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Replication in the Long Nineteenth Century: Re-Makings and Reproductions [Mīkstie vāki]

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  • Formāts: Paperback / softback, 320 pages, height x width: 234x156 mm, 56 B/W illustrations
  • Izdošanas datums: 30-Nov-2019
  • Izdevniecība: Edinburgh University Press
  • ISBN-10: 1474424856
  • ISBN-13: 9781474424851
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  • Mīkstie vāki
  • Cena: 41,70 €
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  • Formāts: Paperback / softback, 320 pages, height x width: 234x156 mm, 56 B/W illustrations
  • Izdošanas datums: 30-Nov-2019
  • Izdevniecība: Edinburgh University Press
  • ISBN-10: 1474424856
  • ISBN-13: 9781474424851
Citas grāmatas par šo tēmu:
This landmark study explores replication as a nineteenth-century phenomenon. Replication, defined by Victorian artists as subsequent versions of a first version, similar but changed, occurred in art, literature, the press, merchandising, and historical reproductions in architecture and museums.

This landmark study explores replication as a nineteenth-century phenomenon. Replication, defined by Victorian artists as subsequent versions of a first version, similar but changed, occurred in art, literature, the press, merchandising, and historical reproductions in architecture and museums. Replication also shaped scientific concepts in biology and geology and scientific practices in laboratories that repeated experiments as part of the scientific method. Fourteen case studies map a range of nineteenth-century replication practices and associations across art, literature, science, media and material culture. While replication stirred imaginations as well as anxieties over the industrialisation that produced a modern mass culture, Replication in the Long Nineteenth Century suggests, nonetheless, that this phenomenon is a forerunner of our contemporary digital culture.

This landmark study explores replication as a nineteenth-century phenomenon. Replication, defined by Victorian artists as subsequent versions of a first version, similar but changed, occurred in art, literature, the press, merchandising, and historical reproductions in architecture and museums.



The first study of nineteenth-century replication across art, literature, science, social science and humanities

This landmark study explores replication as a nineteenth-century phenomenon. Replication, defined by Victorian artists as subsequent versions of a first version, similar but changed, occurred in art, literature, the press, merchandising, and historical reproductions in architecture and museums. Replication also shaped scientific concepts in biology and geology and scientific practices in laboratories that repeated experiments as part of the scientific method. Fourteen case studies map a range of nineteenth-century replication practices and associations across art, literature, science, media and material culture. While replication stirred imaginations as well as anxieties over the industrialisation that produced a modern mass culture, Replication in the Long Nineteenth Century suggests, nonetheless, that this phenomenon is a forerunner of our contemporary digital culture.

Key Features

  • The first historical study of nineteenth-century replication
  • Includes multidisciplinary case studies that rest on archival research as well as theory and analysis
  • Establishes a model for studying period concepts across disciplines and practices
  • Enhances understanding of the immense impact of digitization by illuminating its pre-history

The first study of nineteenth-century replication across art, literature, science, social science and humanities
 
This landmark study explores replication as a nineteenth-century phenomenon. Replication, defined by Victorian artists as subsequent versions of a first version, similar but changed, occurred in art, literature, the press, merchandising, and historical reproductions in architecture and museums. Replication also shaped scientific concepts in biology and geology and scientific practices in laboratories that repeated experiments as part of the scientific method. Fourteen case studies map a range of nineteenth-century replication practices and associations across art, literature, science, media and material culture. While replication stirred imaginations as well as anxieties over the industrialisation that produced a modern mass culture, Replication in the Long Nineteenth Century suggests, nonetheless, that this phenomenon is a forerunner of our contemporary digital culture.

Key Features

  • The first historical study of nineteenth-century replication
  • Includes multidisciplinary case studies that rest on archival research as well as theory and analysis
  • Establishes a model for studying period concepts across disciplines and practices
  • Enhances understanding of the immense impact of digitization by illuminating its pre-history
List of Illustrations
v
Acknowledgments ix
1 Introduction: Replication in the Long Nineteenth Century - Re-makings and Reproductions
1(22)
Julie Codell
Linda K. Hughes
I Replication and Networks
2 Replication of Things: The Case for Composite Biographical Approaches
23(23)
Sally M. Foster
3 Transatlantic Autograph Replicas and the Uplifting of American Culture
46(21)
Julie Codell
4 "Petty Larceny" and "Manufactured Science": Nineteenth-Century Parasitology and the Politics of Replication
67(17)
Emilie Taylor-Brown
5 Portraying and Performing the Copy, c. 1900
84(19)
Dorothy Moss
II Replication and Technology
6 Replicating Tennyson's The Princess, 1847--1853
103(19)
Linda K. Hughes
7 Paisley / Kashmir: Mapping the Imitation-Indian Shawl
122(22)
Suzanne Daly
8 William Morris and the Form and Politics of Replication
144(18)
Elizabeth Carolyn Miller
9 Text and Media Replication During the U.S.-Mexican War, 1846-1848
162(19)
Kathryn Ledbetter
III Replication and Authenticity
10 Literary Replication and the Making of a Scientific "Fact": Richard Owen's Discovery of the Dinornis
181(14)
Gowan Dawson
11 Copying from Nature: Biological Replication and Fraudulent Imposture in Grant Allen's An African Millionaire
195(18)
Will Abberley
12 The Failure of Replication in Nineteenth-Century Literature: Why It All Just Comes Out Wrong
213(18)
Daniel Bivona
IV Replication and Time
13 "Seeking Nothing and Finding It": Moving On and Staying Put in Mugby Junction
231(17)
James Mussell
14 The Origins of Replication in Science
248(21)
Ryan D. Tweney
15 Fathers, Sons, Beetles, and "a family of hypotheses": Replication, Variation, and Information in Gregory Bateson's Reading of William Bateson's Rule
269(20)
David Amigoni
16 Afterword: The Implications of Nineteenth-Century Replication Culture
289(5)
Julie Codell
Linda K. Hughes
Notes on Contributors 294(5)
Index 299