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Practice, Research, and Cognition in Devised Performance [Hardback]

(National University of Singapore, Singapore), Series edited by (University of Kent, UK), Series edited by (Stony Brook University, USA)
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Keywords:
This interdisciplinary study explores devised performance and practice research at the intersection of the cognitive sciences and arts.

It interrogates relationships between epistemology and cognition, action and aesthetics, and first-person experience and third-person investigation. Pairing practice research methodologies from theatre and performance with cognitive and neuroscientific approachesboth theoretical and empiricalit reveals new insights into the practices of collective creation in theatre.

To foreground the insider knowledge inherent to practice research, the main case studies are works created and performed by Maiya Murphys international movement-based devising collective, Autopoetics. Autopoetics work is contextualized in reference to major international devising companies, dance companies, and interdisciplinary research projects including Complicité, Frantic Assembly, Forced Entertainment, Tectonic Theater Project, The Necessary Stage, Company Wayne McGregor, Australian Dance Theatre, Choreography and Cognition, Motion Bank and Watching Dance: Kinesthetic Empathy. Practice, Research, and Cognition in Devised Performance proposes a model for breaking down disciplinary silos to freshly access the processes of collaborative practice and invigorate research in the humanities and arts.

Recenzijas

Through its focus on cognitive approaches to devising this book offers an original, interdisciplinary and contemporary contribution to theatre and performance studies with a wealth of practical and theoretical strategies for readers to apply to their own work. * Nicola Shaughnessy, University of Kent, UK *

Papildus informācija

This interdisciplinary study explores devised performance and practice research at the intersection of the cognitive sciences and arts.
List of Illustrations
Acknowledgements

Introduction: Practice Research, Cognitive Approaches to the Arts and
Humanities
Chapter
1. Practice-Based Research on Devised Performance: A Cognitive
Analysis of Lecoqs Identifications Process
Chapter 2: Practice Research: Distributing Cognition beyond Text in the
Devising Process
Chapter 3: Scientific Research on Devising and Cognition: A Proposal for
Interdisciplinary ArtScience Research
Chapter 4: Teaching Practice, Research, and Cognition in Devising

References
Index
Maiya Murphy is a practitioner-researcher and Associate Professor in the Theatre and Performance Studies Programme at the National University of Singapore. She is the author of Enacting Lecoq: Movement in Theatre, Cognition, and Life (2019). Her work has also appeared in Interdisciplinary Science Reviews; Practice as Research in the Arts (and Beyond): Principles, Processes, Context, Achievements; Phenomenology and the Cognitive Sciences; Constructivist Foundations; Theatre, Dance and Performance Training; New Theatre Quarterly; Theatre Survey; The Routledge Companion to Jacques Lecoq; The Oxford Handbook of Dance and Theater; and Collective Creation in Contemporary Performance.