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E-grāmata: Production and Consumption of Music in the Digital Age [Taylor & Francis e-book]

Edited by (Queen Mary, University of London, UK), Edited by (University of North Texas, USA), Edited by (University of Southampton, UK)
  • Formāts: 292 pages, 2 Tables, black and white; 4 Line drawings, black and white; 3 Halftones, black and white; 7 Illustrations, black and white
  • Sērija : Routledge Studies in Human Geography
  • Izdošanas datums: 12-Feb-2018
  • Izdevniecība: Routledge
  • ISBN-13: 9781315724003
Citas grāmatas par šo tēmu:
  • Taylor & Francis e-book
  • Cena: 173,42 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 247,75 €
  • Ietaupiet 30%
  • Formāts: 292 pages, 2 Tables, black and white; 4 Line drawings, black and white; 3 Halftones, black and white; 7 Illustrations, black and white
  • Sērija : Routledge Studies in Human Geography
  • Izdošanas datums: 12-Feb-2018
  • Izdevniecība: Routledge
  • ISBN-13: 9781315724003
Citas grāmatas par šo tēmu:

The economic geography of music is evolving as new digital technologies, organizational forms, market dynamics and consumer behavior continue to restructure the industry. This book is an international collection of case studies examining the spatial dynamics of today’s music industry. Drawing on research from a diverse range of cities such as Santiago, Toronto, Paris, New York, Amsterdam, London, and Berlin, this volume helps readers understand how the production and consumption of music is changing at multiple scales – from global firms to local entrepreneurs; and, in multiple settings – from established clusters to burgeoning scenes. The volume is divided into interrelated sections and offers an engaging and immersive look at today’s central players, processes, and spaces of music production and consumption. Academic students and researchers across the social sciences, including human geography, sociology, economics, and cultural studies, will find this volume helpful in answering questions about how and where music is financed, produced, marketed, distributed, curated and consumed in the digital age.

List of Figures
ix
List of Tables
xi
Acknowledgments xiii
PART I Introduction
1 Introduction: The Evolving Economic Geography of Music
3(8)
Brian J. Hracs
Michael Seman
Tarek E. Virani
PART II Recording
2 Laptops, Pro Tools, and File Transfer Protocols: On the Intensification and Extensification of Recording Work in the Digital Age
11(14)
Allan Watson
3 Disturbing Production: The Effects of Digital Music Production on Music Studios
25(16)
David Arditi
PART III Working
4 Working Harder and Working Smarter: The Survival Strategies of Contemporary Independent Musicians
41(15)
Brian J. Hracs
5 From Artist to Entrepreneur: The Working Lives of London-Based Rappers
56(15)
Laura Speers
6 Hip-Hop Tunity: Challenges and Opportunities for Indie Hip-Hop Artists in the Dutch Music Industry
71(14)
Joni R. Haijen
7 "Working at the Candy Factory": The Limits of Nonmonetary Rewards in Record Industry Careers
85(16)
Alexandre Frenette
PART IV Playing
8 The Resilience of a Local Music Scene in Dalston, London
101(13)
Tarek E. Virani
9 Landscapes of Performance and Technological Change: Music Venues in Pittsburgh, Pennsylvania and Nashville, Tennessee
114(16)
Ola Johansson
Margaret M. Gripshover
Thomas L. Bell
10 What's the "Newport Effect"?: Music Festivals, Touring, and Reputations in the Digital Age
130(14)
Jonathan R. Wynn
Rodrigo Dominguez-Villegas
11 Musicians and Temporary Spaces: The Case of Music Festivals in Sweden
144(17)
Johan Jansson
Jimi Nilsson
PART V Distributing
12 Exploring the "360 Degree" Blur: Digitization, Sonic Capital, and the Strategic Orientations of Electronic Indie Labels
161(16)
Hans-Joachim Burkner
13 More Than Just Bytes?: Responses to Digitization in the Paris Cluster of World Music Production
177(13)
Amanda Brandellero
Robert C. Kloosterman
14 Emotional Landscapes and the Evolution of Vinyl Record Retail: A Case Study of Highland Park, Los Angeles
190(16)
Tyler Sonnichsen
15 Music Rights: Towards a Material Geography of Musical Practices in the "Digital Age"
206(17)
Andy C. Pratt
PART VI Promoting and Consuming
16 Unpacking the "Digital Habitus" of Music Fans in Santiago's Indie Music Scene
223(14)
Arturo Arriagada
17 The Evolution of Music Tastemakers in the Digital Age: The Rise of Algorithms and the Response of Journalists
237(11)
Bastian Lange
18 Leveraging Affect: Mobilizing Enthusiasm and the Co-Production of the Musical Economy
248(15)
Andrew Leyshon
Nigel Thrift
Louise Crewe
Shaun French
Pete Webb
Contributors 263(6)
Index 269
Brian J. Hracs is a lecturer at the School of Geography and Environment at the University of Southampton, UK.



Michael Seman is a senior research associate at the University of North Texas Center for Economic Development and Research.



Tarek E. Virani is a post-doctoral research associate at Queen Mary University of London.