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Post-Digital Letterpress Printing: Research, Education and Practice [Hardback]

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  • Formāts: Hardback, 128 pages, height x width: 216x138 mm, weight: 299 g, 11 Halftones, black and white; 11 Illustrations, black and white
  • Sērija : Routledge Focus on Art History and Visual Studies
  • Izdošanas datums: 12-Nov-2021
  • Izdevniecība: Routledge
  • ISBN-10: 1032001801
  • ISBN-13: 9781032001807
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  • Cena: 70,31 €
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Post-Digital Letterpress Printing: Research, Education and PracticePalielināt
  • Formāts: Hardback, 128 pages, height x width: 216x138 mm, weight: 299 g, 11 Halftones, black and white; 11 Illustrations, black and white
  • Sērija : Routledge Focus on Art History and Visual Studies
  • Izdošanas datums: 12-Nov-2021
  • Izdevniecība: Routledge
  • ISBN-10: 1032001801
  • ISBN-13: 9781032001807
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9781032001807.html
Keywords:
"This book presents an overview of the convergence of traditional letterpress with contemporary digital design and fabrication practices. Reflecting on the role of letterpress within the emergent hybrid post-digital design process, contributors present historical and contemporary analysis, grounded in case studies and current practice. The main themes covered include the research on letterpress as a technology and medium; a reflection on the contribution of letterpress to arts and design education; and current artistic and communication design practice merging past, present and future digital fabrication processes. This will be of interest to scholars working in graphic design, communication design, book design, typography, typeface design, design history, printing, and production technologies"--

This book presents an overview of the convergence of traditional letterpress with contemporary digital design and fabrication practices.

List of Figures
vii
Contributors ix
Acknowledgements xvii
Foreword: Johanna Drucker xviii
Introduction xxi
PART I Introduction: Research
1(38)
Part Research Highlight: The Seven Lives of a Typeface: Material and Immaterial Convergences
3(6)
Amelia Hugill-Fontanel
1 Appropriating Printing
9(10)
Caroline Archer-Parre
2 Orlando Erasto Portela: Relations Between the Creative Process and Letterpress Printing Methods of an (Almost) Unknown Designer from the Mid-Twentieth Century
19(11)
Nuno Coelho
3 The Mark on the Wall
30(9)
Ane Thon Knutsen
PART II Introduction: Education
39(46)
Part Education Highlight: Poiesis and Purpose: Lessons in Making
41(6)
Catherine Dixon
4 The Role of the Letterpress Workshop
47(9)
Ruben Dias
Sofia Meira
5 From Letterpress to Screen: Learning from a Modular Type System
56(9)
Roberto Gamonal Arroyo
Andreu Balius Planelles
6 PDLPX: The Post-Digital Letterpress Print Exchange: Methodological Innovation in the Exploration of Contemporary Letterpress Practice
65(10)
Chris Wilson
7 Letterpress Experiments in a Design Course
75(10)
Rita Carvalho
PART III Introduction: Practice
85(38)
Part Practice Highlight: The Rising Letters - Seven Criteria for the Typographic Design of a Letterpress Archive: Proposing a dual, visual and sound analysis, in the extensive survey and registration of the movable type characters in two countries (observed and considered after twenty-five years have passed)
87(8)
Jorge Dos Reis
8 Digital Fabrication: Expanding Access to and Preservation of Letterpress Printing
95(9)
Erin Beckloff
9 Resisting Hyper-Digitalisation: Investigating Hybrid Practices in Contemporary Graphic Design
104(9)
Lucrezia Russo
10 Computational Design Letterpress: From Procedural Programming to Modular Printing
113(10)
Pedro Amado
Ana Catarina Silva
Conclusion 123(2)
Pedro Amado
Ana Catarina Silva
Vitor Quelhas
Index 125
Pedro Manuel Reis Amado is Assistant Professor in the Faculty of Fine Arts at the University of Porto, and member of the i2ADS Research Institute.

Ana Catarina Silva is Assistant Professor in the School of Design at the Polytechnic Institute of Cįvado and Ave, and member of the ID+ / CAOS Research Institute.

Vķtor Quelhas is Assistant Professor in the School of Media Arts and Design at the Polytechnic Institute of Porto, and member of the ID+ / Unimad Research Institutes.