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E-grāmata: Religion in Science Fiction: The Evolution of an Idea and the Extinction of a Genre

4.25/5 (10 ratings by Goodreads)
(University of Vermont, USA)
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Religion in Science Fiction investigates the history of the representations of religion in science fiction literature. Space travel, futuristic societies, and non-human cultures are traditional themes in science fiction. Speculating on the societal impacts of as-yet-undiscovered technologies is, after all, one of the distinguishing characteristics of science fiction literature. A more surprising theme may be a parallel exploration of religion: its institutional nature, social functions, and the tensions between religious and scientific worldviews.

Steven Hrotic investigates the representations of religion in 19th century proto-science fiction, and genre science fiction from the 1920s through the end of the century. Taken together, he argues that these stories tell an overarching story-a 'metanarrative'-of an evolving respect for religion, paralleling a decline in the belief that science will lead us to an ideal (and religion-free) future.

Science fiction's metanarrative represents more than simply a shift in popular perceptions of religion: it also serves as a model for cognitive anthropology, providing new insights into how groups and identities form in a globalized world, and into how crucial a role narratives may play. Ironically, this same perspective suggests that science fiction, as it was in the 20th century, may no longer exist.

Recenzijas

Hrotics disciplinary standpoint as a cognitive anthropologist, as opposed to a literary critic or philosopher, marks his intervention as usefully distinct from our fields usual patterns of inquiry; the approach is quite different from what we usually do, and quite usefully so, and the book surely worth reading. * Science Fiction Studies * Religion in Science Fiction serves as an introduction both into the origins and the history of the genre ... It is a must-read for those doing research on the subject,but it also provides highly relevant insights for all those interested in the possible ways of reconciling science and religion in our modern societies. * Entangled Religions * This book teaches you not only about the important role writers of science fiction play in leading us to novel insights into religion, but also about the relationship between scientific and religious approaches to the worldand especially the usefulness of cognitive science in explaining the life of the imagination. * Journal of Cognition and Culture * This is an illuminating and well-researched volume ... which teaches us much about the relationship between religious and scientific approaches to the world. * Literatre & Theology * A delightful read that fills a much needed gap in the study of religions occasionally ambiguous relationship with science fiction. Hrotic takes us on a lovely ride through a wide variety of imagined futures. Highly recommended. -- Douglas E. Cowan, Professor of Religious Studies and Social Development Studies, Renison University College at University of Waterloo, Canada I started reading Religion in Science Fiction with the intention to review it - and ended up just devouring the book. Hrotic's study is a learned, intelligent, often original, and highly readable contribution to research; in short: unputdownable. -- Susanne Bach, Department for English and American Studies, University Kassel, Germany The narrow focus allows Hrotic to make a sustained argument about this community. Each chapter features summaries of the stories (without ruining their endings) and clear arguments about how these stories illustrate the evolving metanarrative of religion. This book would be a fascinating read for a non-academic audience of science fiction fans. -- Kristin M. Peterson, University of Colorado at Boulder, USA * Journal of Religion, Media & Digital Culture * Religion is a major preoccupation of science fiction, though this has not always been acknowledged. Steve Hrotic has constructed a persuasive narrative about the different ways in which genre SF writers have approached religion, considered primarily as a special type of social system. -- Rowland Wymer, Professor of English, Anglia Ruskin University, Cambridge, UK

Papildus informācija

Investigates the history of the representations of religion in science fiction literature, as a test case for the cognitive science of religion.
Introduction 1(6)
Part One
1 The Rules
7(18)
Denning religion
11(3)
A cognitive anthropology of narratives
14(3)
Defining genre science fiction
17(8)
2 The Raw Materials of Science Fiction
25(18)
Poe: Another mother?
26(1)
Science fiction on a desert island
27(4)
U- and dys-topias
31(9)
Conclusion
40(3)
3 Uncertain Paternity
43(14)
The fatherhood of Mary Shelley
43(2)
H. G. Wells' social speculations
45(4)
Olaf Stapledon: The last Victorian
49(4)
Conclusion
53(4)
Part Two
4 Gernsback and the Pulps
57(10)
Walter Kateley, "The Fourteenth Earth" (1928)
59(1)
Fred Barclay, "The Troglodytes" (1930)
60(2)
Arthur Jones, "The Inquisition of 6061" (1933)
62(2)
Conclusion
64(3)
5 Campbell's "Social Science Fiction"
67(14)
Isaac Asimov, "Trends" (1939)
69(2)
Robert Heinlein, "If This Goes On--" (1940)
71(4)
L. Sprague de Camp, "Ultrasonic God" (1954)
75(1)
Lester del Rey, "Into Thy Hands" (1945)
76(3)
Conclusion
79(2)
6 The Rise of the Novel
81(22)
Arthur C. Clarke, Childhood's End (1953)
85(3)
Walter Miller, A Canticle for Leibowitz (1959)
88(2)
Leigh Brackett, The Long Tomorrow (1955)
90(3)
George Stewart, Earth Abides (1949)
93(3)
James Blish, A Case of Conscience (1958)
96(4)
Conclusion
100(3)
7 Poli-Sci-Fi
103(20)
Fritz Leiber, "When the Change-Winds Blow" (1964)
105(1)
Roger Zelazny, "A Rose for Ecclesiastes" (1963)
105(3)
Robert Heinlein, Stranger in a Strange Land (1961)
108(4)
Frank Herbert, Dune (1965)
112(5)
Conclusion
117(1)
End of Part Two: Mid-point of the metanarrative
118(5)
Part Three
8 The Need to Believe
123(14)
Ray Bradbury, "The Messiah" (1973)
124(3)
Lawrence Manning, The Man Who Awoke (1975)
127(3)
Michael Moorcock, "Behold the Man" (1966)
130(3)
Jack L. Chalker, Midnight at the Well of Souls (1977)
133(2)
Conclusion
135(2)
9 The Humanity of God (and Vice Versa)
137(18)
Piers Anthony, "Incarnations of Immortality" (1983--1990)
140(2)
James Morrow, Only Begotten Daughter (1990)
142(3)
Theodore Sturgeon, Godbody (1986)
145(2)
Orson Scott Card, Speaker for the Dead (1986), Folk of the Fringe (1989)
147(5)
William Gibson and Bruce Sterling, The Difference Engine (1990)
152(2)
Conclusion
154(1)
10 Acceptence
155(18)
David Weber, Honor of the Queen (1993)
157(2)
Octavia Butler, Parable of the Sower (1993)
159(3)
Mary Doria Russell, The Sparrow (1996)
162(3)
Conclusion
165(3)
End of Part Three: Conclusion of the metanarrative
168(5)
Part Four
11 The Extinction of SF (or, at least, gSF)
173(12)
Conclusion
183(2)
12 Cultural Evolution
185(16)
The social use of narratives
186(4)
Memory
190(2)
Humor
192(2)
Whitehouse's Modes
194(4)
Conclusion
198(3)
Notes 201(6)
References 207(16)
Index 223
Steven Hrotic is a cognitive anthropologist, currently teaching and writing at the University of Vermont, USA.