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E-grāmata: Polyphony and the Modern

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Polyphony and the Modern asks one fundamental question: what does it mean to be modern in one’s own time? To answer that question, this volume focuses on polyphony as an index of modernity.

In The Principle of Hope, Ernst Bloch showed that each moment in time is potentially fractured: people living in the same country can effectively live in different centuries – some making their alliances with the past and others betting on the future – but all of them, at least technically, enclosed in the temporal moment. But can a claim of modernity also mean something more ambitious? Can an artist, by accident or design, escape the limits of his or her own time, and somehow precociously embody the outlook of a subsequent age?

This book sees polyphony as a bridge providing a terminology and a stylistic practice by which the period barrier between Medieval and Early Modern can be breached.

Chapter 1 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at https://www.taylorfrancis.com/books/edit/10.4324/9781003129837



Polyphony and the Modern asks one fundamental question: what does it mean to be modern in one’s own time? To answer that question, this volume focuses on polyphony as an index of modernity.

Introduction: Towards Modernity

Jonathan Fruoco

Part One: Machaut and Musical Polyphony

Chapter I. The Polyphony of Function: Mixing Text and Music in Guillaume de
Machaut

Uri Smilansky

Chapter II. The Multilevel Polyphony of Machauts Livre dou Voir Dit and its
Afterlife

Rosemarie McGerr

Part Two: Polyphony in Medieval Europe

Chapter III. Cemeteries and Tombstones as Polyphonic Places in the French
Medieval Quest of Lancelot

Laurence Doucet

Chapter IV. Polyphonic Effects in the Fixed-Form Verse of Eustache Deschamps:
A Critical Practice

Laura Kendrick

Chapter V. Galeotto fu il libro e chi lo scrisse: Liminal Polyvocality in
the Occitan Literary Use of Dante

Paola M. Rodriguez

Chapter VI. Novelistic Perspectivism in Bérouls Roman de Tristan

Teodoro Patera

Chapter VII. Textual Voices in Compilation: Reading the Polyphony of Medieval
Manuscripts

Amy Heneveld

Chapter VIII. Wolfram and the Ambiguity of the Religious Question in the
Willehalm

Patrick del Duca

Part Three: From Medieval England to the Early Modern

Chapter IX. Chaucers Speech and Thought Representation in Troilus and
Criseyde: Encoded Subjectivities and Semantic Extension

Yoshiyuki Nakao

Chapter X Chaucer and the Streams of Parnassus

Paul Strohm

Chapter XI. "“Tis more ancient than Chaucer Himself": Keats and Romantic
Polyphony

Caroline Bertončche

Part Four: Towards Modernity

Chapter XII. Evelinas "Pollyphony"

Anne Rouhette

Chapter XIII. The Whirl of the Red, Green, and Blue: Christopher Anstey and
the Particoloured Poem

Peter Merchant

Chapter XIV. Towards Modernity. Nova et Vetera in Paul Claudels Book of
Christopher Colombus

Jean-Franēois Poisson-Gueffier
Jonathan Fruoco is an independent scholar. His research focuses on the linguistic and cultural evolution of medieval England, with a particular interest in the work of Geoffrey Chaucer and its connection with French and Italian courtly poetry. He has recently published Les faits et gestes de Robin des Bois (2017) and Chaucers Polyphony: The Modern in Medieval Poetry (2020).
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