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Purpose of Playing: Modern Acting Theories in Perspective [Hardback]

  • Formāts: Hardback, 480 pages, height x width: 235x156 mm, 10 illustrations
  • Sērija : Theater: Theory/Text/Performance
  • Izdošanas datums: 01-Jul-2006
  • Izdevniecība: The University of Michigan Press
  • ISBN-10: 047209887X
  • ISBN-13: 9780472098873
Citas grāmatas par šo tēmu:
  • Formāts: Hardback, 480 pages, height x width: 235x156 mm, 10 illustrations
  • Sērija : Theater: Theory/Text/Performance
  • Izdošanas datums: 01-Jul-2006
  • Izdevniecība: The University of Michigan Press
  • ISBN-10: 047209887X
  • ISBN-13: 9780472098873
Citas grāmatas par šo tēmu:
The Purpose of Playing provides the first in-depth introduction to modern critical acting, enabling students, teachers, and professionals to comprehend the different aesthetic possibilities available to today’s actors. The book presents a comparative survey of the major approaches to Western acting since the nineteenth century, their historical evolution, and their relationship to one another. Author Robert Gordon explores six categories of acting: realistic approaches to characterization (Stanislavski, Vakhtangov, Strasberg, Chekhov); the actor as a scenographic instrument (Appia, Craig, Meyerhold); improvisation and games (Copeau, Saint-Denis, Laban, Lecoq); political theater (Brecht, Boal); exploration of the self and other (Artaud, Grotowski); and performance as cultural exchange (Brook, Barba). The synthesis of these principal theories of dramatic performance in a single text offers practitioners the knowledge they need to contextualize their own practice within the wider field of performance, while encouraging theorists and scholars to be more sensitive to the material realities of artistic practice.

?This analysis of major movements and figures from the early nineteenth century to the present is clear, thorough, and penetrating, and its scope across periods, countries, and styles is impressive.”
--Xerxes Mehta, University of Maryland-Baltimore County

Robert Gordon is Reader in Drama, Goldsmiths College, University of London.

Recenzijas

"This analysis of major movements and figures from the early nineteenth century to the pre sent is clear, thorough and penetrating, and its scope across periods, countries and styles is impressive." - Xerxes Mehta, University of Maryland-Baltimore County"

Introduction 1(7)
CHAPTER
1. Nineteenth-Century Acting
8(29)
CHAPTER
2. Acting as Psychological Truth: Stanislayski's Legacy
37(52)
CHAPTER
3. The Actor as Scenographic Instrument
89(32)
CHAPTER
4. The Legacy of Jacques Copeau
121(20)
CHAPTER
5. Michel Saint-Denis and the English Tradition
141(28)
CHAPTER
6. British Approaches to the Teaching of Speech and Movement
169(22)
CHAPTER
7. Improvisation and Games for Devising and for Performer Training
191(30)
CHAPTER
8. Brechtian Theater as Political Praxis
221(38)
CHAPTER
9. Augusto Boal arid the Theater of the Oppressed
259(15)
CHAPTER
10. Antonin Artaud, the Actor's Body, and the Space of Performance
274(12)
CHAPTER
11. Jerzy Grotowski
286(24)
CHAPTER
12. From Personal Encounter to Cultural Exchange: The Theaters of Peter Brook
310(23)
CHAPTER
13. Performance as Cultural Exchange: Eugenio Barba and Theater Anthropology
333(21)
Conclusion 354(19)
Notes 373(27)
Select Bibliography 400(5)
Index 405
Robert Gordon is Reader in Drama, Goldsmiths College, University of London.