Preface |
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ix | |
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Why Policy in Music Education |
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ix | |
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A Different Kind of Policy |
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x | |
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A Pathway Among Many in Forging Our Professional Ethics |
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xi | |
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Finding Our Way Through the Policy Environment |
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xii | |
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As We Step Into This Book |
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xv | |
Acknowledgments |
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xix | |
Part I |
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1 The Impact and Importance of Policy in the Lives |
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3 | (1) |
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4 | (3) |
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Demystifying Policy by Building Agency |
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7 | (4) |
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Policy as a Tool for Educators |
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11 | (3) |
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The Political Life of Policy: Action Plans |
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14 | (6) |
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20 | (2) |
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The Impact of Approximating Ourselves to Policy |
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22 | (3) |
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Policy and Citizenship Building |
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25 | (2) |
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2 The Need for Theory: Developing and Engaging Music Teachers in Informed Leadership |
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27 | (28) |
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How Policy Can Construct (and Dismantle) Education |
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27 | (4) |
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Thinking About Theory as a Practical Thing |
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31 | (4) |
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Traditional Versus Progressive Views on Policy |
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35 | (2) |
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Understanding Policy Spherically |
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37 | (5) |
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Music Education Policy Research |
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42 | (10) |
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Working on Behalf of a Meaningful Education in and Through Music: Policy, Agency, and Personal Contribution |
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52 | (3) |
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3 A New Kind of Teacher Activism: Policy as a Form of Critical Pedagogy |
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55 | (28) |
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Where Do We Begin? What Makes Policy Critical? |
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57 | (5) |
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The Life-World of Policy in Context: Why Critical Pedagogy? |
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62 | (6) |
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Interpreting and Influencing Policy: Conscientization |
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68 | (3) |
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What It Means to Be an Informed Citizen in Education: Participation |
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71 | (5) |
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Creating Our Voice Through Policy Language: Activism |
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76 | (7) |
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4 Policy Beyond Traditional Walls: Learning From the Wider Community |
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83 | (22) |
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The Challenge of Leadership Today |
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83 | (2) |
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The Problem at Our Doorsteps |
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85 | (2) |
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Entrepreneurship and New Spaces for Music Leadership |
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87 | (6) |
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Entrepreneurship in Policy |
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93 | (2) |
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Policy Entrepreneurship in Music |
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95 | (7) |
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102 | (3) |
Part II |
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5 Small Actions Go a Long Way! The Day-to-Day of Policy-Minded Music Educators |
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105 | (22) |
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What I Can Start Doing Today! |
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107 | (1) |
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Establishing Credence and Constructing Our Discourses |
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108 | (6) |
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Communicating Well and Developing a Framing Disposition |
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114 | (6) |
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The Networking Music Educator |
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120 | (2) |
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Professional Communities: Policy Knowhow as Professional Formation and Development |
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122 | (5) |
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6 The Music Educator as a Policy Analyst |
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127 | (24) |
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Taking on Some Policy Tools: The Nuts and Bolts of Policy Knowhow |
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128 | (14) |
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Program- and Classroom-Related Policies and Our Role in Them |
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142 | (5) |
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"How Did You Think of Doing That?!" Developing a Nose for Policy |
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147 | (4) |
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7 Becoming Part of the Policy Process: From Standards to Rules, From Research to Practice |
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151 | (60) |
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Placing Value on Design: Integrating Process in Community and Schools |
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153 | (5) |
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How Principals and Supervisors See Policy: Taking on a Strategic Disposition |
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158 | (3) |
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Connecting the Broad and Specific Teacher Practice: A Case From Music Education Research |
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161 | (5) |
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Cultivating a New Disposition: Working at the Intersection of Data and Framing |
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166 | (6) |
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Developing the Music Teacher's Leadership Profile: Beyond Advocacy |
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172 | (1) |
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Choosing a Critical Policy Practice Over Policy Science |
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173 | (5) |
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Returning to Design: What Works and What Matters |
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178 | (3) |
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181 | (12) |
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193 | (18) |
Index |
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211 | (10) |
Index for Figures, Tables, and Boxes |
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221 | |