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E-grāmata: Representing Hip Hop Histories, Politics and Practices in Australia

Edited by (University of Adelaide, Australia), Edited by (Curtin University, Australia), Edited by (UNSW, Australia), Edited by (University of Newcastle, Australia)
  • Formāts: 230 pages
  • Izdošanas datums: 23-Sep-2024
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781040146019
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Representing Hip Hop Histories, Politics and Practices in AustraliaPalielināt
  • Formāts: 230 pages
  • Izdošanas datums: 23-Sep-2024
  • Izdevniecība: Routledge
  • Valoda: eng
  • ISBN-13: 9781040146019
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This long-awaited volume is the first edited collection to focus entirely on Hip Hop in Australia. Bringing together both scholarly and practitioner perspectives, across eleven chapters, contributors explore the diversity of identities, communities, practices, and expressions that make-up Hip-Hop in Australia, including Emceeing/ music production, Graffiti and Breaking.

The theoretical and methodological frameworks used include ethnographic and autoethnographic research and writing, discourse analysis, Indigenous methodologies, textual analysis and archival research. Some authors present their contributions in academic chapters while others use creative formats. The book showcases how Hip Hop is understood and lived across numerous settings in Australia, making important contributions to global Hip Hop studies and scholarship in related fields such as popular music/ youth culture and Indigenous Studies.

It will prove essential reading for students, academics, and practitioners interested in Hip Hop, popular culture, music and dance in Australia.



This long-awaited volume is the first to focus entirely on Hip Hop in Australia. Bringing together both scholarly and practitioner perspectives, across eleven chapters, contributors explore the diversity of identities, communities, practices, and expressions that make-up Hip-Hop in Australia.

Recenzijas

Hip Hop aesthetics, politics, and education in Australia come alive in this sweeping survey of practices, methods, and voices, including First Nations and other marginalised artists and scholars. An inspired, vital contribution to the literature!

-Jeff Chang, Cant Stop Wont Stop: A History of the Hip-Hop Generation

An antidote to one-size-fits-all descriptions of Hip Hop in Australia. Its refreshing, real, challenging and inspiring. Academics and Hip Hoppers share stories from across this great southern land, never scared to ask tough questions, never shying away from the richness and complexity of those who love, live and are Hip Hop.

-Morganics (MetaBass'n'Breath) veteran Australian Hip Hop artist.

Much more than a set of compelling essays about Australian Hip Hop. Representing Hip Hop Histories, Politics and Practices in Australia speaks with insight and authority to both the emergence and development of a discrete field of studies, and to urgent contemporary debates about what it is to be in, and to make culture in, Australia.

-Ian Maxwell, Theatre and Performance Studies, University of Sydney.

"Australian Hip Hop is grossly undervalued and marginalised. There is little quality academic research about it. This book brings together practitioners and academics in a wide-ranging and incisive exploration of Australian Hip Hop at the borders of Indigenous and settler culture. It is an important step forward in discussions of Hip Hop in Australia."

-Jon Stratton, Adjunct Professor, UniSA Creative, University of South Australia.

Introduction: Representing Hip Hop in Australia Section 1: Hip Hop
Histories, Eras and Evolutions
1. Graffiti and Hip Hop in Australia: An
Interview with Matthew MISTERY Peet
2. From Gen X to Gen Y: Hip-Hop
Life-Stories in Australia
3. Revisiting Nationalism and Multiculturalism in
So-called Australian Hip Hop Section 2: Hip Hop Activism and Politics
4. Hip
Hop, Activism and Other Stories (Herstory)
5. Hip Hop Crim - A Discourse
Analysis of Conscious First Nations Hip Hop Contesting Australia's Criminal
Justice System
6. We Need to Infiltrate Those Spaces: Space-Reclaiming
through Counternarratives in First Nations Hip-Hop in Sydney
7. Hip-Hop Fam
or a Larrikin Brand? Urthboy and the Bind of the Conscious MC Section 3: Hip
Hop Performance Practices and Place
8. Hip Hop Dance Jams and Cyphers
9.
Pirlapakarnu Cypher: Beyond Representing Place to Warlpiri Embodiments of
Country in Milpirri Hip Hop
10. Who is this Imposter?: Women in Australian
Underground Hip Hop
11. In a Good Way Theres No BEEF, but the Bad Thing is
Theres No BEEF: Tensions and Changing Cultural Politics in Sydneys
Breaking Scene.
Sudiipta Dowsett is a Research Associate in the Faculty of Art, Design and Architecture at the University of New South Wales, Australia.

Lucas Marie is the Deputy Director for Culture, at the Centre for Defence Leadership & Ethics (CDLE), Australian Defence College, Canberra.

Dianne Rodger is Senior Lecturer in the Department of Anthropology and Development Studies at the University of Adelaide, Australia.

Grant Leigh Saunders is a Biripi First Nations independent creative researcher, award-winning documentary filmmaker and Regional Manager of Joint Colleges Training Services (NSW/ACT).
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