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Producing Children: Critical Studies in Childhood Creativity [Mīkstie vāki]

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  • Formāts: Paperback / softback, 226 pages, height x width x depth: 235x156x18 mm, weight: 340 g, 22 B-W images
  • Sērija : Rutgers Series in Childhood Studies
  • Izdošanas datums: 15-Apr-2025
  • Izdevniecība: Rutgers University Press
  • ISBN-10: 1978842317
  • ISBN-13: 9781978842311
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  • Mīkstie vāki
  • Cena: 40,40 €
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  • Formāts: Paperback / softback, 226 pages, height x width x depth: 235x156x18 mm, weight: 340 g, 22 B-W images
  • Sērija : Rutgers Series in Childhood Studies
  • Izdošanas datums: 15-Apr-2025
  • Izdevniecība: Rutgers University Press
  • ISBN-10: 1978842317
  • ISBN-13: 9781978842311
Citas grāmatas par šo tēmu:
"Producing Children imagines the possibility, indeed the inevitability, of a creative relation between children as producers and consumers by revising the long-established, hierarchical relation between adults and children. The chapters in this collection reveal that studying child-produced culture complicates our received understandings of children's culture as culture by adults, for children, about children. They also underscore "children's literature" as a cultural phenomenon that moves across and beyond genres, forms, and media. As a whole, this collection reveals that attention to child-produced culture invites dialogue and collaboration across fields and disciplines invested in the critical understanding of children as embodied beings and childhoodas both a stage of development and discursive construct with social, political, economic, and cultural dimensions and influence. With the ongoing vibrancy of childhood studies as a multidisciplinary area of inquiry, studies of child-produced culture provide scholars with an exciting opportunity to complicate, enrich, and expand theorization of childhood creativity, children's culture, and even children themselves"--

Children’s culture is not only culture for children; it’s culture by children — yet scholars of children’s culture overwhelmingly center work by adults for children. Producing Children acknowledges and theorizes children as cultural producers, underscoring how such creativity empowers children as active participants in their own culture, and helps us to reconceive our understandings of children themselves.

Producing Children imagines the possibility, indeed the inevitability, of a creative relation between children as producers and consumers by revising the long-established, hierarchical relation between adults and children. The chapters in this collection reveal that studying child-produced culture complicates our received understandings of children’s culture as culture by adults, for children, about children. They also underscore “children’s literature” as a cultural phenomenon that moves across and beyond genres, forms, and media. As a whole, this collection reveals that attention to child-produced culture invites dialogue and collaboration across fields and disciplines invested in the critical understanding of children as embodied beings and childhood as both a stage of development and discursive construct with social, political, economic, and cultural dimensions and influence. With the ongoing vibrancy of childhood studies as a multidisciplinary area of inquiry, studies of child-produced culture provide scholars with an exciting opportunity to complicate, enrich, and expand theorization of childhood creativity, children’s culture, and even children themselves.

Recenzijas

"A welcome and eye-opening collection of richly contextualized, multidisciplinary studies that push us to think more seriously about children as cultural producers. This timely anthology moves forward in exciting ways important conversations about children's cultural agency, creativity, and collaborations with adults." - Mary Celeste Kearney (author of Girls Make Media) "Producing Children brings together rich, interdisciplinary perspectives to offer fresh insight on children's role in cultural production. The case studies explored in this collection reinforce the urgency of centering children's voices, experiences, and agency in how we understand the definitions and operations of culture." - Ashleigh Greene Wade (author of Black Girl Autopoetics: Agency in Everyday Digital Practice)

Introduction 
PETER C. KUNZE AND VICTORIA FORD SMITH

PART ONE
Authorship

1 Daisy Ashford and the Child Writers Use of Scale
KATHARINE SLATER

2 I didnt die and felt the Earth: Nature and the Urgency of Perception
for Young Black Poets in The Voice of the Children Workshop
RACHEL CONRAD

3 Representations of Youth Environmental Activism and Agency in Aika
Tsubotas Secrets of the Earth
BRIANNA ANDERSON

PART TWO
Performance and Play

4 Phillis Wheatleys Image and the Creative Black Child
BRIGITTE FIELDER

5 When he saw the pencil put to paper: The Meaning-Making of Childrens
Language in Depression-Era Harlem
MAGGIE E. MORRIS DAVIS

6 Creative Testimonio as Activism: A Case Study of Sophie Cruz and Sarai
Gonzalez
CRISTINA RHODES

7 Acting Up: Child Actors as Authors and Collaborators in Contemporary World
Cinema
PETER C. KUNZE

PART THREE
Collaboration and Cocreation

8 Mostly Written By: A Cookbook Model for Reading Childrens Art
IVY LINTON STABELL

9 Negotiating Nightmares: Improvising with Children in Arthur Tresss The
Dream Collector
VICTORIA FORD SMITH

10 Choreographing Kinship: The Adult-Child Pas de Deux in Day on Earth and
Lineage
MARAH GUBAR

11 Charli, Charlie, and Me: An Autoethnographic Study of TikTok Dance and
Child/Adult Collaborations
TREVOR BOFFONE

Notes on Contributors
Index
PETER C. KUNZE is an assistant professor of communication at Tulane University in New Orleans, Louisiana. He is the author of Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance (Rutgers University Press).

VICTORIA FORD SMITH is an associate professor of English at the University of Connecticut in Storrs. She is the author of Between Generations: Collaborative Authorship in the Golden Age of Childrens Literature.