extensively on contemporary British and post-colonial writers. She is the author of a book on contemporary British novelist Graham Swift, and has co-edited several volumes on word-and-image studies.