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E-grāmata: Representing Abortion

Edited by (St. Francis Xavier University in Antigonish, Nova Scotia, Canada)
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"Representing Abortion analyses how artists, writers, performers, and activists make abortion visible, audible, and palpable within contexts dominated by anti-abortion imagery centred on the fetus and the erasure of the pregnant person, challenging the polarisation of conversations about abortion. This book illuminates the manifold ways that abortion is depicted and narrated by artists, performers, clinicians, writers, and activists. This representational work offers nuanced and complex understandings ofabortion, personally and politically. Analyses of such representations are urgently needed as access to abortion is diminished and antiabortion representations of the fetus continue to dominate the cultural horizon for thinking about abortion. Expanding the frame of reference for understanding abortion beyond the anti-abortion use of the fetal image, contributors to this collection push beyond narrow abstractions to examine representations of the experience and procedure of abortion within grounded histories, politics, and social contexts. The collection is organized into sections around Seeing (and Not Seeing) Abortion; Fetal Materiality; Abortion Storytelling and Memoir; and Representations for New Arguments. These themes cover a range of topics including abortion visibility, anti-abortion discourse, pro-choice engagements with the fetus, personal experience and media representations. The analyses of such representations counteract anti-abortion rhetoric, carving out space for new arguments for abortion that are more representative and inclusive and asking audiences to envision new ways to advocate for safe abortion access through reproductive justice frameworks. This is an innovative and challenging collection that will be of key interest for scholarsstudying reproductive rights and reproductive justice; and women and gender studies. Representing Abortion is organized to structure upper year undergraduate and graduate courses on reproductive rights and reproductive justice in a new and engaging way"--

Representing Abortion analyses how artists, writers, performers, and activists make abortion visible, audible, and palpable within contexts dominated by anti-abortion imagery centred on the fetus and the erasure of the pregnant person. This creative work is significant as it challenges the polarisation of conversations about abortion.



Representing Abortion analyses how artists, writers, performers, and activists make abortion visible, audible, and palpable within contexts dominated by anti-abortion imagery centred on the fetus and the erasure of the pregnant person, challenging the polarisation of conversations about abortion.

This book illuminates the manifold ways that abortion is depicted and narrated by artists, performers, clinicians, writers, and activists. This representational work offers nuanced and complex understandings of abortion, personally and politically. Analyses of such representations are urgently needed as access to abortion is diminished and anti-abortion representations of the fetus continue to dominate the cultural horizon for thinking about abortion. Expanding the frame of reference for understanding abortion beyond the anti-abortion use of the fetal image, contributors to this collection push beyond narrow abstractions to examine representations of the experience and procedure of abortion within grounded histories, politics, and social contexts.

The collection is organized into sections around seeing (and not seeing) abortion; fetal materiality; abortion storytelling and memoir; and representations for new arguments. These themes cover a range of topics including abortion visibility, anti-abortion discourse, pro-choice engagements with the fetus, personal experience and media representations. The analyses of such representations counteract anti-abortion rhetoric, carving out space for new arguments for abortion that are more representative and inclusive and asking audiences to envision new ways to advocate for safe abortion access through reproductive justice frameworks.

This is an innovative and challenging collection that will be of key interest for scholars studying reproductive rights and reproductive justice, as well as women and gender studies. Representing Abortion is organized to structure upper year undergraduate and graduate courses on reproductive rights and reproductive justice in a new and engaging way.

List of figures
viii
List of contributors
ix
Acknowledgements xiv
1 Representing abortion
1(14)
Rachel Alpha Johnston Hurst
PART I Seeing (and not seeing) abortion
15(72)
2 Secrets
19(30)
Rachel Marie-Crane Williams
3 It's a-bey4-borted: fetal bodies, graphic abortion, and the option to look
49(12)
Jeannie Ludlow
4 Museums and the material culture of abortion
61(14)
Manon S. Parry
5 Who's late? Degrassi, abortion, history
75(12)
Michele Byers
PART II Fetal materiality
87(70)
6 Representing the cause: the strategic rebranding of the anti-abortion movement in Canada
93(11)
Kelly Gordon
Paul Saurette
7 Visual realignment? The shifting visual terrains of anti-abortion strategies in the Republic of Ireland
104(15)
Katherine Side
8 Look like a provider: representing the materiality of the fetus in abortion care work
119(12)
Lena Hann
Jeannie Ludlow
9 Dressing the Mizuko Jizo: materialising the aborted fetus in Japan
131(11)
Aurore Yamagata-Montoya
10 Rattling your rage: humour, provocation, and the SisterSerpents
142(15)
Claire L. Kovacs
PART III Abortion storytelling and memoir
157(46)
11 Abortion for beginners
161(5)
T.L. Cowan
12 All politics are reproductive: abortion and environment in Marianne Apostolides' Deep Salt Water
166(11)
Heather Latimer
13 From compulsion to choice? The changing representations of abortion in India
177(13)
Sucharita Sarkar
14 Underground Women's State: Polish struggles for abortion rights
190(13)
Dagmara Rode
PART IV Representations for new arguments
203(41)
15 "What you do hurts all of us!": when women confront women through pro-life rhetoric
207(14)
Jennifer Scuro
16 "This is how I was born on the operating table of an abortion clinic": reproductive decision-making and Coatlicue State in Teatro Luna
221(12)
Melissa Huerta
17 Abortion and the ideology of love in Kathy Acker's Blood and Guts in High School and Don Quixote, Which Was a Dream
233(11)
Yoonha Shin
Index 244
Rachel Alpha Johnston Hurst is Associate Professor of Women's and Gender Studies at St. Francis Xavier University in Antigonish, Nova Scotia. Her research is concerned with the relationships between power, embodiment, and (visual) culture, from the perspectives of psychoanalysis and decolonial thought. She is author of Surface Imaginations: Cosmetic Surgery, Photography, and Skin (2015) and co-editor of Skin, Culture, and Psychoanalysis (2013). Her most recent essays have been published in History of Photography, Feminist Studies, Configurations, and Body & Society.