This book, first published in 1972, discusses Chekhovs last four plays. David Magarshack, the leading translator and biography of many of Russias greatest writers, closely examines Chekhovs work for the relevant facts about his writing.
What is Chekhovs method of ensuring audience participation? What does his stage direction through tears mean? What happens between the first and second acts of The Seagull? Is there any reason for the despondency in Chekhovs drama? This book, first published in 1972, discusses these questions and many other issues around Chekhovs last four plays. David Magarshack, the leading translator and biography of many of Russias greatest writers, closely examines Chekhovs work for the relevant facts about his writing, and demonstrates that no reliance should be placed on the so-called subtext which can introduce all sorts of irrelevancies arising from pre-conceived ideas about the plays. A careful reading of Chekhovs text itself is all that is needed to correct the familiar distortions of his characters and themes.
