Introduction and Acknowledgments |
|
ix | |
|
|
3 | (26) |
|
Psychotic Reactions and Carburetor Dung: A Tale of These Times (1971) |
|
|
5 | (15) |
|
|
20 | (9) |
|
|
29 | (64) |
|
Of Pop and Pies and Fun: A Program for Mass Liberation in the Form of a Stooges Review, or, Who's the Fool? (1970) |
|
|
31 | (22) |
|
James Taylor Marked for Death (1971) |
|
|
53 | (29) |
|
Do the Godz Speak Esperanto? (1971) |
|
|
82 | (11) |
|
PART THREE Creemwork---Frauds, Failures, and Fantasies |
|
|
93 | (72) |
|
Chicago at Carnegie Hall, Volumes I, II, III & IV(1972) |
|
|
95 | (3) |
|
Black Oak Arkansas: Keep the Faith (1972) |
|
|
98 | (3) |
|
|
101 | (2) |
|
John Coltrane Lives (1972) |
|
|
103 | (9) |
|
The Guess Who: Live at the Paramount (1972) |
|
|
112 | (2) |
|
James Taylor: One Man Dog (1973) |
|
|
114 | (2) |
|
The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies, or, The Day the Airwaves Erupted (1973) |
|
|
116 | (12) |
|
Jethro Tull in Vietnam (1973) |
|
|
128 | (7) |
|
Screwing the System with Dick Clark (1973) |
|
|
135 | (5) |
|
|
140 | (2) |
|
My Night of Ecstasy with the J. Geils Band (1974) |
|
|
142 | (4) |
|
Johnny Ray's Better Whirlpool (1975) |
|
|
146 | (5) |
|
Barry White: Just Another Way to Say I Love You (1975) |
|
|
151 | (3) |
|
|
154 | (7) |
|
David Bowie: Station to Station (1976) |
|
|
161 | (4) |
|
PART FOUR Slaying the rather |
|
|
165 | (38) |
|
From Untitled Notes on Lou Reed, 1980 |
|
|
167 | (2) |
|
Let Us Now Praise Famous Death Dwarves, or, How I Slugged It Out with Lou Reed and Stayed Awake (1975) |
|
|
169 | (15) |
|
How to Succeed in Torture Without Really Trying, or, Louie Come Home, All Is Forgiven (1976) |
|
|
184 | (11) |
|
The Greatest Album Ever Made (1976) |
|
|
195 | (6) |
|
From Untitled Notes on Lou Reed, 1980 |
|
|
201 | (2) |
|
PART FIVE Slaying the Children, Burying the Dead, Signs of Life |
|
|
203 | (102) |
|
Iggy Pop: Blowtorch in Bondage (1977) |
|
|
205 | (4) |
|
I Saw God and/or Tangerine Dream (1977) |
|
|
209 | (3) |
|
Where Were You When Elvis Died? (1977) |
|
|
212 | (5) |
|
|
217 | (7) |
|
|
224 | (36) |
|
Richard Hell: Death Means Never Having to Say You're Incomplete (1978) |
|
|
260 | (9) |
|
Growing Up True Is Hard to Do (1978) |
|
|
269 | (3) |
|
The White Noise Supremacists (1979) |
|
|
272 | (11) |
|
Sham 69 Is Innocent! (1979) |
|
|
283 | (2) |
|
|
285 | (11) |
|
Otis Rush Mugged by an Iceberg (1980) |
|
|
296 | (2) |
|
Thinking the Unthinkable About John Lennon (1980) |
|
|
298 | (3) |
|
A Reasonable Guide to Horrible Noise (1981) |
|
|
301 | (4) |
|
|
305 | (64) |
|
|
307 | (6) |
|
From Notes on PiL's Metal Box, 1980 |
|
|
313 | (3) |
|
From "All My Friends Are Hermits," 1980 |
|
|
316 | (2) |
|
Review of Peter Guralnick's Lost Highway: Journeys & Arrivals of American Musicians (1980) |
|
|
318 | (4) |
|
From Notes for Review of Peter Guralnick's Last Highway, 1980 |
|
|
322 | (15) |
|
From "The Scorn Papers," 1981 |
|
|
337 | (2) |
|
From "Women on Top: Ten Post-Lib Role Models for the Eighties," a book proposal, 1981 |
|
|
339 | (5) |
|
|
344 | (25) |
|
|
369 | (9) |
|
From Untitled Notes, 1981 |
|
|
371 | (7) |
Index |
|
378 | |