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Representing the Experience of War and Atrocity: Interdisciplinary Explorations in Visual Criminology 1st ed. 2019 [Hardback]

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  • Formāts: Hardback, 261 pages, height x width: 210x148 mm, weight: 483 g, 2 Illustrations, color; 1 Illustrations, black and white; IX, 261 p. 3 illus., 2 illus. in color., 1 Hardback
  • Sērija : Palgrave Studies in Crime, Media and Culture
  • Izdošanas datums: 08-May-2019
  • Izdevniecība: Springer Nature Switzerland AG
  • ISBN-10: 3030139247
  • ISBN-13: 9783030139247
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  • Formāts: Hardback, 261 pages, height x width: 210x148 mm, weight: 483 g, 2 Illustrations, color; 1 Illustrations, black and white; IX, 261 p. 3 illus., 2 illus. in color., 1 Hardback
  • Sērija : Palgrave Studies in Crime, Media and Culture
  • Izdošanas datums: 08-May-2019
  • Izdevniecība: Springer Nature Switzerland AG
  • ISBN-10: 3030139247
  • ISBN-13: 9783030139247
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This book explores how the experience of war and related atrocities tend to be visually expressed and how such articulations and representations are circulated and consumed. Each chapter of this volume examines how an image can contribute to a richer understanding of the experience of war and atrocity and thus they contribute to the burgeoning field of the "criminology of war". Topics include the destruction of war in oppositional cultural forms - comparing the Nazi period with the ISIS destruction of Palmyra - and the visual aesthetics of violence deployed by Jihadi terrorism. The contributors are a multi-disciplinary team drawn mainly from criminology but also sociology, international relations, gender studies, English and the visual arts. This book will advance this field in new directions with refreshing, original work. 

1 Introduction
1(16)
Ronnie Lippens
2 Georges Bataille's Paleolithic Cave Art and the Human Condition
17(28)
Patrick Van Calster
3 The Aesthetics of Violence
45(28)
David Polizzi
4 Images of Atrocity: From Victimhood to Redemption and the Implications for a (Narrative) Victimology
73(20)
Sandra Walklate
5 Fathers and Sons: Loss and Truth in War Films from Bosnia and Sri Lanka
93(30)
Dubravka Zarkov
Neloufer De Mel
Rada Drezgic
6 Implicit Criminologies in the Filmic Representations of Genocide
123(30)
Mark Bostock
7 Prometheus and the Degenerate: Arno Breker, Hans Bellmer, and Francis Bacon's Extreme Realism
153(26)
Mark Featherstone
8 The Separate System? A Conversation on Collaborative Artis tic Practice with Veterans-in-Prison
179(24)
Emma Murray
Katie Davies
Emily Gee
9 Performing Atrocity: Staging Experiences of Violence and Conflict
203(24)
Will McGowan
10 Competing to Control the Post-conflict Present: Articulating Victimhood in Exhibitions in Northern Ireland
227(26)
Matthew Jackson
Index 253
Ronnie Lippens is Professor of Criminology at Keele University. He is author and editor of over 150 academic contributions in a wide variety of venues, including edited book volumes for Palgrave Macmillan, Routledge and Glasshouse Press. His current research interests include 'philosophical criminology', and 'visual criminology', with a focus on art and art history. Emma Murray is Senior Lecturer in Criminal Justice for the School of Law, Liverpool John Moores University. Her work is dedicated to the problem of veterans within the criminal justice system, and more recently what the testimonies of veterans - who have been convicted of an offence post-combat - reveal about war and governance in the 21st century.