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Precision in Architecture: Certainty, Ambiguity and Deviation [Mīkstie vāki]

(Senior Lecturer, Welsh School of Architecture, Cardiff University, UK)
  • Formāts: Paperback / softback, 260 pages, height x width: 246x174 mm, weight: 560 g, 37 Line drawings, black and white; 63 Halftones, black and white; 100 Illustrations, black and white
  • Izdošanas datums: 14-May-2019
  • Izdevniecība: Routledge
  • ISBN-10: 0415789613
  • ISBN-13: 9780415789615
  • Mīkstie vāki
  • Cena: 54,71 €
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  • Formāts: Paperback / softback, 260 pages, height x width: 246x174 mm, weight: 560 g, 37 Line drawings, black and white; 63 Halftones, black and white; 100 Illustrations, black and white
  • Izdošanas datums: 14-May-2019
  • Izdevniecība: Routledge
  • ISBN-10: 0415789613
  • ISBN-13: 9780415789615

This book offers a detailed insight into the desire for, and consequences of, precise communications in the daily life of contemporary architectural practice through close readings of constructed architectural details and the practice of cultural contexts in which they were produced.

In the professionalised context of the contemporary architectural profession, precise communications – drawings, specifications, letters, faxes and emails – are charged with the complex task of translating architectural intentions into a neutral and quantifiable language which is expected to guarantee an exact match between the architects’ intentions and the constructed result. Yet, as any architectural practitioner will know, it is doubtful whether the construction of any architectural project may ever exactly match all written and drawn predictions. This book challenges claims to certainty which have been attributed to such communications from the mid-nineteenth century onwards, and critiques ongoing expectations of certainty in contemporary architectural production.

List of figures ix
Figure credits xii
Acknowledgements xiii
Foreword xv
David Leatherbarrow
Introduction 1(4)
Part I Two projects 5(38)
1 A precisely ambiguous wall
7(10)
2 The mortar joints of St Peter's
17(26)
Part II Interpretations of precision in architecture 43(38)
3 Defining precision and ambiguity
45(6)
4 Disputing precision
51(16)
5 An emerging desire for precision
67(14)
Part III Four projects 81(168)
The 1856 Iron Museum and the 2006 Museum of Childhood
83(84)
6 A precise specification for an Iron Museum
87(32)
7 Anticipating precision at the Museum of Childhood
119(48)
A meeting between Mies and OMA
167(82)
8 Deviation at the Commons
171(34)
9 A precisely crude ceiling at the MTCC
205(32)
10 Productive deviations from certainty
237(12)
Bibliography 249(8)
Index 257
Mhairi McVicar is a Reader at the Welsh School of Architecture, Cardiff University, UK and practiced architecture in Chicago, London and the Orkney Islands. Her research, critically examining intersections between architectural theory and architectural practice, has been published with Routledge and Architectural Research Quarterly.