Examines Yeats' theory of the creative self as bisexual a theory that arose from his experiment in automatic writing with his wife. Beginning with an analysis of Yeats's Mask theory and an examination of the script materials, the author demonstrates how Yeats challenged bipolar categories of gender. She further suggests that although his vision is unique and complex, the act of masking and the exercise of gender are hardly his exclusive domain. Annotation c. by Book News, Inc., Portland, Or.
