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Powerful Pictures: Rock Art Research Histories around the World [Mīkstie vāki]

Edited by (Rock Art Research Institute, University of the Witwatersrand), Edited by (entre for Rock Art Research and Management, University of Western Australia), Edited by (University of Exeter)
  • Formāts: Paperback / softback, 184 pages, height x width x depth: 290x205x8 mm, weight: 670 g, 64 figures, 1 table (colour throughout)
  • Izdošanas datums: 29-Dec-2022
  • Izdevniecība: Archaeopress Archaeology
  • ISBN-10: 1803273887
  • ISBN-13: 9781803273884
  • Mīkstie vāki
  • Cena: 48,21 €
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  • Formāts: Paperback / softback, 184 pages, height x width x depth: 290x205x8 mm, weight: 670 g, 64 figures, 1 table (colour throughout)
  • Izdošanas datums: 29-Dec-2022
  • Izdevniecība: Archaeopress Archaeology
  • ISBN-10: 1803273887
  • ISBN-13: 9781803273884
Focusing on stunning paintings and engravings from around the world, Powerful Pictures interrogates the driving forces behind global rock art research. Many of the rock art motifs featured in the 16 chapters of this book were created by indigenous hunter-gatherer groups, and it sheds new light on non-Western rituals and worldviews, many of which are threatened or on the point of extinction. Stemming from a conference in Val Camonica in northern Italy, the book is arranged by continent, although it tackles how early research in some countries (e.g., Sweden, France, Spain, the USA, Canada, South Africa) influenced the trajectory of archaeological investigations in others (e.g., Australia, India, Mexico, Germany, Mongolia, Russia). All of the contributing authors have vast experience working with rock art and Indigenous communities, many of them holding posts in prestigious university departments around the world. The book will be of particular interest to professional historians, archaeologists, and anthropologists, and indeed anyone who is interested in art, symbolism, and the past.
List of Figures and Tables
ii
Chapter 1 Why the history of rock art research matters
1(5)
Joakim Goldhahn
Jamie Hampson
Sam Challis
Chapter 2 The history of rock art research in west Texas, North America, and beyond
6(11)
Jamie Hampson
Chapter 3 Reclaiming connections: Ethnography, archaeology, and images on stone in the southwestern United States
17(8)
Kelley Hays-Gilpin
Dennis Gilpin
Chapter 4 Rock art, landscapes and materiality in the Canadian Shield
25(12)
Dagmara Zawadzka
Chapter 5 On the history of rock art research in Mexico and Central America
37(8)
Felix Alejandro Lerma Rodriguez
Chapter 6 `To alleviate the night-black darkness that conceals our most ancient times:' Carl Georg Brunius' trailblazing rock art thesis from 1818
45(16)
Joakim Goldhahn
Chapter 7 History of the study of schematic rock art in Spain
61(15)
Margarita Diaz-Andreu
Chapter 8 Leo Frobenius' contribution to global rock art research
76(13)
Richard Kuba
Martin Porr
Chapter 9 History debunked: Endeavours in rewriting the San past from the Indigenous rock art archive
89(16)
Sam Challis
Chapter 10 Rock art and archaeology? The problem of'integration' in southern African Later Stone Age research
105(11)
David M. Witelson
Chapter 11 A history of research into regional difference in southern African rock paintings
116(10)
Ghilraen Laue
Chapter 12 Explorers and researchers: Kimberley rock art discoveries 1838-1938
126(10)
Michael P. Rainsbury
Chapter 13 Discovering and researching Gwion (Bradshaw) art in the Kimberley, Western Australia
136(11)
Joe Schmiechen
Chapter 14 Rock art research in Madurai, Tamil Nadu, India
147(8)
Sujitha Pillai
Chapter 15 Historical overview of Mongolian rock art studies
155(5)
Tseren Byambasuren
Chapter 16 A history of rock art research in Russia
160(13)
Irina Ponomareva
Contributors 173
Jamie Hampson is a Senior Lecturer in the Humanities Department at the University of Exeter. He has a PhD in archaeology from the University of Cambridge, and an undergraduate degree in history from Oxford. Jamie works primarily on rock art, identity, and Indigenous heritage projects in the USA, southern Africa, Australia, and Europe.





Sam Challis is Head and Senior Researcher at the Rock Art Research Institute, University of the Witwatersrand, Johannesburg, lecturing undergraduates in global hunter-gatherer and rock art studies, and advising graduates and postdocs. His focus is on the interactions between Indigenous peoples, and with Europeans, as expressed in rock art around the world. His research is directed toward understandings of all these processes in terms of the New Animisms.





Joakim Goldhahn holds the Rock Art Australia Ian Potter Kimberley Chair at the Centre of Rock Art Research and Management at the University of Western Australia. His research focuses mainly on north European and Australian rock art. Other topics include the European Bronze Age, human-animal relatedness, burial rituals, landscape and monumentality, ritual specialists, and the history of archaeology, resulting in 28 books and over 200 scientific publications, including Birds in the Bronze Age a North European perspective (Cambridge University Press, 2019).