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E-grāmata: Recording Orchestra and Other Classical Music Ensembles 2nd edition [Taylor & Francis e-book]

(Vanderbilt University, USA)
  • Formāts: 256 pages, 13 Tables, black and white; 73 Line drawings, black and white; 43 Halftones, black and white; 116 Illustrations, black and white
  • Sērija : Audio Engineering Society Presents
  • Izdošanas datums: 01-Aug-2024
  • Izdevniecība: Focal Press
  • ISBN-13: 9781003319429
Citas grāmatas par šo tēmu:
  • Taylor & Francis e-book
  • Cena: 155,64 €*
  • * this price gives unlimited concurrent access for unlimited time
  • Standarta cena: 222,34 €
  • Ietaupiet 30%
  • Formāts: 256 pages, 13 Tables, black and white; 73 Line drawings, black and white; 43 Halftones, black and white; 116 Illustrations, black and white
  • Sērija : Audio Engineering Society Presents
  • Izdošanas datums: 01-Aug-2024
  • Izdevniecība: Focal Press
  • ISBN-13: 9781003319429
Citas grāmatas par šo tēmu:
"Recording Orchestra and Other Classical Music Ensembles explores techniques and methodologies specific to recording classical music. Whether a newcomer or a seasoned engineer looking to refine their skills, this book speaks to all levels of expertise and covers every aspect of recording symphonic and concerto repertoire, opera, chamber music, and solo piano. With a focus on the orchestra as an instrument and sound source, Recording Orchestra and Other Classical Music Ensembles features sections on how to listen, understanding microphones, concert halls, orchestra seating arrangements, how to set up the monitoring environment, and how to approach recording each section of the orchestra. Offering concise information on preparing for a recording session, the role of the producer, and mixing techniques, a "quick-start" reference guide with suggested setups also helps to introduce the reader to the recording process. A companion website, featuring audio and video examples of various techniques, further reinforces the concepts discussed throughout the book. This new edition has updated and expanded material, including new chapters on classical crossover projects, film score recording, and immersive/3D recording and mixing, as well as a number of new case studies, making this an essential guide for students, researchers and professionals recording classical music"--

Recording Orchestra and Other Classical Music Ensembles explores techniques and methodologies specific to recording classical music. This book speaks to all levels of expertise and covers every aspect of recording symphonic and concerto repertoire, opera, chamber music, and solo piano.



Recording Orchestra and Other Classical Music Ensembles explores techniques and methodologies specific to recording classical music. Whether the reader is a newcomer or a seasoned engineer looking to refine their skills, this book speaks to all levels of expertise and covers every aspect of recording symphonic and concerto repertoire, opera, chamber music and solo piano.

With a focus on the orchestra as an instrument and sound source, Recording Orchestra and Other Classical Music Ensembles features sections on how to listen, understanding microphones, concert halls, orchestra seating arrangements, how to set up the monitoring environment and how to approach recording each section of the orchestra. Offering concise information on preparing for a recording session, the role of the producer and mixing techniques, whilst a "quick-start" reference guide with suggested setups also helps to introduce the reader to the recording process. Online Instructor and Student Resources, featuring audio and video examples of various techniques, further reinforces the concepts discussed throughout the book.

This new edition has updated and expanded material, including new chapters on classical crossover projects, film score recording and immersive/3D recording and mixing, as well as a number of new case studies, making this an essential guide for students, researchers and professionals recording classical music.

Part 1: Getting Started
1. Introduction
2. How to Listen: Loudspeakers, Headphones, Listening Rooms
3. Understanding Microphones Part 2: Recording Orchestra
4. The Orchestra and Its Various Iterations
5. The Hall, as a Recording Venue
6. The Main Microphones
7. Recording Strings
8. Recording Woodwinds, Brass and Percussion
9. Recording Harp, Piano, Celeste and Organ Part 3: Variations on a Theme
10. Recording Chorus
11. Recording Concertos
12. Recording Solo Voice and Orchestra Part 4: The Recording Session
13. The Role of the Producer in Classical Music Recording
14. How to Carry Out a Successful Recording Session
15. Live Concerts, Live Opera and Productions with Video Part 5: Other Classical Music Ensembles
16. Recording Wind Symphony and Brass Band
17. Recording Chamber Orchestra
18. Recording String Quartet
19. Recording Woodwind and Brass Quintet
20. Recording Piano with Other Instruments
21. Recording Solo Piano
22. Recording Classical Crossover Projects Part 6: Post Production
23. Editing
24. Mixing
25. Final Assembly and Mastering Part 7: Multichannel Recording and Mixing
26. How to Listen in Surround Sound
27. Recording and Mixing for 5.1 Surround Sound
28. Recording and Mixing for Immersive/3D Content
29. Film Score Recording and Mixing Part 8: Case Studies 30. Recording Orchestra - Case Studies
31. Recording Chamber Music - Case Studies

Richard King is a multi-Grammy Award winner who specializes in recording classical, jazz and film score music. He is Associate Professor at the Schulich School of Music of McGill University in Montréal, where he teaches in the Sound Recording area. A long-standing member and Fellow of the Audio Engineering Society, Richard is a regular convention presenter and panelist, and he is frequently invited to speak at various university-level recording programs around the world.