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Practical Aesthetics [Mīkstie vāki]

Edited by (Goethe University of Frankfurt/Main, Germany)
  • Formāts: Paperback / softback, 280 pages, height x width x depth: 232x154x18 mm, weight: 420 g, 16 bw illus
  • Sērija : Thinking in the World
  • Izdošanas datums: 21-Apr-2022
  • Izdevniecība: Bloomsbury Academic
  • ISBN-10: 1350185523
  • ISBN-13: 9781350185524
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  • Mīkstie vāki
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  • Formāts: Paperback / softback, 280 pages, height x width x depth: 232x154x18 mm, weight: 420 g, 16 bw illus
  • Sērija : Thinking in the World
  • Izdošanas datums: 21-Apr-2022
  • Izdevniecība: Bloomsbury Academic
  • ISBN-10: 1350185523
  • ISBN-13: 9781350185524
Citas grāmatas par šo tēmu:

This collection brings together artists and theoreticians to provide the first anthology of a new field: Practical Aesthetics.

A work of art already contains its own criticism, a knowledge of its own which need not be conceptual or propositional. Yet today, there are many approaches to different forms of art that work on the brink between science and art, 'sensible cognition' and proposition, aesthetic knowledge and rational knowledge, while thinking with art (or the artistic material) rather than about it.

This volumes presents ways of thinking with different forms of art (film, sound, dance, literature, etc), as well as new forms of aesthetic research and presentation such as Media Philosophy, the audiovisual essay, fictocriticism, the audio paper, and Artistic Research. It reveals how writing about art can become 'artistic' or 'poetic' in its own right: not only writing about artistic effects, but producing them in the first place. This takes art not as an object of (external) analysis, but as a subject with a knowledge in its own right, creating a co-composing 'conceptual interference pattern' between theory and practice.

A 'practical aesthetics' thus understood, can be described as thinking with art, in order to find new ways to create worlds and thus to make the world perceivable in different ways.

Recenzijas

Tracing the matter of artworks and technical artifacts from within its own inherent qualities, Practical Aestheticsproposes an operational approach to its objects of research. These paradigmatic case studies re-interpret the aesthetics of multi-media artworks and artifacts as an encounter between human cognition and the physically real.With its focus on moving images, sound art, and other artistic and media-cultural practice, Practical Aesthetics is the academic companion to practice-based artistic research. * Wolfgang Ernst, Professor of Media Theories, Humboldt University of Berlin, Germany * Bringing together some of the most interesting voices at the intersections of theories and practices of media and culture, Practical Aesthetics raises important questions and ventures fascinating answers concerning the shifting terrain between art and technologythus opening the path towards a rigorously philosophical way of thinking with and through material objects and practices. * Shane Denson, Assistant Professor of Film and Media Studies, Stanford University, USA * Herzogenraths Practical Aesthetics offers a timely approach to thinking about aesthetics, not merely as a philosophical exercise, but as a fulcrum for commencing new modes of living in complex times. * Jason Wallin, Professor of Media and Youth Culture Studies in Curriculum, The University of Alberta, Canada *

Papildus informācija

Bringing together artists and theoreticians to provide the first anthology of practical aesthetics, this volume explores how, through thinking with art, art criticism can itself become a work of art.
List of Illustration
vii
Acknowledgments ix
Introduction: Toward a Practical Aesthetics: Thinking With 1(24)
Bernd Herzogenrath
1 The Experiment: Between Art and Life
25(10)
Christoph Menke
2 On the Practice of Theory: The Technological Turn of Media Theory and Aesthetic Practice of Media Philosophy
35(10)
Katerina Krtilova
3 Episode Zero: How Empirical Science Discounts Aesthetic Experience, and a Practical Way to Bring It Back
45(18)
Tim Ingold
4 Practical Aesthetics: The Case of BioArt
63(10)
Jan Jagodzinski
5 Colors without Bodies: Wes Anderson's Drab Ethics
73(10)
Eugenie Brinkema
6 In Lag of Knowledge: The Video Essay as Parapraxis
83(12)
Johannes Binotto
7 Thinking with Film Images in Dawson City: Frozen Time
95(10)
Bill Morrison
8 Lapses, Affects, Supplement: Hiro Murai's Audiovisual Anachronism
105(12)
Tomas Jirsa
9 Some Notes on Sound Thinking
117(8)
Bernd Herzogenrath
10 Thinking with Sound: Preliminary Thoughts
125(6)
Francois J. Bonnet
11 In Search of Sacred Space
131(10)
John Luther Adams
12 Thinking in Sound
141(8)
Craig Shepard
13 Music as Sonic Praxis: On the Work of Catherine Christer Hennix
149(10)
Marcus Boon
14 The Audio Paper as Affective Attunements: Thinking, Producing, and Listening Sanne
159(12)
Krogh Groth
Kristine Samson
15 Genealogies of Immersive Media and Virtual Reality (VR) as Practical Aesthetic Machines
171(12)
Michael N. Goddard
16 As Duo: Thinking with Dance
183(12)
Elizabeth Waterhouse
17 The Heart and Other Organs of Darkness in the Year 2019
195(10)
Allen C. Shelton
18 Essayistic Imagination as Thinking With Practical Aesthetics and Max Bense's Essay on the Essay
205(10)
Christoph Ernst
19 Radioactivity and the Typewriter's Breath: Practical Aesthetics in Pound and Olson
215(12)
Julius Greve
20 Can Practical Aesthetics Change Lives?
227(10)
Jill Bennett
21 Contaminations: Toward an Empathic Museology
237(10)
Mieke Bal
22 Thinking with Archival Ordering, or the Politics of Destruction
247(12)
Ernst van Alphen
List of Contributors 259(8)
Index 267
Bernd Herzogenrath is Professor of American Studies at the University of Frankfurt, Germany.