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Primitive: Original Matters in Architecture [Mīkstie vāki]

Edited by (Cardiff University, UK), Edited by (University of Bath, UK), Edited by (Newcastle University, UK)
  • Formāts: Paperback / softback, 304 pages, height x width: 234x156 mm, weight: 480 g, 23 Line drawings, black and white; 81 Halftones, black and white
  • Izdošanas datums: 16-Aug-2006
  • Izdevniecība: Routledge
  • ISBN-10: 0415385393
  • ISBN-13: 9780415385398
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  • Mīkstie vāki
  • Cena: 91,12 €
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  • Formāts: Paperback / softback, 304 pages, height x width: 234x156 mm, weight: 480 g, 23 Line drawings, black and white; 81 Halftones, black and white
  • Izdošanas datums: 16-Aug-2006
  • Izdevniecība: Routledge
  • ISBN-10: 0415385393
  • ISBN-13: 9780415385398
Citas grāmatas par šo tēmu:

This innovative edited collection charts the rise, fall and possible futures of the word primitive.

The word primitive is fundamental to the discipline of architecture in the west, providing a convenient starting point for the many myths of architecture's origins. Since the almost legendary 1970s conference on the Primitive, with the advent of post-modernism and, in particular, post-colonialism, the word has fallen from favour in many disciplines. Despite this, architects continue to use the word to mythologize and reify the practice of simplicity.

Primitive includes contributions from some of today’s leading architectural commentators including Dalibor Vesely, Adrian Forty, David Leatherbarrow, Richard Weston and Richard Coyne. Structured around five sections, Negotiating Origins; Urban Myths; Questioning Colonial Constructs; Making Marks; and Primitive Futures, the essays highlight the problematic nature of ideas of the primitive, engage with contemporary debate in the field of post colonialism and respond to a burgeoning interest in the non-expert architecture.

This now controversial subject remains, for better or worse, intrinsic to the very structure of Modernism and deeply embedded in architectural theory. Considering a broad range of approaches, this book provides a rounded past, present and future of the word primitive in the architectural sphere.

Illustration credits ix
Notes on contributors x
Acknowledgements xvi
Introduction xvii
Jo Odgers, Flora Samuel and Adam Sharr
Part 1: Original matters 1(14)
1 Primitive: the word and concept
3(14)
Adrian Forty
Part 2: Negotiating origins 15(56)
2 The primitive as modern problem: invention and crisis
17(16)
Dalibor Vesely
3 Origins redefined: a tale of pigs and primitive huts
33(10)
Mari Hvattum
4 The primitive hut: fantasies of survival in an all-white world
43(12)
Lorens Holm
5 Gottfried Semper's primitive hut: duration, construction and self-creation
55(8)
Jonathan A. Hale
6 Mineral matters: formation and transformation
63(10)
Richard Weston
Part 3: Questioning colonial constructs 71(54)
7 Post-colonizing the primitive
73(13)
Felipe Hernandez and Lea Knudsen Allen
8 Notes for an alternative history of the primitive hut
86(10)
Stephen Cairns
9 Reinventing 'primitiveness': Henri Lacoste and the Belgian Congo Pavilion at the 1931 International Colonial Exposition in Paris
96(12)
Johan Lagae
10 The radicalization of the primitive in Brazilian modernism
108(13)
Styliane Philippou
11 The need to be critical
121(4)
Robert Brown
Part 4: Urban myths 125(56)
12 Practically primitive
127(12)
David Leatherbarrow
13 Giants and columns
139(11)
Nicholas Temple
14 The emblematic city: John Wood and the re-founding of Bath
150(16)
Jo Odgers
15 Alvar Aalto and the primitive suburb
166(10)
Harry Charrington
16 Metaphorical Manhattan - 'Paradise Lost'
176(5)
Lorna McNeur
Part 5: Making marks 181(46)
17 The perception of self-negation in the space of emptiness: the primitive in Tadao Ando's architecture
183(11)
Jin Baek
18 The 'primitive surface': carving, modelling, marking and transformation
194(13)
Stephen Kite
19 The modern-day primitive hut? "Self-building' with Jung, Aalto and Le Corbusier
207(14)
Flora Samuel and Sarah Menin
20 The wisdom of the sands
221(6)
Simon Unwin
Part 6: Primitive futures? 227(46)
21 Digital commerce and the primitive roots of architectural consumption
229(11)
Richard Coyne
22 Primitive and the everyday: Sergison Bates, Lefebvre and the guilt of architectural expertise
240(11)
Adam Sharr
23 Heart of Darkness: air of comfort
251(9)
Helen Mallinson
24 Primitive: from which construction begins
260(7)
Peter Salter
25 The United Cultures of Britain
267(6)
CJ Lim
Select bibliography 273(6)
Index 279
Jo Odgers is an architect and lecturer at the Welsh School of Architecture, Cardiff University. She previously worked in architectural practice for 15 years. She is currently working on the architecture and writings of John Wood of Bath in relation to the tradition of Occult Philosophy. She is Associate Editor of arq (Cambridge University Press). Her next project (with Flora Samuel) is a book entitled Facades.

Flora Samuel is an architect and senior lecturer at the Welsh School of Architecture, Cardiff University. Co-author, with Sarah Menin, of Nature and Space: Aalto and Le Corbusier and author of Le Corbusier: Architect and Feminist she is currently writing Le Corbusier in Detail as a Leverhulme Fellow. She has a particular interest in the narratives implicit within the construction of buildings and was one of the original initiators of the Primitive conference from which this book has evolved.

Adam Sharr is a lecturer at the Welsh School of Architecture and principal of Adam Sharr Architects, based in Cardiff. His book Heideggers Hut will be published by The MIT Press in 2006. He is Associate Editor of arq (Cambridge University Press), editor of made and Joint Secretary of AHRA (Architectural Humanities Research Association).