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E-grāmata: Reminded by the Instruments: David Tudor's Music

(Assistant Professor, Kyoto City University of Arts)
  • Formāts: 352 pages
  • Izdošanas datums: 09-Mar-2021
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780190686772
  • Formāts - PDF+DRM
  • Cena: 66,83 €*
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  • Formāts: 352 pages
  • Izdošanas datums: 09-Mar-2021
  • Izdevniecība: Oxford University Press Inc
  • Valoda: eng
  • ISBN-13: 9780190686772

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David Tudor is remembered today in two guises: as an extraordinary pianist of post-war avant-garde music who worked closely with composers like John Cage and Karlheinz Stockhausen and as a founding figure of live-electronic music. His early realization of indeterminate graphic scores and his later performances using homemade modular instruments both inspired a whole generation of musicians. But his reticence, his unorthodox approaches, and the diversity of his creative output which began with the organ and ended with visual art have kept Tudor a puzzle.

Illustrated with more than 300 images of diagrams, schematics, and photographs of Tudor's instruments, Reminded by the Instruments sets out to solve the puzzle of David Tudor by applying Tudor's own methods for approaching the materials of others to the vast archive of materials that he himself left behind. You Nakai deftly patches together instruments, electronic circuits, sketches, diagrams, recordings, letters, receipts, customs declaration forms, and testimonies like modular pieces of a giant puzzle to reveal the long-hidden nature of Tudor's creative process. Rejecting the established narrative of Tudor as a performer-turned-composer, this book presents a lively portrait of an artist whose activity always merged both of these roles. In reading Tudor's electronic devices as musicological 'texts' and examining his idiosyncratic use of electronic circuits, Nakai undermines discourses on sound and illuminates our understanding of the instruments behind the sounds in post-war experimental music.

Recenzijas

It is not unusual to have scholarly books written about the output of one composer, but it is rare to find one of such length written with such passion and with such complete and extensive information ... . One is presented with a creative thinker who is not just a pianist/organist, not just a composer, but also an electronics genius and an experimenter with sounds that had not previously been used in the context of classical music ... this book will convince the reader that Tudor's life was rich indeed. * D. L. Patterson, CHOICE * Nakai comes across in this book as earnest, humble, and eager to learn. His attention to detail is unflagging. In several lengthy passages, he meticulously goes through Tudor's old clippings from hobbyist magazines and matches them to electronic instruments that Tudor constructed. * Geeta Dayal, Experimental Music * There is no doubt this will be the authoritative text on David Tudor than any future publication on the subject will be held up against. It performs a great service in humanising his legacy, and by extension, that of the other great avant artists of the 20th century. * Leah Kardos, The Wire * A groundbreaking book that not only provides unique insight into the work of one of America's most influential if enigmatic electronic pioneers, but shifts the very paradigm of musical analysis in the aftermath of the transistor. * Nicolas Collins, Professor, Department of Sound, The School of the Art Institute of Chicago * You Nakai's book is a remarkable achievement that illuminates the breadth and depth of David Tudor's life and work as a composer-performer. Based on extensive analytical research and interviews with Tudor's surviving creative associates, it charts his evolution from organist and virtuoso pianist to his innovative live-electronic music, ending with his final explorations of soundand space. Engagingly written and eminently readable, this extraordinary study offers fresh insights into Tudor's reclusive personal life and elusive creative complexities. * Gordon Mumma, composer, Professor Emeritus, University of California * This book will provide virtually endless inspiration for anyone trying to find their own way as composers or performers or something else as yet to be defined until they themselves discover what that is. * Jason Kahn, Dusted Magazine * You Nakai's book on David Tudor is a masterful investigation of archival and published materials left behind by the composer and his many collaborators,students, and biographers. * Ezra J. Teboul, Computer Music Journal *

Abbreviations xi
In: The Other Side (A Likely Story) 1(23)
Chapter 1 Piano
24(77)
I Escapement Mechanism
24(38)
Piano
24(11)
Music of Changes
35(9)
Synergies
44(7)
Material Bias
51(11)
II David Tudor
62(39)
Cues
62(11)
Pieces of Flesh
73(9)
Affective Athleticism
82(11)
Game with Simple Variations
93(8)
Chapter 2 Amplified Piano
101(40)
Amplified Piano
101(7)
Variations II
108(9)
Field Conditions
117(6)
Musik im technischen Zeitalter
123(14)
Co-Compositions
137(4)
Chapter 3 Sound Systems
141(74)
I Ten Selected Realizations
141(33)
Improvisation Mnemonic [ Realization 10]
141(10)
Parametric Objects [ Realizations 2, 5, and 7]
151(6)
Points of Departure [ Realization 3]
157(7)
Sound Systems [ Realization 8]
164(10)
II Fontana Mix (Version for Bass Drum and Electronics)
174(41)
April 15, 1967
174(30)
Compositions
204(11)
Chapter 4 Bandoneon!
215(62)
I Instrumentalization of Sound
215(19)
Cybersonics
215(6)
Influences
221(9)
Musica Instrumentalis
230(4)
II Giant White Noise Generator
234(43)
Mobius-Strip
234(16)
Bandoneon!
250(15)
Saturated Amplifiers
265(12)
Chapter 5 Pepsi Pavilion
277(29)
Pepsi Pavilion
277(13)
Pepsi Pieces
290(10)
TheView from Inside
300(6)
Chapter 6 Island Eye Island Ear
306(30)
Knavelskar
306(8)
Island Eye Island Ear
314(10)
Instrumental Natures
324(12)
Chapter 7 Natural Objects
336(80)
I Sources
336(27)
Double Music
336(5)
Activities for Orchestra (Source A)
341(18)
Reunion/Video III (Source B)
359(4)
II Versions
363(30)
Untitled
363(23)
Natural Objects
386(7)
III Series
393(23)
Toneburst
393(13)
Revivals
406(3)
Indeterminacies
409(7)
Chapter 8 (Likeness to) Voices
416(94)
I Likeness to Music
416(10)
Pulverization of Language
416(5)
Solo(s) for Voice(s) No. 2
421(5)
II Likeness to Speech
426(60)
Speech Synthesizer
426(6)
Forest Speech
432(10)
Dramatis Personae
442(10)
Weatherings (Nethograph)
452(21)
Phonemes
473(13)
III Likeness to Language
486(24)
Imaginary Patois
486(17)
A Likeness to Voices
503(7)
Chapter 9 Reflections
510(46)
I Positive
510(18)
Fragments
510(5)
Hedgehog
515(13)
II Negative
528(28)
Wind
528(4)
Reflections
532(16)
Virtual Ground
548(8)
Chapter 10 Neural Syntheses
556(43)
Universal Instrument
556(10)
Neural Syntheses
566(3)
Reminded by the Instruments
569(10)
Out: Maps and Fragments
579(20)
Acknowledgments 599(6)
Appendix A Notable Realizations 605(10)
Appendix B Rainforest Amplifiers 615(22)
Appendix C Matrix Map Diagrams 637(54)
Bibliography 691(28)
Index 719
You Nakai creates music(ians), dance(rs), haunted musical houses, nursery rhymes, and other forms of performances as a member of No Collective (nocollective.com) and Already Not Yet (alreadynotyet.org). He is Associate Professor at The University of Tokyo.