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E-grāmata: Production of Subjectivity in The Diamond Age by Neal Stephenson

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The book brings to light Neal Stephenson’s answer to the technologically induced crisis in identity. The author of this book analyses the ethnocultural, technological, and ideological skeins that make up the biopolitical production of the self. The coming-of-age novel «The Diamond Age» reflects the processes surrounding the emergence of conscience. Through his inspired recycling of cultural traditions, Stephenson’s ethico-aesthetic engagement with technology, mass media, and literature advocates an epistemological change in being. This essay’s use of affect theory shows how a specific work informs literary theory and thinking, and how literature goes beyond reflecting the «zeitgeist» by offering creative ways to apprehend technology.



The book brings to light Neal Stephenson’s answer to the technologically induced crisis in identity. Using affect theory and its applications to literature, it explores how operations of subjectivation emerge in Neal Stephenson’s technological novel «The Diamond Age».

Introduction 11(12)
Part I The Ill Affective Turn; or, the Machinic Production of Self and Ideological Apparatuses
23(46)
1) The Fashioned Body of the Individual as an Invaded Territory
24(14)
a) The Cyberpunk Hero
25(3)
b) Of Mods and Parlors: Body Kitsch
28(3)
c) (Re)Cycling Bodies
31(4)
d) Mind-Bugging: Mediatrons as Affect-Images and "Mediaborgs"
35(3)
2) Collective Identities and the Mechanics of Living
38(16)
a) The Feed and the Mediaglyphics of Self: Bulim(ed)ia
39(6)
b) Polarizing and Vectorizing the Social Engine: Reaching Collective Homeostasis through Energy and (Eco-)System Conversion
45(4)
c) Something Mechanical on Something Living: Ec(h)o-systems
49(5)
3) Erasing the Pre-Personal Self: Post-Humanimality and Spectrality
54(15)
a) The Subject/Object Inversion: Parasites Launch
55(3)
b) Post-humanimalities: from "I Object" to "I, Object"
58(3)
c) Spectrality and Dis-re-membering
61(8)
Part II The Accumulation of Affect
69(40)
1) The Post-Cyberpunk Model: Subversion from the Inside
70(15)
a) Post-ing the Cyberpunk Genre: Establishing a Transitional Space
71(4)
b) "Psychogeographein": Creating the Child through Literary Peregrinations
75(4)
c) Lyrical Ballads 2.0: The Neo-Victorian Rebels as Partners in Crime and Partners in Rhyme
79(6)
2) Deep Meaning, Deep Mining
85(24)
a) Epistemic Indeterminacy and Organic Affectivity: Catch My Fall
86(5)
b) Sub/Conscious
91(8)
c) Affect Overflow
99(10)
Conclusion 109(4)
Selected Bibliography 113
Sarah Jonckheere is a scholar at the University of Lille in France where she pursues a doctorate in Anglophone literature. Her work focuses on British and American literatures, literary theory, philosophy, and cinema as well as on affect theory.
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