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E-grāmata: Queer Sinophone Cultures

Edited by (University of California, San Diego, USA), Edited by (University of Warwick, UK)
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The Sinophone framework emphasises the diversity of Chinese-speaking communities and cultures, and seeks to move beyond a binary model of China and the West. Indeed, this strikingly resembles attempts within the queer studies movement to challenge the dimorphisms of sex and gender.

Bringing together two areas of study that tend to be marginalised within their home disciplines Queer Sinophone Cultures innovatively advances both Sinophone studies and queer studies. It not only examines film and literature from Mainland China but expands its scope to encompass the underrepresented ‘Sinophone’ world at large (in this case Taiwan, Hong Kong, Malaysia, Singapore, and beyond). Further, where queer studies in the U.S., Europe, and Australia often ignore non-Western cultural phenomena, this book focuses squarely on Sinophone queerness, providing fresh critical analyses of a range of topics from works by the famous director Tsai Ming-Liang to the history of same-sex soft-core pornography made by the renowned Shaw Brothers Studios.

By instigating a dialogue between Sinophone studies and queer studies, this book will have broad appeal to students and scholars of modern and contemporary China studies, particularly to those interested in film, literature, media, and performance. It will also be of great interest to those interested in queer studies more broadly.

Recenzijas

This provocative collection seeks to exfoliate the layers that have bundled Chinese Studies within the strictures of traditional area studies. Looking to transnational routes and roots, the contributors elegantly deploy a "queer Sinophonic" framework that refuses geographic and conceptual limits to understanding the conjunctions and intersections of wayward bodies, intimacies, and attachments as these are produced in film, literature and other cultural genres. Traipsing various sites and contexts of the Sinophone world, from Singapore to Hong Kong to Taiwan and beyond, the essays in this expansive collection de-essentialize Chineseness and queer by circumventing the traps and tribulations of antipodal dualities such as China and its diasporas.

Martin F. Manalansan IV, Global Divas: Filipino Gay Men in the Diaspora

This impressive anthology brings queer theory and Sinophone studies into a critically challenging and mutually transformative conjuncture. Showcasing an eclectic range of scholarship that is historically nuanced, theoretically adventurous and globally aware, the book demonstrates that the vital projects to, respectively, "deprovincialize china" and "reroute the geopolitics of desire" not only go hand in hand but inform each other in the most thoughtful and provocative way. This book stands at the forefront of a vibrant new field and should be read by anyone who is interested in pushing the boundaries of sexuality studies and Asian studies.

Helen Hok-Sze Leung, Undercurrents: Queer Culture and Postcolonial Hong Kong

List of figures
xvi
Notes on contributors xvii
Acknowledgments xx
PART I Introduction
1(16)
1 "A volatile alliance": queer Sinophone synergies across literature, film, and culture
3(14)
Ari Larissa Heinrich
PART II New chronotopes
17(48)
2 (De)Provincializing China: queer historicism and Sinophone postcolonial critique
19(33)
Howard Chiang
3 Unraveling the apparatus of domestication: Zhu Tianxin's "The Ancient Capital" and queer engagements with the nation-state in post-martial law Taiwan
52(13)
Yin Wang
PART III The remake
65(42)
4 From flowers to boys: queer adaptation in Wu Jiwen's The Fin-de-siecle Boy Love Reader
67(17)
Tze-Lan D. Sang
5 Sinophone erotohistories: the Shaw brothers' queering of a transforming "Chinese dream" in Ainu fantasies
84(23)
Lily Wong
PART IV Queering kinship
107(40)
6 Queer Sinophone studies as anti-capitalist critique: mapping queer kinship in the work of Chen Ran and Wong Bik-wan
109(21)
Alvin Ka Hin Wong
7 A queer journey home in Solas: rethinking kinship in Sinophone Singapore
130(17)
E. K. Tan
PART V Tsai Ming-liang
147(30)
8 Theatrics of cruising: bath houses and movie houses in Tsai Ming-liang's films
149(11)
Guo-Juin Hong
9 Queerly connecting: the queer Sinophone politics of Tsai Ming-liang's I Don't Want to Sleep Alone
160(17)
Kenneth Chan
PART VI A volatile alliance
177(44)
10 Desire against the grain: transgender consciousness and Sinophonicity in the films of Yasmin Ahmad
179(22)
Wai Siam Hee
Ari Larissa Heinrich
11 Queer affiliations: Mak Yan Yan's Butterfly as Sinophone romance
201(20)
Andrea Bachner
PART VII Afterword
221(5)
12 On the conjunctive method
223(3)
Shu-Mei Shih
Index 226
Howard Chiang is Assistant Professor in the Department of History at the University of Warwick, UK.

Ari Larissa Heinrich is Associate Professor in the Department of Literature at the University of California, San Diego, USA.