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E-grāmata: Production Design for Screen: Visual Storytelling in Film and Television

3.50/5 (20 ratings by Goodreads)
(University of Westminster, UK)
  • Formāts: 224 pages
  • Sērija : Required Reading Range
  • Izdošanas datums: 21-Mar-2024
  • Izdevniecība: Bloomsbury Academic USA
  • Valoda: eng
  • ISBN-13: 9781474254786
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Production Design for Screen: Visual Storytelling in Film and TelevisionPalielināt
  • Formāts: 224 pages
  • Sērija : Required Reading Range
  • Izdošanas datums: 21-Mar-2024
  • Izdevniecība: Bloomsbury Academic USA
  • Valoda: eng
  • ISBN-13: 9781474254786
Citas grāmatas par šo tēmu:

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Packed with colour film stills, exclusive pre-production artwork and behind-the-scenes production images, this landmark book celebrates the production designer's contribution to visual storytelling on screen. It illuminates the visual concepts behind familiar screen spaces and unpicks how and why they are so effective in conveying character and story.

Seven case studies, developed from exclusive interviews with world-renowned designers, reveal the concepts behind some of the most engaging imagery on screen and establish a dialogue around the shared language of visual storytelling.

Jane Barnwell offers a new methodology for evaluating the designer's work on screen through five categories of analysis: space, interiors and exteriors, light, colour and set decorating. All of which combine to create the visual concept evident in the final screen image and together provide a model for the analysis of production design.

Practical exercises and examples of real world projects walk you through the design process from breaking down the script and developing initial ideas to identifying a coherent conceptual vision. If you are a filmmaker, Production Design for Screen will inspire and guide you in your own work.

Recenzijas

An excellent introduction to the impact and practice of production design in the movies. Rich in examples and engaging in its concepts, this is of interest to both students and cineastes alike. -- Edward Braman, Head of Film and TV, University of York, UK The points of view in this book have been sorely missing in the industryThis book is destined to become an integral part of my future classes as a required text. -- Kent Homchick, Associate Professor, University of Colorado, Denver, USA beautifully illustrated with generous inclusions of film stillsa clearly written, practice-oriented, much needed text on production design for film. -- Dr. Elaine Sisson, Dun Laoghaire Institute of Art Design and Technology, Ireland

Papildus informācija

Explores the creative process of designing for film and television - providing budding filmmakers with the skills and tools they need to produce compelling imagery on screen.
Introduction 6(1)
Authorship and the Visual Signature 7(2)
Styles and Movements: A Timeline 9(13)
Chapter 1 Practicalities: The Design Process
22(34)
The Art Department
24(3)
Breaking Down the Script
27(2)
Developing Initial Ideas
29(2)
Research Process
31(4)
Sketches, Drafts, Models
35(3)
The Budget
38(2)
Studio Construction
40(2)
Locations
42(2)
Set Decorating and Dressing
44(6)
Interview with Anna Pritchard
50(6)
Chapter 2 The Visual Concept
56(26)
Collaboration
58(1)
Concept, Contrast and Transformation
58(9)
Developing the Visual Concept
67(1)
Inspiration
68(8)
Interview with Stuart Craig
76(6)
Chapter 3 Space
82(22)
Space
84(1)
Real and Imagined Worlds
85(5)
Size and Scale
90(2)
Geography of Space
92(3)
Vertical Hierarchy
95(3)
Interview with Alex McDowell
98(6)
Chapter 4 In and Out: Boundaries and Transitions
104(24)
In and Out
106(2)
Doorways and Windows
108(6)
Movement and Transition
114(4)
Interiors and Exteriors
118(4)
Case Study: Hugo Luczyc-Wyhowski
122(6)
Chapter 5 Light
128(22)
Sources and Position
130(4)
Character and Story
134(6)
Colour
140(1)
Paintings
141(3)
Interview with Ronald Gow
144(6)
Chapter 6 Colour
150(22)
Colour and Early Cinema
152(1)
Painting and Perception
152(1)
Colour Palette and Psychology
153(2)
The Emotional Colour of a Scene
155(1)
Character and Story
156(3)
The Colour Red
159(3)
Interview with Jim Bissell
162(10)
Chapter 7 Set Decoration
172(26)
The Set Decorator
174(1)
Reflecting Character
175(8)
Furniture and Dressing
183(2)
Period and Style
185(5)
Interview with Tatiana Macdonald
190(8)
Appendix 198(2)
Clay - Student Script 200(4)
Graduate Interviews 204(4)
Designer Biographies 208(4)
Selected Filmography 212(4)
Further Resources 216(1)
Acknowledgements 217(1)
Glossary 218(2)
Picture Credits 220(2)
Index 222
Jane Barnwell is Senior Lecturer in Moving Image at University of Westminster, UK.
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