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E-grāmata: Principles of Movement

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  • Formāts: 224 pages
  • Sērija : The Actor's Toolkit
  • Izdošanas datums: 24-Apr-2015
  • Izdevniecība: Oberon Books Ltd
  • Valoda: eng
  • ISBN-13: 9781783196081
  • Formāts - EPUB+DRM
  • Cena: 20,28 €*
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  • Formāts: 224 pages
  • Sērija : The Actor's Toolkit
  • Izdošanas datums: 24-Apr-2015
  • Izdevniecība: Oberon Books Ltd
  • Valoda: eng
  • ISBN-13: 9781783196081

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Foreword by Cate Blanchett

With contributions by Geoffrey Rush, Baz Luhrmann, Miranda Otto and Hugo Weaving amongst others.

From the writings of Keith Bain, Michael Campbell has collated a step-by-step course for students and teachers on the principles and practice of Australias great teacher of Movement. In simple language he lays out the secrets of self-knowledge that lie behind understanding the body and mind. Movement, says Bain, is both how we move and what moves us, Movement is the look in our eyes, the tensions and the tone in our muscles, our breathing, our thinking, our longings and fears. Movement has equal concern for the inner and outer aspects, with each clarifying the other.

Baz Luhrmann: He is one of the great mentors of my creative life. Cate Blanchett: 'His teachings are the foundation of my technique.

Recenzijas

He is one of the great mentors of my creative life. -- Baz Luhrmann

Papildus informācija

The first and only book on the techniques of the iconic movement teacher who trained Cate Blanchett, Geoffrey Rush.
Turn your headlights on A Foreword vii
Cate Blanchett
Introduction Michael Campbell ix
Acknowledgements xi
PART I THE PRINCIPLES
1 What is Movement?
3(15)
2 A System of Beliefs
18(16)
3 The `Good' Student
34(31)
PART II THE PRACTICE
4 Fundamental Qualities of Movement
65(41)
5 The Blessed Trinity of Movement
106(47)
6 Characterisation
153(16)
7 Gesture
169(25)
8 Transformation: The final touch
194(3)
Index 197(11)
A short biography of Keith Bain 208(2)
Michael Campbell 210
Keith Bain created a comprehensive discipline in the study of movement for performance and beginning in the 1950s pioneered many dance and movement courses. He is best known for establishing, and for many years leading, the movement studies course at the National Institute of Dramatic Arts (NIDA). All the luminaries of Australian stage and screen from the 1960s through to the 1980s were trained by him and influenced by his belief in the infinite capacity of the human body to convey emotion and defy gravity.

Michael Campbell, a principal dancer, writer, theatre director and for three years director of the Brisbane Writers Festival, is a former student of Bain at NIDA. Exclusive access to Keith Bains archive has allowed him to capture the masters work for future generations.