Introduction |
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1 | (6) |
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7 | (18) |
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11 | (3) |
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A cognitive anthropology of narratives |
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14 | (3) |
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Defining genre science fiction |
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17 | (8) |
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2 The Raw Materials of Science Fiction |
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25 | (18) |
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26 | (1) |
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Science fiction on a desert island |
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27 | (4) |
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31 | (9) |
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40 | (3) |
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43 | (14) |
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The fatherhood of Mary Shelley |
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43 | (2) |
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H. G. Wells' social speculations |
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45 | (4) |
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Olaf Stapledon: The last Victorian |
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49 | (4) |
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53 | (4) |
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4 Gernsback and the Pulps |
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57 | (10) |
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Walter Kateley, "The Fourteenth Earth" (1928) |
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59 | (1) |
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Fred Barclay, "The Troglodytes" (1930) |
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60 | (2) |
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Arthur Jones, "The Inquisition of 6061" (1933) |
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62 | (2) |
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64 | (3) |
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5 Campbell's "Social Science Fiction" |
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67 | (14) |
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Isaac Asimov, "Trends" (1939) |
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69 | (2) |
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Robert Heinlein, "If This Goes On--" (1940) |
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71 | (4) |
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L. Sprague de Camp, "Ultrasonic God" (1954) |
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75 | (1) |
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Lester del Rey, "Into Thy Hands" (1945) |
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76 | (3) |
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79 | (2) |
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81 | (22) |
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Arthur C. Clarke, Childhood's End (1953) |
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85 | (3) |
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Walter Miller, A Canticle for Leibowitz (1959) |
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88 | (2) |
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Leigh Brackett, The Long Tomorrow (1955) |
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90 | (3) |
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George Stewart, Earth Abides (1949) |
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93 | (3) |
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James Blish, A Case of Conscience (1958) |
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96 | (4) |
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100 | (3) |
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103 | (20) |
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Fritz Leiber, "When the Change-Winds Blow" (1964) |
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105 | (1) |
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Roger Zelazny, "A Rose for Ecclesiastes" (1963) |
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105 | (3) |
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Robert Heinlein, Stranger in a Strange Land (1961) |
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108 | (4) |
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Frank Herbert, Dune (1965) |
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112 | (5) |
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117 | (1) |
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End of Part Two: Mid-point of the metanarrative |
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118 | (5) |
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123 | (14) |
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Ray Bradbury, "The Messiah" (1973) |
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124 | (3) |
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Lawrence Manning, The Man Who Awoke (1975) |
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127 | (3) |
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Michael Moorcock, "Behold the Man" (1966) |
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130 | (3) |
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Jack L. Chalker, Midnight at the Well of Souls (1977) |
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133 | (2) |
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135 | (2) |
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9 The Humanity of God (and Vice Versa) |
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137 | (18) |
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Piers Anthony, "Incarnations of Immortality" (1983--1990) |
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140 | (2) |
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James Morrow, Only Begotten Daughter (1990) |
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142 | (3) |
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Theodore Sturgeon, Godbody (1986) |
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145 | (2) |
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Orson Scott Card, Speaker for the Dead (1986), Folk of the Fringe (1989) |
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147 | (5) |
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William Gibson and Bruce Sterling, The Difference Engine (1990) |
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152 | (2) |
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154 | (1) |
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155 | (18) |
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David Weber, Honor of the Queen (1993) |
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157 | (2) |
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Octavia Butler, Parable of the Sower (1993) |
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159 | (3) |
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Mary Doria Russell, The Sparrow (1996) |
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162 | (3) |
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165 | (3) |
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End of Part Three: Conclusion of the metanarrative |
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168 | (5) |
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11 The Extinction of SF (or, at least, gSF) |
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173 | (12) |
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183 | (2) |
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185 | (16) |
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The social use of narratives |
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186 | (4) |
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190 | (2) |
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192 | (2) |
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194 | (4) |
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198 | (3) |
Notes |
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201 | (6) |
References |
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207 | (16) |
Index |
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223 | |