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E-grāmata: Queering the Field: Sounding Out Ethnomusicology

Edited by (Assistant Professor of Music, Dartmouth College), Edited by (Associate Professor of Musicology/Ethnomusicology, Vanderbilt University)
  • Formāts: 384 pages
  • Izdošanas datums: 23-Sep-2019
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780190458058
  • Formāts - EPUB+DRM
  • Cena: 36,14 €*
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  • Formāts: 384 pages
  • Izdošanas datums: 23-Sep-2019
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780190458058

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Drawing on ethnographic research and often deeply personal experiences with musical cultures, Queering the Field: Sounding out Ethnomusicology unpacks a history of sentiment that veils the treatment of queer music and identity within the field of ethnomusicology. The thematic structure of the volume reflects a deliberate cartography of queer spaces in the discipline-spaces that are strongly present due to their absence, are marked by direct sonic parameters, or are called into question by virtue of their otherness. As the first large-scale study of ethnomusicology's queer silences and queer identity politics, Queering the Field directly addresses the normativities currently at play in musical ethnography (fieldwork, analysis, performance, transcription) as well as in the practice of musical ethnographers (identification, participation, disclosure, observation, authority). While rooted in strong narrative convictions, the authors frequently adopt radicalized voices with the goal of queering a hierarchical sexual binary.
The essays in the volume present rhetorical and syntactical scenarios that challenge us to read in prescient singular ways for future queer writing and queer thought in ethnomusicology.

Recenzijas

the authors make Queering the Field a safe space - a place allowing them to express themselves without censorship * Kamille Gagné, Revue Musicale Oicrm *

Papildus informācija

Winner of Winner of the 2020 Marcia Herndon Book Prize by the Society for Ethnomusicology's Gender and Sexualities Task Force.
Acknowledgments xi
About the Authors xiii
PART 1 FOREWORD
1 Queering the Field: A Foreword
3(4)
Kay Kaufman Shelemay
PART 2 INTRODUCTION
2 Queering the Field: An Introduction
7(24)
Gregory Barz
PART 3 QUEER SILENCES
3 Sounding Out-Ethnomusicology: Theoretical Reflection on Queer Fieldnotes and Performance
31(22)
Zoe C. Sherinian
4 Uncomfortable Positions: Expertise and Vulnerability in Queer Postcolonial Fieldwork
53(14)
Nicol Hammond
5 Queer in the Field? What Happens When Neither "Queer" Nor "The Field" Is Clearly Defined?
67(26)
Gillian M. Rodger
PART 4 OUT/IN THE FIELD
6 "I Don't Think We Are Safe around You": Queering Fieldwork in Ethnomusicology
93(13)
Gregory Barz
7 Queerness, Ambiguity, Ethnography
106(14)
Christi-Anne Castro
8 Outing the Methodological No-No: Translating Queer Space to Field Space
120(19)
Alexander M. Cannon
9 Queer Fieldwork in a Queer Field under Surveillance: Musical Spaces in Cuba's Gay Ambiente
139(24)
Moshe Morad
PART 5 QUEERNESS IN ACTION
10 Con/Figuring Transgender-Hijra Music and Dance through Queer Ethnomusicological Filmmaking
163(22)
Jeff Roy
11 Queer Hip Hop or Hip-Hop Queerness? Toward a Queer of Color Music Studies
185(13)
Matthew Leslie Santana
12 Going through the Motions: Transgender Performance in Topeng Cirebon from North Java, Indonesia
198(19)
Henry Spiller
13 Fielding the Field: Belonging, Disciplinarity, and Queer Scholarly Lives
217(18)
Tes Slominski
PART 6 INSTITUTIONS AND INTERSECTIONS
14 The Lion, the Witch, and the Closet: Heteronormative Institutional Research and the Queering of "Traditions"
235(22)
Aileen Dillane
Nic Gareiss
15 "I'm Not Gay, I'm Black": Assumptions and Limitations of the Normative Queer Gaze in a Panamanian Dance-Drama
257(20)
Heather J. Paudler
PART 7 WHO'S QUEER (W)HERE?
16 Self and/as Subject: Respectability, Abjection, and the Alterity of Studying What You Are
277(14)
Amber R. Clifford-Napoleone
17 Straight to the Heart: Heteronormativity, Flirtation, and Autoethnography at Home and Away
291(16)
Kathryn Alexander
18 Coming through Loud and Queer: Ethnomusicological Ethics of Voice and Violence in Real and Virtual Battlegrounds
307(28)
William Cheng
PART 8 CLUBS, BARS, SCENES
19 The Queer Concerns of Nightlife Fieldwork
335(18)
Luis-Manuel Garcia
20 Ethnographic Positionality and Psychoanalysis: A Queer Look at Sex and Race in Fieldwork
353(11)
Sarah Hankins
21 "Man Created Homophobia, God Created Transformistas": Saluting the Oricha in a Cuban Gay Bar
364(16)
Cory W. Thorne
22 On Serendipity: Or, Toward a Sensual Ethnography
380(17)
Peter McMurray
Works Cited 397(32)
Index 429
Gregory Barz is Director of the School of Music at Boston University where he is professor of ethnomusicology. He serves as the president of the Society for Ethnomusicology and currently conducts field research on drag culture in Israel.



William Cheng is an Associate Professor of Music at Dartmouth College. He teaches courses in history, media, ethics, disability, race, and digital games. Working at the crossroads of critical inquiry and public engagement, he advocates for interpersonal care as they heart of academic and activist labors. He is a founding co-editor of the new Music & Social Justice series published by University of Michigan Press.