"Religion and Contemporary Art sets the theoretical frameworks and interpretive strategies for exploring the re-emergence of religion in the making, exhibiting, and discussion of contemporary art. Featuring essays from both established and emerging scholars, critics, and artists, the book reflects on what might be termed an "accord" between contemporary art and religion. It explores the common strategies contemporary artists employ in the interface between religion and contemporary art practice. It also includes case studies to provide more in-depth treatments of specific artists grappling with such themes as ritual, abstraction, mythology, the body, popular culture, science, liturgy, and social justice, among other themes. It is a must-read resource forworking artists, critics, and scholars in this field, and an invitation to new voices "curious" about its promises and possibilities"--
Featuring essays from both established and emerging scholars, critics, and artists, this book sets the theoretical frameworks and interpretive strategies for exploring the re-emergence of religion in the making, exhibiting, and discussion of contemporary art.
Religion and Contemporary Art sets the theoretical frameworks and interpretive strategies for exploring the re-emergence of religion in the making, exhibiting, and discussion of contemporary art. Featuring essays from both established and emerging scholars, critics, and artists, the book reflects on what might be termed an "accord" between contemporary art and religion.
It explores the common strategies contemporary artists employ in the interface between religion and contemporary art practice. It also includes case studies to provide more in-depth treatments of specific artists grappling with themes such as ritual, abstraction, mythology, the body, popular culture, science, liturgy, and social justice, among other themes.
It is a must-read resource for working artists, critics, and scholars in this field, and an invitation to new voices "curious" about its promises and possibilities.
Recenzijas
"This remarkable volume invites into conversation an impressive assembly of interlocutors and an impressively diverse set of approaches to a still-mystifyingly understudied subject. Religion and Contemporary Art: A Curious Accord represents a signal contribution that brings into creative relation its two key terms to demonstrate how they are not simply manifest in adjacency but often also inextricably fused. Highly recommended to scholars in art and/or religion as to artists in all media!"
Sally M. Promey, Yale University, USA
Introduction Ronald R. Bernier and Rachel Hostetter Smith Part I:
Theoretical and Interpretative Frameworks
1. The New Visibility of Religion
in Contemporary Art: Four Interpretive Horizons Jonathan A. Anderson
2.
Exploring Theological Dimensions of the Work of Art Linda Stratford
3.
Translating Religion: Contemporary Art Through a Postsecular Lens Lieke
Wijnia
4. The Question of Criticism: What to Do with Our Revelations? Jeffrey
L. Kosky
5. Curating Faith: Art, Religion, and the Curatorial Daniel A.
Siedell
6. A Loving Regard: Contemporary Art and Expanding the Archive Elissa
Yukiko Weichbrodt
7. Exhibition as Pilgrimage: Visual Strategies for
Interfaith Dialogue Aaron Rosen Part II: Artistic Strategies
8. Iconic:
Contemporary Portraiture and Sacred Personhood Katie Kresser
9. Relic-ing
Now: Reliquary Strategies of Materiality and Memory in Contemporary Art
Cynthia Hahn
10. Contemporary Art as Pilgrimage Site: Ambrosios As Far as
the Eye Can Travel Zine Kathryn Barush
11. Rogue Priests: Ritual, Sacrament,
and Witness in Contemporary Art Rachel Hostetter Smith
12. Walking Naked and
Barefoot: When Ancient Jewish Prophets Meet Avant-Garde Performance Artists
Wayne L. Roosa
13. Revisiting "Art in the Dark": Thomas McEvilley,
Performance Art, and the End(s) of Shamanism Karen Gonzalez Rice
14. Infused
with Light: Christian Traces in Multimedia Installation Art Jorge Sebastiįn
Lozano
15. Bill Viola, the Icon, and the Apophatic Sublime Ronald R. Bernier
Part III: Case Studies of Artists and Artworks
16. The Lived Religion of Andy
Warhol Stephen Bush
17. "A King Aesthetic?": Tim Rollins and K.O.S. and the
Ethos of the Rev. Dr. Martin Luther King, Jr. James Romaine
18. From the
Wounds Grace: John August Swanson and the Theological Aesth/Ethics of
Liberation Cecilia Gonzįlez-Andrieu
19. Cities of Light: Phillip K. Smith III
and the Light & Space Movement Matthew J. Milliner
20. Performativity and the
Flesh: The Economy of the Icon in Lia Chavezs Light Body Julie M. Hamilton
21. Theaster Gates and the Good Use of Forgotten Things Donato Loia
22. On
Preaching, Performance Art, and Television: Christian Jankowskis The Holy
Artwork Isabelle Loring Wallace
23. Tools of the Apocalypse: Eschatology in
Contemporary Jewish and Catholic Art Ben Schachter
24. Back to the Garden
Utopia and Paradise in the work of Jim Shaw, Liza Lou, Shirin Neshat, and
Shoja Azari Eleanor Heartney
25. Deep Waters: Art and the Revival of Religion
in Contemporary China Patricia Eichenbaum Karetzky
26. Salvation in the
Fallen World: On Meng Yans Recent Monumental Works Changping Zha
27.
Chrysanne Stathacos and Charwei Tsai: The Mandala Haema Sivanesa
28.
Performing Memory and Mourning: Diane Victors Martyred Women Karen von Veh
29. Weaving Land and Water: On the Poetics of Diasporic and Indigenous
Resistance Yohana Agra Junker
30. Al Buraq: Explorations of Liminality in
Contemporary Islamic Art Sascha Crasnow Afterword: A Colloquy with Diane
Apostolos-Cappadona, James Elkins, Ben Quash, and S. Brent Rodriguez-Plate.
Contributors: Biographical Notes Credits Index
Ronald R. Bernier is Professor of Humanities at Wentworth Institute of Technology in Boston, MA. His books include The Unspeakable Art of Bill Viola (2014), Beyond Belief (2010), and Monument, Moment, and Memory: Monets Cathedral in Fin-de-Sičcle France (2007). His research interests are modern and contemporary art and religious studies.
Rachel Hostetter Smith is Gilkison Distinguished Professor of Art History at Taylor University. She publishes widely on aspects of religion and the arts, including two edited volumes of Religion and the Arts and several exhibition catalogues, and has developed numerous international, intercultural art projects and traveling exhibitions, most recently Matter + Spirit: A Chinese/American Exhibition.