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Reclaiming Fair Use: How to Put Balance Back in Copyright, Second Edition [Mīkstie vāki]

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  • Formāts: Paperback / softback, 256 pages, height x width: 229x152 mm
  • Izdošanas datums: 23-Apr-2018
  • Izdevniecība: University of Chicago Press
  • ISBN-10: 022637419X
  • ISBN-13: 9780226374192
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  • Cena: 28,71 €
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Reclaiming Fair Use: How to Put Balance Back in Copyright, Second EditionPalielināt
  • Formāts: Paperback / softback, 256 pages, height x width: 229x152 mm
  • Izdošanas datums: 23-Apr-2018
  • Izdevniecība: University of Chicago Press
  • ISBN-10: 022637419X
  • ISBN-13: 9780226374192
Citas grāmatas par šo tēmu:
Permanent link: https://www.kriso.lv/db/9780226374192.html
Keywords:
In the increasingly complex and combative arena of copyright in the digital age, record companies sue college students over peer-to-peer music sharing, YouTube removes home movies because of a song playing in the background, and filmmakers are denied a distribution deal when a permissions i proves undottable. Analyzing the dampening effect that copyright law can have on scholarship and creativity, Patricia Aufderheide and Peter Jaszi urge us to embrace in response a principle embedded in copyright law itself&;fair use.
Originally published in 2011, Reclaiming Fair Use challenged the widely held notion that copyright law is obsolete in an age of digital technologies. Beginning with a survey of the contemporary landscape of copyright law, Aufderheide and Jaszi drew on their years of experience advising documentary filmmakers, English teachers, performing arts scholars, and other creative professionals to lay out in detail how the principles of fair-use can be employed to avoid copyright violation. Taking stock of the vibrant remix culture that has only burgeoned since the book&;s original publication, this new edition addresses the expanded reach of fair use&;tracking the Twitter hashtag #WTFU (where&;s the fair use?), the maturing of the transformativeness measure in legal disputes, the ongoing fight against automatic detection software, and the progress and delays of digitization initiatives around the country.
Full of no-nonsense advice and practical examples, Reclaiming Fair Use remains essential reading for anyone interested in law, creativity, and the ever-broadening realm of new media.
Acknowledgments vii
Introduction ix
1 The Culture of Fear and Doubt, and How to Leave It
1(15)
2 Long and Strong Copyright: Why Fair Use Is So Important
16(18)
3 The Decline and Rise of Fair Use: The Back-Room Story
34(14)
4 The Decline and Rise of Fair Use: The Public Campaigns
48(24)
5 Fair Use Resurgent
72(14)
6 Fair Use in the Courtroom: How Judges Think Now
86(16)
7 Documentary Filmmakers: Pioneering Best Practices
102(17)
8 Codes of Best Practices Catch On
119(19)
9 Fair Use Expands Its Reach
138(19)
10 How to Fair Use
157(21)
11 The International Environment
178(9)
Appendix A Codes of Best Practices in Fair Use 187(1)
Appendix B Documentary Filmmakers' Statement of Best Practices in Fair Use 188(11)
Appendix C Myths and Realities about Fair Use 199(5)
Appendix D Answers to Fair Use: You Be the Judge 204(11)
References 215(6)
Index 221
Patricia Aufderheide is University Professor of communication studies in the School of Communication at American University's Washington School of Communication, and founder of the Center for Media & Social Impact, where she serves as Senior Research Fellow. Peter Jaszi is professor of law and director of the Glushko-Samuelson Intellectual Property Law Clinic at American University's Washington College of Law.