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E-grāmata: Recording Classical Music

  • Formāts: 180 pages
  • Izdošanas datums: 04-Sep-2019
  • Izdevniecība: CRC Press Inc
  • Valoda: eng
  • ISBN-13: 9781351213769
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  • Formāts: 180 pages
  • Izdošanas datums: 04-Sep-2019
  • Izdevniecība: CRC Press Inc
  • Valoda: eng
  • ISBN-13: 9781351213769
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Recording Classical Music presents the fundamental principles of digitally recording and editing acoustic music in ambient spaces, focusing on stereo microphone techniques that will help musicians understand how to translate live environments into recorded sound.The book covers theory and the technical aspects of recording from sound source to delivery: the nature of soundwaves and their behavior in rooms, microphone types and the techniques of recording in stereo, proximity and phase, file types, tracking and critical listening, loudness, meters, and the post-production processes of EQ, control of dynamic range (compressors, limiters, dynamic EQ, de-essers), and reverberation (both digital reflection simulation and convolution), with some discussion of commercially available digital plugins. The final part of the book applies this knowledge to common recording situations, showcasing not only strategies for recording soloists and small ensembles, along with case studies of several recordings, but also studio techniques that can enhance or replace the capture of performances in ambient spaces, such as close miking and the addition of artificial reverberation.Recording Classical Music provides the tools necessary for anyone interested in classical music production to track, mix, and deliver audio recordings themselves or to supervise the work of others.

Recenzijas

"This book is packed with informed and useful information. If you need to know about how sound works, and read tons of information about how classical music is recorded in the real world, then you must read this book. Perfect for anyone interested in classical music." - Paul Baily - classical recording and post production, Re:Sound

Preface ix
Acknowledgments xi
PART 1 Fundamental Principles
1(20)
1 Soundwaves
3(10)
Enclosed Spaces
7(6)
2 Audio Chain From Sound Source to Listener
13(8)
Integrity Within an Audio Chain
13(1)
Basic Concepts and Terminology
13(8)
PART 2 Production
21(42)
3 Microphone Types
23(8)
The Behavior of a Pure Diaphragm
23(1)
Condenser Microphones
24(4)
Dynamic and Ribbon Microphones
28(3)
4 Microphone Characteristics
31(14)
Frequency Response
31(1)
Directional (Polar) Patterns
31(2)
Random Energy Efficiency (REE; Also Called Directivity Factor)
33(1)
Distance Factor
34(1)
Proximity Effect
35(2)
Phase
37(8)
5 Stereo Microphone Techniques
45(14)
Coincident Pairs
47(4)
Near-Coincident Arrays
51(3)
Spaced Microphones
54(5)
6 Tracking
59(4)
Critical Listening
59(1)
Setting Levels
60(1)
Room Ambience
61(2)
PART 3 Post-Production
63(60)
7 Eq
65(8)
Digital Filters
65(5)
Common Practices (A Place to Start as Listening Skills Develop)
70(3)
8 Control of Dynamic Range
73(16)
Compressors
73(6)
Limiters
79(3)
Dynamic EQ
82(2)
De-essers
84(5)
9 Reverberation
89(16)
Digital Reflection Simulation
89(13)
Convolution
102(3)
10 Delivery
105(18)
File Types
105(2)
Loudness and Meters
107(16)
PART 4 Common Recording Strategies
123(30)
11 Solo Piano
125(4)
Recording in Stereo
126(1)
Unfavorable Room Acoustics
127(2)
12 Soloists With Piano Accompaniment
129(6)
Voice
129(1)
Violin
130(1)
Cello
131(1)
Clarinet, Oboe, Flute
131(1)
Trumpet, Trombone, French Horn
132(3)
13 Small Ensembles
135(2)
Piano Trio
135(1)
String Quartet
135(1)
Chamber Choir
136(1)
14 Sessions
137(6)
Solo Piano
137(1)
Solo Cello
138(1)
Double Bass and Piano
139(4)
15 Studio Techniques: Re-Creating the Aural Sense of Historic Spaces
143(10)
Pre-Production
144(3)
Production
147(2)
Post-Production
149(4)
Glossary 153(10)
Index 163
Robert Toft teaches in the Don Wright Faculty of Music at Western University, Canada. His interests revolve around the notion of research informing practice, and he specializes in both recording practices and the history of singing. He has written five books on historically informed vocal performance and has given master classes at leading conservatories and universities in Australia, Austria, Britain, Canada, Germany, Ireland, Switzerland, and the USA. Roberts production company, Talbot Records, released its first recording in 2017. Inspired by the intensely dramatic performing styles of the sixteenth to nineteenth centuries, its main series, Radically Hip, connects modern audiences to the impassioned eloquence of the past.