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E-grāmata: Representing Calcutta: Modernity, Nationalism and the Colonial Uncanny

3.80/5 (18 ratings by Goodreads)
(University of California, Santa Barbara, USA)
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Representing Calcutta: Modernity, Nationalism, and the Colonial Uncanny is a spatial history of colonial Calcutta, addressing the question of modernity that haunts our perception of Calcutta. The book responds to two interrelated concerns about the city. The first is the image of Calcutta as the worst case scenario of a Third World city - the proverbial "city of dreadful nights." The second is the changing nature of the city’s public spaces - the demise of certain forms of urban sociality that have been mourned in recent literature as the passing of Bengali modernity.

This book explores the history of the city, focusing in particular on its emergence from colonialism into postcolonial modernity. Drawing on postcolonial and spatial theory, the author analyzes the city under British colonial rule and in its later incarnations, and also examines such issues as gender, identity, and nationalism. It is a an essential text for scholars with an interest in colonialism, South Asia, and urban development.


 

Recenzijas

'The author ably juggles racial, gendered, moral, architectural, literary and artistic geographies to craft a highly innovative, scholarly and stylishly executed study ... on a personal note, as the granddaughter of a suburban Calcutta architect I particularly welcome this book.' - Social & Cultural Geography 'Representing Calcutta provides a new and exciting look into the burgeoning capital of the Raj in the early nineteenth century. Chattopadhyay powerfully weaves together architecture, space, and culture to describe a city of 'blurred boundaries', in which British and Bengali each play a part in the creation of a distinctively colonial culture. From the layout of the bungalow to the ideas of Bengali reformers, Chattopadhyay gives us a living Calcutta in place of the usual stereotypes derived from Kipling and contemporary image-making'

- Thomas R. Metcalf, Professor of History Emeritus, University of California, Berkley'Representing Calcutta offers a wide ranging and fluent interpretation of the literature, art, and urban landscape of the colonial city that uses each to illuminate and sometimes to undercut the others. Chattopadhyay's great talent is to lay out large issues in concrete ways, creating a vivid and memorable portrait of colonial Calcutta's life and landscape and offering a fresh perspective on one of the world's great cities.' - Dell Upton, School of Architecture, University of Virginia

'The author ably juggles racial, gendered, moral, architectural, literary and artistic geographies to craft a highly innovative, scholarly and stylishly executed study ... on a personal note, as the granddaughter of a suburban Calcutta architect I particularly welcome this book.' - Social & Cultural Geography

List of illustrations
xi
Acknowledgments xiv
Introduction: the city in historical imagination 1(1)
Representing modernity and nationalism
1(5)
Received histories
6(4)
Thinking spatially
10(4)
Public space
14(5)
Plan of this book
19(2)
The colonial uncanny
21(55)
Eye of a European
21(7)
Drawing boundaries
28(5)
Scientific accuracy and the picturesque
33(13)
Depicting Calcutta
46(16)
Pathological space
62(6)
From picturesque paintings to health maps
68(8)
The limits of ``white'' town
76(60)
Topographic palimpsest
76(16)
Built for speculation
92(17)
Out of England?
109(9)
``A long opera''
118(18)
Locating mythic selves
136(43)
Public sphere and public space
136(5)
Discursive strategies
141(9)
Translating architecture
150(17)
The art of remembering
167(12)
Telling stories
179(46)
Dwelling in modernity
179(7)
The speech culture of the middle class
186(8)
On the edge of the street
194(22)
The language of material culture
216(9)
Death in public
225(49)
Women in public
225(4)
Representing sexual transgression
229(8)
Desire and devotion in nationalist imagination
237(11)
Displacement
248(6)
The trouble with their bodies
254(11)
Mapping domesticity
265(9)
Conclusion: the politics of representation 274(7)
Notes 281(24)
Index 305


Swati Chattopadhyay is a Professor in the Department of History of Art and Architecture, University of California, Santa Barbara, USA. She is an architect and architectural historian, specializing in modern architecture and the cultural landscape of British colonialism.