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E-grāmata: Portraiture, Gender, and Power in Sixteenth-Century Art: Creating and Promoting the Public Image of Early Modern Women [Taylor & Francis e-book]

Edited by (University of Murcia, Spain)
  • Formāts: 244 pages, 63 Halftones, color; 63 Illustrations, color
  • Sērija : Visual Culture in Early Modernity
  • Izdošanas datums: 05-Mar-2024
  • Izdevniecība: Routledge
  • ISBN-13: 9781003268574
  • Taylor & Francis e-book
  • Cena: 160,08 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 228,69 €
  • Ietaupiet 30%
  • Formāts: 244 pages, 63 Halftones, color; 63 Illustrations, color
  • Sērija : Visual Culture in Early Modernity
  • Izdošanas datums: 05-Mar-2024
  • Izdevniecība: Routledge
  • ISBN-13: 9781003268574
"This exciting and wide-ranging volume examines the construction and dissemination of the image of female power during the Renaissance. Chapters examine the creation, promotion, and display of the image of women in power, and how the artistic and cultural patronage they developed helped them craft a self-image that greatly contributed to strengthening their power, consolidating their political legitimacy, and promoting their authority. Contributors cover diverse models of sixteenth-century female power: from ruling queens, regents, and governors, to consorts of sovereigns and noblewomen outside the court. The women selected were key political figures and patrons of art in England, France, Castile, the Low Countries, the Holy Roman Empire, and Italian city states. The volume engages with crucial and controversial debates regarding the nature and use of portraiture as well as the changing patterns of how portraits were displayed, building a picture of the principal iconographic solutions and representational strategies that artists used. The book will be of interest to scholars working in art history, gender studies, women's studies, and Renaissance studies"--

This exciting and wide-ranging volume examines the construction and dissemination of the image of female power during the Renaissance.



This exciting and wide-ranging volume examines the construction and dissemination of the image of female power during the Renaissance.

Chapters examine the creation, promotion, and display of the image of women in power, and how the artistic and cultural patronage they developed helped them craft a self-image that greatly contributed to strengthening their power, consolidating their political legitimacy, and promoting their authority. Contributors cover diverse models of sixteenth-century female power: from ruling queens, regents, and governors, to consorts of sovereigns and noblewomen outside the court. The women selected were key political figures and patrons of art in England, France, Castile, the Low Countries, the Holy Roman Empire, and Italian city states. The volume engages with crucial and controversial debates regarding the nature and use of portraiture as well as the changing patterns of how portraits were displayed, building a picture of the principal iconographic solutions and representational strategies that artists used.

The book will be of interest to scholars working in art history, gender studies, women’s studies, and Renaissance studies.

Part 1 Creating the Image of Women in Power
1. Bronzinos Portrait of
Eleonora di Toledo with Her Son Giovanni: The Invention of a Secular Icon for
the Early Modern State
2. Portrayals of Catherine de Medici at the Granducal
Medici Court
3. Medals, Cameos, and Miniatures: Small Format Female Portraits
at the Court of Philip II
4. The Failure to Construct a Visual Image of
Gendered Power: Anthonis Mors Portrait of Mary I, Queen of England, in the
Prado Part 2 Uses, Functions, and Ways of Displaying
5. Portrait Galleries
for the House of Habsburg in the Low Countries: Margaret of Austria in
Mechelen and Mary of Hungary in Brussels
6. Captive in a Portrait Gallery:
Titians Portraits of John Frederick I of Saxony (c. 1548 and c. 1551) and
the Collection of Mary of Austria, Queen of Hungary
7. "So They May Beseech
God on His Behalf": Devotion, Courtly Pomp, and Dynastic Presence in the
Portrait Collections of Juana of Austria, Princess of Portugal, and Maria of
Austria in the Monastery of Las Descalzas Reales in Madrid
8. The Portrait
Gallery of Mencķa de Mendoza, Marquise of Zenete
9. Maria de Mendoza,
Portraits, and the Negotiation of Memory: The Display of Her Painting
Collection in the Cobos-Mendoza Palace in Valladolid
Noelia Garcķa Pérez is Associate Professor of Art History at the University of Murcia, Spain.