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E-grāmata: Redrawing the Historical Past: History, Memory, and Multiethnic Graphic Novels

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  • Formāts: 370 pages
  • Izdošanas datums: 01-Apr-2018
  • Izdevniecība: University of Georgia Press
  • Valoda: eng
  • ISBN-13: 9780820352022
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  • Cena: 36,01 €*
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  • Formāts: 370 pages
  • Izdošanas datums: 01-Apr-2018
  • Izdevniecība: University of Georgia Press
  • Valoda: eng
  • ISBN-13: 9780820352022

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Redrawing the Historical Past examines how multiethnic graphic novels portray and revise U.S. history. This is the first collection to focus exclusively on the interplay of history and memory in multiethnic graphic novels. Such interplay enables a new understanding of the past.

Redrawing the Historical Past examines how multiethnic graphic novels portray and revise U.S. history. This is the first collection to focus exclusively on the interplay of history and memory in multiethnic graphic novels. Such interplay enables a new understanding of the past. The twelve essays explore Mat Johnson and Warren Pleece’s Incognegro, Gene Luen Yang’s Boxers and Saints, GB Tran’s Vietnamerica, Scott McCloud’s The New Adventures of Abraham Lincoln, Art Spiegelman’s post-Maus work, and G. Neri and Randy DuBurke’s Yummy: The Last Days of a Southside Shorty, among many others.

The collection represents an original body of criticism about recently published works that have received scant scholarly attention. The chapters confront issues of history and memory in contemporary multiethnic graphic novels, employing diverse methodologies and approaches while adhering to three main guidelines. First, using a global lens, contributors reconsider the concept of history and how it is manifest in their chosen texts. Second, contributors consider the ways in which graphic novels, as a distinct genre, can formally renovate or intervene in notions of the historical past. Third, contributors take seriously the possibilities and limitations of these historical revisions with regard to envisioning new, different, or even more positive versions of both the present and future. As a whole, the volume demonstrates that graphic novelists use the open and flexible space of the graphic narrative page—in which readers can move not only forward but also backward, upward, downward, and in several other directions—to present history as an open realm of struggle that is continually being revised.

Contributors: Frederick Luis Aldama, Julie Buckner Armstrong, Katharine Capshaw, Monica Chiu, Jennifer Glaser, Taylor Hagood, Caroline Kyungah Hong, Angela Lafien, Catherine H. Nguyen, Jeffrey Santa Ana, and Jorge Santos.

Recenzijas

Without a doubt, Redrawing the Historical Past is a major contribution to the emerging body of work that engages the theoretical, artistic, and political possibilities of graphic form. -- Laini Kavaloski * The Society for the Study of Multi-Ethnic Literature of the United States *

Papildus informācija

An innovative collection that explores how multiethnic graphic novels investigate and remake U.S. history
Foreword Frederick Luis Aldama, "Coloring a Planetary Republic of Comics" vii
Acknowledgments xi
Introduction: "Redrawing the Historical Past: History, Memory, and Multiethnic Graphic Novels" 1(17)
Martha J. Cutter
Cathy J. Schlund-Vials
Chapter 1 "Redrawing Race: Renovations of the Graphic and Narrative History of Racial Passing in Mat Johnson and Warren Pleece's Incognegro"
18(23)
Martha J. Cutter
Chapter 2 "Nostalgic Realism: Fantasy, History, and Brer Rabbit-Trickster Ambiguity in Jeremy Love's Bayou"
41(20)
Taylor Hagood
Chapter 3 "Teaching History through and as Asian/American Popular Culture in Gene Luen Yang's Boxers and Saints"
61(26)
Caroline Kyungah Hong
Chapter 4 "Who Needs a Chinese American Superhero? Gene Luen Yang and Sonny Liew's The Shadow Hero as Asian American Historiography"
87(19)
Monica Chiu
Chapter 5 "Stuck Rubber Baby and the Intersections of Civil Rights Historical Memory"
106(23)
Julie Buckner Armstrong
Chapter 6 "On Photo-Graphic Narrative: `To Look---Really Look' into Lila Quintero Weaver's Darkroom"
129(28)
Jorge Santos
Chapter 7 "Environmental Graphic Memory: Remembering the Natural World and Revising History in Vietnamerica"
157(25)
Jeffrey Santa Ana
Chapter 8 "Illustrating Diaspora: History and Memory in Vietnamese American and French Graphic Novels"
182(35)
Catherine H. Nguyen
Chapter 9 "Punking the 1990s: Cristy C. Road's Historical Salvage Project in Spit and Passion"
217(22)
Angela Laflen
Chapter 10 "Speculative Fictions, Historical Reckonings, and `What Could Have Been': Scott McCloud's The New Adventures of Abraham Lincoln"
239(27)
Cathy J. Schlund-Vials
Chapter 11 "Fractured Innocence in G. Neri and Randy DuBurke's Yummy: The Last Days of a Southside Shorty"
266(28)
Katharine Capshaw
Chapter 12 "Art Spiegelman and the Caricature Archive"
294(27)
Jennifer Glaser
Bibliography 321(18)
Contributors 339(4)
Index 343
Martha J. Cutter (Editor) MARTHA J. CUTTER is a professor of English and Africana studies at the University of Connecticut. She is the author of Lost and Found in Translation: Contemporary Ethnic American Writing and the Politics of Language Diversity and Unruly Tongue: Identity and Voice in American Womens Writing, 18501930.

Cathy J. Schlund-Vials (Editor) CATHY J. SCHLUND-VIALS is a professor of English and Asian American studies at the University of Connecticut. She is the author of Modeling Citizenship: Jewish and Asian American Writing and War, Genocide, and Justice: Cambodian American Memory Work.