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Preface of the Regional Association of Westphalia-Lippe |
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17 | (1) |
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Barbara Ruschoff-Parzinger |
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A Word of Welcome from the Volkswagen Foundation |
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18 | (1) |
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A Word of Welcome from the Art Foundation of North Rhine-Westphalia |
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19 | (1) |
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A Word of Welcome from the Gerda Henkel Foundation |
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20 | (1) |
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A Word of Welcome from the City of Minister |
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21 | (2) |
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23 | (6) |
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Ducks and Communists: An Introduction |
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29 | (22) |
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Art at a Crossroads: Post-Public Public Spaces |
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51 | (6) |
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A Commitment to Art and the Public The Research Group of the Skulptur Projekte Archives |
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57 | (24) |
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Looking Back to the Future |
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81 | (28) |
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Creating Art Access in the Public Space: On the Cartographical Configuration of the Skulptur Projekte Munster (1977-2017) |
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109 | (26) |
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The Debate Makes the Work' or The Work Makes the Debate' |
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135 | (16) |
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Two Workshops, How Many Publics? Rirkrit Tiravanija and Koki Tanaka Erect Archival Preserves for Living Together |
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151 | (16) |
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167 | (10) |
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Maria Cristina Machado Freire |
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Plateaus of Plural Public Spheres |
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177 | (22) |
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Purchasing Performances: On the Recurring Renegotiation of Authorship, Publicness, and the Concept of the Artwork |
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199 | (8) |
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The Go-Between: The Archives as Mediator between Work and Public |
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207 | (6) |
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Minister's Counter-Monuments: The Aesthetics of Remembrance in Public Space |
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213 | (16) |
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Tokyo 1970/Munster, 1977: A Transnational Comparison |
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229 | (16) |
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Collision and Permeability: The Museum as a Public Space |
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245 | (18) |
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263 | (2) |
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The Fruits Of Museum Work: The Thriving Of The Skulptur Projekte Archives |
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265 | (2) |
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267 | (2) |
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The Hot Wire - Munster And Marl Revisited |
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269 | (2) |
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271 | (2) |
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Course Correction: Participation Instead Of Expansion |
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273 | (2) |
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A Moment Of Silence In Public Space |
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275 | (2) |
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Growing And Flourishing In Freedom |
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277 | (2) |
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A Magnet For Sponsors: Tina Turner Beats Sol Lewitt |
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279 | (2) |
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Cross-Cultural Paradigm Shifts Of Public Art |
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281 | (2) |
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283 | (2) |
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A Question Of Involvement |
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285 | (2) |
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From Art To Service And Back! |
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287 | (2) |
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The vandalizing viewer: On Katharina Fritsch's Madonna And The Relationship Between Art And The Church |
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289 | (2) |
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Carte Blanche For The Future |
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291 | (2) |
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Goodbye Skulptur Projekte 2017 |
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293 | (2) |
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Ambivalent, Empathetic And Revealing |
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295 | (2) |
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Snow Globe And Chocolate Heart |
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297 | (2) |
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299 | (2) |
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Insisting And Persisting: On Forms Of Existence |
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301 | (2) |
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Holding Out Against Topicality: Economies In Public Space |
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303 | (2) |
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305 | (4) |
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Elective Affinities: Rosemarie Trockel and Donald Judd |
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309 | (12) |
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Between the Visible and the Sayable: On the Significance of 3D Printing in Christine Borland's Work Die Toten lehren die Lebenden - The Dead Teach the Living |
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321 | (10) |
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On the Desired and the Possible: The Skulptur Projekte and the University in 1977 |
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331 | (10) |
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Project: Rieselfelder - Joseph Beuys's Unrealized Ecological Gesamtkunstwerk for the Skulptur Projekte in Munster 1987 |
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341 | (12) |
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Projects, Projections, Utopias: The Documentary Exhibition as Artistic Strategy and a Space of Possibilities |
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353 | (14) |
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"An Exhibition without Example": The Development of the Skulptur Projekte in the Context of Contemporary Exhibition Formats |
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367 | (12) |
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The Same Dignity and Respect? A Sketch for Situating Education at the Skulptur Projekte 1977 and 1987 in the History of Their Time and Field |
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379 | (6) |
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Public Space on Display: On the `Cinema Situation' in Clemens von Wedemeyer's Von Gegenuber and Dan Graham's Cinema |
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385 | (6) |
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391 | (8) |
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A Face of Artistic Labor: Haus by Peter Fischli and David Weiss |
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399 | (8) |
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Facing in the Direction of a Sodomite Couple (Who Never Responded): Mike Kelley's Petting Zoo |
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407 | (12) |
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Unconscious Places - Thomas Struth's A Projection for Munster at the Skulptur Projekte in Munster 1987 |
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419 | (8) |
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Inscription at Work: Read and Let Read |
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427 | (12) |
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Research Project |
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439 | (4) |
Skulptur Projekte Archives |
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443 | (2) |
The Public Matters - Exhibition |
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445 | (8) |
Appendix: The Public Collection |
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453 | (16) |
Skulptur Projekte in the Museum |
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469 | (6) |
About the Authors |
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475 | (6) |
Imprint |
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481 | |