Introduction | 1 | (7) | |
CHAPTER 1. Nineteenth-Century Acting |
8 | (29) | |
CHAPTER 2. Acting as Psychological Truth: Stanislayski's Legacy |
37 | (52) | |
CHAPTER 3. The Actor as Scenographic Instrument |
89 | (32) | |
CHAPTER 4. The Legacy of Jacques Copeau |
121 | (20) | |
CHAPTER 5. Michel Saint-Denis and the English Tradition |
141 | (28) | |
CHAPTER 6. British Approaches to the Teaching of Speech and Movement |
169 | (22) | |
CHAPTER 7. Improvisation and Games for Devising and for Performer Training |
191 | (30) | |
CHAPTER 8. Brechtian Theater as Political Praxis |
221 | (38) | |
CHAPTER 9. Augusto Boal arid the Theater of the Oppressed |
259 | (15) | |
CHAPTER 10. Antonin Artaud, the Actor's Body, and the Space of Performance |
274 | (12) | |
CHAPTER 11. Jerzy Grotowski |
286 | (24) | |
CHAPTER 12. From Personal Encounter to Cultural Exchange: The Theaters of Peter Brook |
310 | (23) | |
CHAPTER 13. Performance as Cultural Exchange: Eugenio Barba and Theater Anthropology |
333 | (21) | |
Conclusion | 354 | (19) | |
Notes | 373 | (27) | |
Select Bibliography | 400 | (5) | |
Index | 405 |