This book, first published in 2000, features analyses about and by some of the most important Russian writers of the 1980s, a period of great changes in the cultural life of Russia when the controls of Soviet communism gave way to a wide diversity of unfettered writing. A variety of critical approaches matches the diversity of Russian writers considered here. The book features David Betheas theoretical discussion of the work of the outstanding critic and cholar Iurii Lotman and a fascinating extending interview with leading poet Olga Sedakova. Several writers and works receive their first scholarly analyses in English, such as Sasha Sokolovs complex postmodern novel, Between Dog and Wolf, Elena Shvartss poetry, and Zinovii Ziniks work. Aleksandr Zinovevs prose is subjected to a searching formal analysis. The book contains an essay on the literary environment of the Moscow poet Mikhail Aizenberg, and a highly controversial article that reviews Russian writing as an extension of imperialism. Writers who for various reasons fell into opprobrium during the 1980s include the Soviet village writers and the late Andrei Siniavskii (Abram Tertz). A survey of urban prose in the late 1980s looks into an uncertain future, while playwright Viktor Slavkin represents the best of contemporary Russian drama.
This book, first published in 2000, features analyses about and by some
of the most important Russian writers of the 1980s, a period of great changes
in the cultural life of Russia when the controls of Soviet communism gave way
to a wide diversity of unfettered writing. A variety of critical approaches
matches the diversity of Russian writers considered here. The book features
David Betheas theoretical discussion of the work of the outstanding critic
and scholar Iurii Lotman and a fascinating extending interview with leading
poet Olga Sedakova. Several writers and works receive their first scholarly
analyses in English, such as Sasha Sokolovs complex postmodern novel,
Between Dog and Wolf, Elena Shvartss poetry, and Zinovii Ziniks work.
Aleksandr Zinovevs prose is subjected to a searching formal analysis. The
book contains an essay on the literary environment of the Moscow poet Mikhail
Aizenberg, and a highly controversial article that reviews Russian writing as
an extension of imperialism. Writers who for various reasons fell into
opprobrium during the 1980s include the Soviet village writers and the late
Andrei Siniavskii (Abram Tertz). A survey of urban prose in the late 1980s
looks into an uncertain future, while playwright Viktor Slavkin represents
the best of contemporary Russian drama.
Arnold McMillin
